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58 Research products

  • DARIAH EU
  • 2013-2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barbot, Laure; Roi, Arnaud; Scharnhorst, Andrea; Durco, Matej; +7 Authors

    This white paper primarily served as an internal working document for the DARIAH ERIC. We inspected current service policies and practices across ERIC’s with an emphasis on social sciences and humanities. We summarised earlier analysis of the DARIAH service portfolio. The ultimate purpose of the paper was to create a common ground of understanding what DARIAH services are and how to develop governance and management around them. Still, when writing this paper, we realised that others might encounter similar questions in their quest, and so could learn from our exploration.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Soyez, Sébastien;

    International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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  • Authors: Riondet, Charles; Romary, Laurent;

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  • Authors: Tóth-Czifra, Erzsébet; Moranville, Yoann;

    Navigating through the rich and dynamically evolving (Wouters et al., 2013) Digital Humanities (henceforth DH) landscape can be a time-consuming task and difficult to integrate into researchers' everyday routines. Yet primary goals of the DH paradigm such as 1. broadening and deepening the adoption of digital methods amongst humanities scholars and 2. facilitating the culture of reuse of already existing resources requires sufficient tools that make DH resources, methods and best practices visible, easily discoverable and freely accessible for researchers in all levels of expertise. The OpenMethods metablog aims to fulfil this need and provides a platform to bring together all formats of Open Access publications in different languages about methods in DH to spread the knowledge and raise peer recognition for them.

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    Authors: Scharnhorst, Andrea; Admiraal, Femmy; van Kranenburg, Peter; Guillotel-Nothmann, Christophe; +1 Authors

    This paper takes as an example the envisioned portal of the newly started Polifonia project that interlinks resources from very rich, old, established archives while making optimal use of the latest semantic web technologies. In the project, ten research pilots, spanning from historical bells and organ heritage, classification of polyphonic notated music, to the historical role of music in children's lives, form the driving force behind the development of the dedicated interface. Based on a mixture of participation and participatory observation, we describe and reflect on the processes involved in making the portal. In other words - exemplified with the case of Polifonia - we reflect on the role of interfaces (of various types, shapes, manifestations and/or durations) to organise knowledge in an interdisciplinary project. In particular, we focus on the role of data management within the project as a key component of research methodology and cross-disciplinary collaboration, rather than an administrative exercise. The knowledge generated by this part of the project serves at least three different purposes: (1) to envision new research questions (competence questions) guiding the engineering backbone processes; (2) to define the future elements of the portal both for experts, other researchers, wider public and specific parts of the wider public; and last but not least, (3) the documentation task needed to support reproducibility and FAIRness of all data processes. Figure 1 below illustrates how the three components, namely the sociotechnical roadmap of the portal, the ontology-based knowledge graphs created in the research pilots, and the data management plan form three complementary components of the Polifonia project, that ultimately all feed into the web portal. In this paper, we claim that behind any interface there is the need for a layer of interfaces that form the basis of the final interface visible to the public. These procedural, intermediary, interfaces take the form of meetings, shared notes, github presence - and will result in products of their own (Data Management Plan, knowledge graphs), as well as inform the decisions during the process of designing the portal.

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  • Authors: Romary, Laurent; Biabiany, Damien; Illmayer, Klaus; Puren, Marie; +3 Authors

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    Authors: Peuch, Benjamin;

    International audience

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    Authors: Stevenson, Jane;

    International audience

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  • Authors: Giglia, Elena; Dumouchel, Suzanne; Gingold, Arnaud; Ernst, Elisabeth;

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  • Authors: Lopez, Patrice; Meyer, Alexander; Romary, Laurent;

    International audience; CENDARI (Collaborative European Digital Archive Infrastructure) is a research infrastructure project aimed at integrating digital archives and resources for research on medieval and modern European history.The project brings together information and computer scientists with historians and existing historical research infrastructures (archives, libraries, other digital projects) to improve conditions for digital historical scholarship. CENDARIhas engaged in extensive networking with the archives and libraries of Europe, especially those in Eastern Europe.CENDARI is a 4-year, European-Commission-funded project led by Trinity College Dublin, in partnership with 14 institutions across 8 countries.

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58 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barbot, Laure; Roi, Arnaud; Scharnhorst, Andrea; Durco, Matej; +7 Authors

    This white paper primarily served as an internal working document for the DARIAH ERIC. We inspected current service policies and practices across ERIC’s with an emphasis on social sciences and humanities. We summarised earlier analysis of the DARIAH service portfolio. The ultimate purpose of the paper was to create a common ground of understanding what DARIAH services are and how to develop governance and management around them. Still, when writing this paper, we realised that others might encounter similar questions in their quest, and so could learn from our exploration.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Soyez, Sébastien;

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    Other literature type . 2019
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  • Authors: Riondet, Charles; Romary, Laurent;

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  • Authors: Tóth-Czifra, Erzsébet; Moranville, Yoann;

    Navigating through the rich and dynamically evolving (Wouters et al., 2013) Digital Humanities (henceforth DH) landscape can be a time-consuming task and difficult to integrate into researchers' everyday routines. Yet primary goals of the DH paradigm such as 1. broadening and deepening the adoption of digital methods amongst humanities scholars and 2. facilitating the culture of reuse of already existing resources requires sufficient tools that make DH resources, methods and best practices visible, easily discoverable and freely accessible for researchers in all levels of expertise. The OpenMethods metablog aims to fulfil this need and provides a platform to bring together all formats of Open Access publications in different languages about methods in DH to spread the knowledge and raise peer recognition for them.

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    Authors: Scharnhorst, Andrea; Admiraal, Femmy; van Kranenburg, Peter; Guillotel-Nothmann, Christophe; +1 Authors

    This paper takes as an example the envisioned portal of the newly started Polifonia project that interlinks resources from very rich, old, established archives while making optimal use of the latest semantic web technologies. In the project, ten research pilots, spanning from historical bells and organ heritage, classification of polyphonic notated music, to the historical role of music in children's lives, form the driving force behind the development of the dedicated interface. Based on a mixture of participation and participatory observation, we describe and reflect on the processes involved in making the portal. In other words - exemplified with the case of Polifonia - we reflect on the role of interfaces (of various types, shapes, manifestations and/or durations) to organise knowledge in an interdisciplinary project. In particular, we focus on the role of data management within the project as a key component of research methodology and cross-disciplinary collaboration, rather than an administrative exercise. The knowledge generated by this part of the project serves at least three different purposes: (1) to envision new research questions (competence questions) guiding the engineering backbone processes; (2) to define the future elements of the portal both for experts, other researchers, wider public and specific parts of the wider public; and last but not least, (3) the documentation task needed to support reproducibility and FAIRness of all data processes. Figure 1 below illustrates how the three components, namely the sociotechnical roadmap of the portal, the ontology-based knowledge graphs created in the research pilots, and the data management plan form three complementary components of the Polifonia project, that ultimately all feed into the web portal. In this paper, we claim that behind any interface there is the need for a layer of interfaces that form the basis of the final interface visible to the public. These procedural, intermediary, interfaces take the form of meetings, shared notes, github presence - and will result in products of their own (Data Management Plan, knowledge graphs), as well as inform the decisions during the process of designing the portal.

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    ZENODO
    Presentation . 2021
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    ZENODO
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    Part of book or chapter of book . 2021
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      Part of book or chapter of book . 2021
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  • Authors: Romary, Laurent; Biabiany, Damien; Illmayer, Klaus; Puren, Marie; +3 Authors

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