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The Digital Public Domain
doi: 10.11647/obp.0019
The Digital Public Domain
Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture's use — copyright and related rights — have become increasingly restrictive. This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain — that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information — is fundamental to a healthy society. The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing.
Microsoft Academic Graph classification: Intellectual property Public domain Digital media Political science Democratization Digitization business.industry Public sector Related rights Public relations business Commons
rights management, [SHS.INFO]Humanities and Social Sciences/Library and information sciences, commons, digital information, [SHS.DROIT]Humanities and Social Sciences/Law, science commons, libraries, scientific commons, [INFO.INFO-DL]Computer Science [cs]/Digital Libraries [cs.DL], public domain, digital rights, open access, copyright, metadata, digital commons, registries, research commons
rights management, [SHS.INFO]Humanities and Social Sciences/Library and information sciences, commons, digital information, [SHS.DROIT]Humanities and Social Sciences/Law, science commons, libraries, scientific commons, [INFO.INFO-DL]Computer Science [cs]/Digital Libraries [cs.DL], public domain, digital rights, open access, copyright, metadata, digital commons, registries, research commons
Microsoft Academic Graph classification: Intellectual property Public domain Digital media Political science Democratization Digitization business.industry Public sector Related rights Public relations business Commons
32 references, page 1 of 4
2 See the Public Domain Day website: http://www.publicdomainday.org.
3 Background at http://wiki.okfn.org/Public_Domain_Calculators; application at http:// www.publicdomainworks.net/api; see also http://outofcopyright.eu.
4 See http://www.communia-association.org/home.
5 Intelligent Multimedia: Sharing Creative Works in a Digital World, ed. by Danièle Bourcier, Pompeu Casanovas, Melanie Dulong de Rosnay and Catharina Maracke (Florence: European Press, 2010), available at http://creativecommons.fr/wordpress/wp-content/ uploads/2011/05/CCiBook_printedversion_IntelligentMultimedia1.pdf.
European Commission, “i2010: Digital Libraries”, SEC (2005) 1194, Brussels (30 September 2005), available at http://eur-lex.europa.eu/LexUriServ/site/en/ com/2005/com2005_0465en01.pdf.
Guédon, Jean-Claude, “In Oldenburg's Long Shadow: Librarians, Research Scientists, Publishers, and the Control of Scientific Publishing”, presentation for the Association of Research Libraries, Toronto (May 2001), available at http://www.arl.org/resources/pubs/mmproceedings/138guedon.shtml. [OpenAIRE]
-, “Evaluating Directive 2001/29/EC in the Light of the Digital Public Domain”, paper presented at the first Communia conference, Louvain-la-Neuve (1 July 2008), available at http://www.communia-project.eu/communiafiles/ conf2008p_Evaluation_of_the_directive_2001-29-EC.pdf; an updated version of Guibault's paper can be found in this volume (Chapter 3).
- et al., “Study on the Implementation and Effect in Member States' Laws of Directive 2001/29/EC on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society” (February 2007), report prepared for the European Commission, DG Internal Market, ETD/2005/IM/ D1/91, available at http://www.ivir.nl/publications/guibault/Infosoc_report_ 2007.pdf.
Pollock, Rufus and Jo Walsh, “Componentization and Open Data”, paper delivered at XTech (2007), available at htp://blog.okfn.org/writings/componentizationand-open-data.
Ricolfi, Marco, “Copyright Policies for Digital Libraries in the Context of the i2010 Strategy”, paper presented at the first Communia conference, Louvain-laNeuve (1 July 2008), available at htp://www.communia-project.eu/node/110.
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).9 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).9 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average Powered byBIP!

Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture's use — copyright and related rights — have become increasingly restrictive. This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain — that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information — is fundamental to a healthy society. The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing.