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26 Research products

  • DARIAH EU
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26 Research products
  • Authors: Edmond, Jennifer; Romary, Laurent;

    International audience

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    Authors: Angela Cossu;

    International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gelati, Francesco;

    The European Holocaust Research Infrastructure (EHRI) portal website aims to aggregate digitally available archival descriptions concerning the Holocaust. This portal is actually a meta-catalogue, or an information aggregator, whose biggest goal is to have up-to-date information by means of building sustainable data pipelines between EHRI and its content providers. Just like in similar archival information aggregators (e.g. Archives Portal Europe or Monasterium), the XML-based metadata standard Encoded Archival Description (EAD) plays a key role. The article presents how EADs are imported into the portal, mainly thanks to the Open Archive Initiative protocols.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hal-Diderot
    Other literature type . 2019
    Data sources: Hal-Diderot
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Part of book or chapter of book . 2019
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Part of book or chapter of book . 2019
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hal-Diderot
      Other literature type . 2019
      Data sources: Hal-Diderot
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Part of book or chapter of book . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Part of book or chapter of book . 2019
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  • Authors: Romary, Laurent; Edmond, Jennifer;

    International audience; The reflections in this chapter stem from the perspective of the DARIAH-ERIC,a distributed infrastructure for the arts and humanities. They explore how impactcan take a variety of forms not always considered when the term is applied in astrictly technocratic sense, and the idea that focussing on the user of a research infrastructuremay not describe an optimal relationship from an impact perspective.The chapter concludes by presenting three frames of reference in which an infrastructurelike DARIAH can have impact: to foster excellence through impact on researchers,promote fluidity through impact on policymakers, and support efficiencythrough impact on our partner organisations.

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  • Authors: Masclet De Barbarin, Marie;

    International audience; Ce guide de bonnes pratiques éthiques et juridiques pour la diffusion des données en SHS est né de la réflexion d’un groupe de chercheurs, de professionnels de la documentation et de juristes structuré dans le cadre d’un groupe de travail Éthique et Droit. Face au renouvellement des problématiques liées aux droits d’auteurs, à la confidentialité, à la sécurisation et à la validation des données dans un contexte de mutation technologique, le groupe de travail Éthique et Droit a lancé un appel à communication ouvert à toutes les personnes s’intéressant aux problématiques éthiques et juridiques en matière de diffusion des données en SHS. Les auteurs ont été invités à proposer soit des retours d’expériences soit des articles portant sur les enjeux éthiques et juridiques en matière de diffusion des données en SHS, en explorant les solutions concrètes envisageables ou envisagées dans le cadre des cinq étapes de diffusion identifiées au préalable : la préparation de la recherche et l’anticipation de l’archivage ; la collecte des données ; le traitement, l’archivage et la description des données ; la diffusion des résultats de la recherche et la réutilisation des données.Il est important ici de souligner le caractère ambitieux de la démarche, à la fois prospective et réflexive, empirique et comparative, et surtout résolument pragmatique. Ce projet, labellisé par la Digital Research Infrastructure for the Arts and Humanities (DARIAH) en 2015 et financé par le Service commun de documentation (SCD) d’AMU, par la MMSH et par le consortium des ethnologues de la Très Grande Infrastructure de recherche (TGIR) Huma-Num a été supervisé par un comité scientifique qui s’est porté garant de la rigueur scientifique de la démarche.

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  • Authors: Ginouvès, Véronique; Gras, Isabelle;

    International audience; En guise de postface, il nous a semblé nécessaire de revenir sur le processus collaboratif de la fabrication de cet ouvrage et de vous confier la genèse de ce projet. Tout est parti d'un constat pragmatique, de nos situations quotidiennes de travail : le/la chercheur·e qui produit ou utilise des données a besoin de réponses concrètes aux questions auxquelles il/elle est confronté·e sur son terrain comme lors de tous ses travaux de recherche. Produire, exploiter, diffuser, partager ou éditer des sources numériques fait aujourd'hui partie de notre travail ordinaire. La rupture apportée par le développement du web et l'arrivée du format numérique ont largement facilité la diffusion et le partage des ressources (documentaires, textuelles, photographiques, sonores ou audiovisuelles...) dans le monde de la recherche et, au-delà, auprès des citoyens de plus en plus curieux et intéressés par les documents produits par les scientifiques.

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    Authors: Christof Schöch;

    Licence Creative Commons Attribution 4.0 (CC-BY); The digital age, by making large amounts of text available to us, prompts us to develop new and additional reading strategies supported by the use of computers and enabling us to deal with such amounts of text. One such "distant reading" strategy is stylometry, a method of quantitative text analysis which relies on the frequencies of certain linguistic features such as words, letters or grammatical units to statistically assess the relative similarity of texts to each other and to classify texts on this basis. This method is applied here to French drama of the seventeenth century, more precisely to the now famous "Corneille / Molière- controversy". In this controversy, some researchers claim that Pierre Corneille wrote several of the plays traditionally attributed to Molière. The methodological challenge, it is shown here, lies in the fact that categories such as authorship, genre (comedy vs. tragedy) and literary form (prose vs. verse) all have an influence on stylometric distance measures and classification. Cross-genre and cross-form authorship attribution needs to distinguish such competing signals if it is to produce reliable attribution results. This contribution describes two attempts to accomplish this, parameter optimization and feature-range selection. The contribution concludes with some more general remarks about the use of quantitative methods in a hermeneutic discipline such as literary studies.

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    Hyper Article en Ligne
    Other literature type . 2014
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Part of book or chapter of book . 2014
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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      Hyper Article en Ligne
      Other literature type . 2014
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Part of book or chapter of book . 2014
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rehm, Georg; Marheinecke, Katrin; Hegele, Stefanie; Piperidis, Stelios; +43 Authors

    Multilingualism is a cultural cornerstone of Europe and firmly anchored in the European treaties including full language equality. However, language barriers impacting business, cross-lingual and cross-cultural communication are still omnipresent. Language Technologies (LTs) are a powerful means to break down these barriers. While the last decade has seen various initiatives that created a multitude of approaches and technologies tailored to Europe's specific needs, there is still an immense level of fragmentation. At the same time, AI has become an increasingly important concept in the European Information and Communication Technology area. For a few years now, AI, including many opportunities, synergies but also misconceptions, has been overshadowing every other topic. We present an overview of the European LT landscape, describing funding programmes, activities, actions and challenges in the different countries with regard to LT, including the current state of play in industry and the LT market. We present a brief overview of the main LT-related activities on the EU level in the last ten years and develop strategic guidance with regard to four key dimensions. Comment: Proceedings of the 12th Language Resources and Evaluation Conference (LREC 2020). To appear

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    Utrecht University Repository
    Part of book or chapter of book . 2020
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    Hyper Article en Ligne
    Other literature type . 2020
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