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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dietz, A.J.;

    In this inaugural address the author, director of the African Studies Centre Leiden since 2010, first gives an impression of how Africans themselves perceive change and development, based on recent research in Ghana and Burkina Faso. He then presents some positive statistical evidence about Africa as a whole. After this, he sketches his current ideas for the future of the African Studies Centre in this era of an emerging Africa. [ASC Leiden abstract]

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    Lecture . 2011
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    Agencification phenomenon in the EU has led to concerns about controls over EU agencies’ actions. As the quantity and ‘quality’, i.e., strength of de jure powers, of EU agencies have grown in the last decades, so does the system of control over agencies show its development. The controls over all EU agencies with the de jure decision-making powers as well as the European Central Bank within the Single Supervisory Mechanism have been supported with the establishment of Boards of Appeal, which count 9 entities. Like with the agencification phenomenon however, the establishment and characteristics of the Boards vary greatly from agency to agency without clear indications as to why the differences (should) exist and what exact role and how much discretion (should) be given to the Boards. As this unclarities put the legitimacy of the system of controls of EU agencies under pressure, an attempt to build a common system of review of agency action by the Boards seems desirable. To contribute to this ultimate goal of our study, this chapter offers a historical overview of agencification and review of agency action in the EU, rationales behind the creation of agencies’ appeal bodies and an attempt of classification of different boards to enhance comprehension and development of a common system of review of agency action. For learning purposes, we look at the system of administrative review in the US. We base our analysis on relevant secondary legislation, such as agencies’ founding acts, rules of procedure, case-law in the EU and in the US and relevant academic literature.

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    Lecture . 2022
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      Lecture . 2022
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    Authors: Gewald, J.B.;

    In this lecture I describe and expand upon a painting by Thomas Baines that depicts Amaxhosa migrant labourers leaving the Cape Colony in 1848. It is my belief that what is depicted in this painting is representative of what happened in Southern Africa as a whole between 1650 and the present. I use the painting as a lens through which to look and think about the sub-continent's past and present. I do this by examining the painting in terms of what it tells us about the movement of people, goods and ideas in Southern Africa. In investigating the manner in which people have sought to acquire what they desire, often in the face of constraints - be they environmental, geographical or political - coupled with their ideas with regard to the manner in which the world functions, I seek to throw light on fundamental processes that determine Southern Africa's human history. What happened in the Eastern Cape was a precursor to events further afield. Focussing on the painting, the body of this lecture is divided into three parts that consider the movement and control of people, goods and ideas in Southern Africa's historical past. Bearing in mind the admonition not to be antiquarian in the pursuit of historical meaning, I seek to begin with the material objects of everyday life and then place them in a socio-cultural setting and study them through time. In keeping with this approach, I shy away from a belief in the number-crunching capacities of computers for although they may well throw up interesting anomalies with regard to the import of goods, they cannot tell us what the symbolic value and social or cultural context of these goods was, let alone the wide variety of meanings in terms of age, seniority, gender and race that people attached to such goods. The acquisition of material goods transformed the material cultures of the societies involved. Over time there has been a convergence of desires, consumption and the use of material objects within Southern Africa. These material objects only gain meaning when placed within the socio-cultural context in which they are used. In conclusion I argue that Southern Africa is a single whole, albeit with different accents. What ties Southern Africa together besides culturally informed deep structure is labour, economic institutions and the consumptive practises of its population. The economic institutions established in the past two centuries, be they mining companies, labour recruiting agencies, retail chains or trade and border agreements bind Southern Africa together. With slight regional variations and dependent on their class position, Southern Africans work for money, for the same employers, eat the same foods and aspire to the same material goods. In these terms, there is more that binds Southern Africans together than divides them.

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    Lecture . 2014
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    Lecture . 2014
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    Lecture . 2014
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    Lecture . 2014
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      Lecture . 2014
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      Lecture . 2014
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Lecture . 2014
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Lecture . 2014
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    In de roman 1984 van George Orwell speelt het verleden een belangrijke rol: ‘degene die het verleden controleert, controleert de toekomst’ is een van de partijslogans. Dit mag dan fictie zijn, maar ook in het echte leven is geschiedenis vaak een politiek middel om nationalisme in stand te houden. In die zin is geschiedenis het morele fundament waar landen op zijn gebouwd: het historische bewustzijn en geheugen helpen om een nationale identiteit te creëren. Prof.dr. Janny de Jong bespreekt in haar oratie hoe geschiedenis een rol speelt in Oost-Azië, waar met name de erfenis van de Japanse Oorlog een groot twistpunt is, ook in Japan zelf. Verder vergelijkt zij de rol van de erfenis van deze oorlog met de ontwikkelingen in Europa na de Tweede Wereldoorlog en na de Koude Oorlog. Sinds 1989 hebben de veranderende machtsverhoudingen in Azië-Pacific een grote invloed op de geschiedenis en het geheugen, net zoals de val van de Berlijnse Muur en het uiteenvallen van de Sovjet-Unie in Europa leidden tot een groot aantal nieuwe studies en interpretaties. In haar oratie probeert De Jong vragen te beantwoorden als: is de rol van oorlogservaringen en van geschiedenis anders in Oost-Azië dan in Europa? Maakt het omgaan met oorlogservaringen een cruciaal deel uit van het creëren van een naoorlogse nationale identiteit? Hoe moeten we de periode na de Koude Oorlog in dit opzicht begrijpen? Nationalisme kan de stabiliteit in zowel Oost-Azië als Europa ondermijnen. Als nationalisme is gebaseerd op een verdraaiing van de geschiedenis, moeten historici hier tegenin gaan.

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    Lecture . 2016
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      Lecture . 2016
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    Dutch literary prose translation of Samsu-iluna's cylinder text C [Akkadian edition], commemorating military and building events that took place from the 20th through the 24th year of this king's reign [1749-1711 B.C.]. The account of Samsu-iluna's res gestae culminates in recording how he managed to rebuild the city wall of the venerable Kish, so as to procure its gods with a homestead befitting their majesties. Not for a moment the pious king fails to heed the will of the gods, who in their heavenly assembly had ordained the whole thing in the first place, and who guide him successfully in whatever he attempts. The inscription concludes by praying that the gods may grant the king a long and healthy life in return.

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    Lecture . 2000
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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dietz, A.J.;

    In this inaugural address the author, director of the African Studies Centre Leiden since 2010, first gives an impression of how Africans themselves perceive change and development, based on recent research in Ghana and Burkina Faso. He then presents some positive statistical evidence about Africa as a whole. After this, he sketches his current ideas for the future of the African Studies Centre in this era of an emerging Africa. [ASC Leiden abstract]

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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    Agencification phenomenon in the EU has led to concerns about controls over EU agencies’ actions. As the quantity and ‘quality’, i.e., strength of de jure powers, of EU agencies have grown in the last decades, so does the system of control over agencies show its development. The controls over all EU agencies with the de jure decision-making powers as well as the European Central Bank within the Single Supervisory Mechanism have been supported with the establishment of Boards of Appeal, which count 9 entities. Like with the agencification phenomenon however, the establishment and characteristics of the Boards vary greatly from agency to agency without clear indications as to why the differences (should) exist and what exact role and how much discretion (should) be given to the Boards. As this unclarities put the legitimacy of the system of controls of EU agencies under pressure, an attempt to build a common system of review of agency action by the Boards seems desirable. To contribute to this ultimate goal of our study, this chapter offers a historical overview of agencification and review of agency action in the EU, rationales behind the creation of agencies’ appeal bodies and an attempt of classification of different boards to enhance comprehension and development of a common system of review of agency action. For learning purposes, we look at the system of administrative review in the US. We base our analysis on relevant secondary legislation, such as agencies’ founding acts, rules of procedure, case-law in the EU and in the US and relevant academic literature.

