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This text elucidates how we make use of the FAIR data principles.

This animation visualizes the relative percentages of genre distributions in seven of the modernist magazines.

This user Guide provides information about using the Weblate software for translating the Dataverse User Interface. It was made for the participants of the SSHOC ‘Dataverse Translation Workshop’ (02/06/2021). 

Short text about the project, selected documents and related publications

This text explicates the criteria which guided the selection criteria applied to construct the corpus.

This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.

The document gives and overview of funding opportunities related to European Structural and Investment Funds (ESIF) for digital arts and humanities research, and provides concrete examples of successful actions that have been carried out in the last two programming periods (2007-2013 and 2014-2020). Moreover, this guide describes other funding schemes, notably Erasmus+, COST, Creative Europe, Connecting Europe Facility (CEF) that could be interesting for DARIAH partners.

This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men. CENDARI Archival Research Guide

Publishing research data as open data is not yet common practice for researchers in the arts and humanities, and lags behind other scientific fields, such as the natural sciences. Moreover, even when humanities researchers publish their data in repositories and archives, these data are often hard to find and use by other researchers in the field. This report gives an overview of the various aspects that are connected to open access publishing of research data in the humanities. After the introduction, where we give definitions of key concepts, we describe the research data life cycle. We present an overview of the different stakeholders involved and we look into advantages and obstacles for researchers to share research data. Furthermore, a description of the European data repositories is given, followed by certification standards of trusted digital data repositories. The possibility of data citation is important for sharing open data and is also described in this report. We also discuss the standards and use of metadata in the humanities. Finally, we discuss best practice example of open access research data system in the humanities: the French open research data ecosystem. With this report we provide information and guidance on open access publishing of humanities research data for researchers. It will also serve as input for the design and implementation of an open humanities data platform in DARIAH.

This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.