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    Lecture . 2022
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      Lecture . 2022
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    Authors: Gewald, J.B.;

    In this lecture I describe and expand upon a painting by Thomas Baines that depicts Amaxhosa migrant labourers leaving the Cape Colony in 1848. It is my belief that what is depicted in this painting is representative of what happened in Southern Africa as a whole between 1650 and the present. I use the painting as a lens through which to look and think about the sub-continent's past and present. I do this by examining the painting in terms of what it tells us about the movement of people, goods and ideas in Southern Africa. In investigating the manner in which people have sought to acquire what they desire, often in the face of constraints - be they environmental, geographical or political - coupled with their ideas with regard to the manner in which the world functions, I seek to throw light on fundamental processes that determine Southern Africa's human history. What happened in the Eastern Cape was a precursor to events further afield. Focussing on the painting, the body of this lecture is divided into three parts that consider the movement and control of people, goods and ideas in Southern Africa's historical past. Bearing in mind the admonition not to be antiquarian in the pursuit of historical meaning, I seek to begin with the material objects of everyday life and then place them in a socio-cultural setting and study them through time. In keeping with this approach, I shy away from a belief in the number-crunching capacities of computers for although they may well throw up interesting anomalies with regard to the import of goods, they cannot tell us what the symbolic value and social or cultural context of these goods was, let alone the wide variety of meanings in terms of age, seniority, gender and race that people attached to such goods. The acquisition of material goods transformed the material cultures of the societies involved. Over time there has been a convergence of desires, consumption and the use of material objects within Southern Africa. These material objects only gain meaning when placed within the socio-cultural context in which they are used. In conclusion I argue that Southern Africa is a single whole, albeit with different accents. What ties Southern Africa together besides culturally informed deep structure is labour, economic institutions and the consumptive practises of its population. The economic institutions established in the past two centuries, be they mining companies, labour recruiting agencies, retail chains or trade and border agreements bind Southern Africa together. With slight regional variations and dependent on their class position, Southern Africans work for money, for the same employers, eat the same foods and aspire to the same material goods. In these terms, there is more that binds Southern Africans together than divides them.

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    Lecture . 2014
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    Lecture . 2014
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    Lecture . 2014
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    Lecture . 2014
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    In de roman 1984 van George Orwell speelt het verleden een belangrijke rol: ‘degene die het verleden controleert, controleert de toekomst’ is een van de partijslogans. Dit mag dan fictie zijn, maar ook in het echte leven is geschiedenis vaak een politiek middel om nationalisme in stand te houden. In die zin is geschiedenis het morele fundament waar landen op zijn gebouwd: het historische bewustzijn en geheugen helpen om een nationale identiteit te creëren. Prof.dr. Janny de Jong bespreekt in haar oratie hoe geschiedenis een rol speelt in Oost-Azië, waar met name de erfenis van de Japanse Oorlog een groot twistpunt is, ook in Japan zelf. Verder vergelijkt zij de rol van de erfenis van deze oorlog met de ontwikkelingen in Europa na de Tweede Wereldoorlog en na de Koude Oorlog. Sinds 1989 hebben de veranderende machtsverhoudingen in Azië-Pacific een grote invloed op de geschiedenis en het geheugen, net zoals de val van de Berlijnse Muur en het uiteenvallen van de Sovjet-Unie in Europa leidden tot een groot aantal nieuwe studies en interpretaties. In haar oratie probeert De Jong vragen te beantwoorden als: is de rol van oorlogservaringen en van geschiedenis anders in Oost-Azië dan in Europa? Maakt het omgaan met oorlogservaringen een cruciaal deel uit van het creëren van een naoorlogse nationale identiteit? Hoe moeten we de periode na de Koude Oorlog in dit opzicht begrijpen? Nationalisme kan de stabiliteit in zowel Oost-Azië als Europa ondermijnen. Als nationalisme is gebaseerd op een verdraaiing van de geschiedenis, moeten historici hier tegenin gaan.

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    Lecture . 2016
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    Dutch literary prose translation of Samsu-iluna's cylinder text C [Akkadian edition], commemorating military and building events that took place from the 20th through the 24th year of this king's reign [1749-1711 B.C.]. The account of Samsu-iluna's res gestae culminates in recording how he managed to rebuild the city wall of the venerable Kish, so as to procure its gods with a homestead befitting their majesties. Not for a moment the pious king fails to heed the will of the gods, who in their heavenly assembly had ordained the whole thing in the first place, and who guide him successfully in whatever he attempts. The inscription concludes by praying that the gods may grant the king a long and healthy life in return.

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    Lecture . 2000
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