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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tonne, D.;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KITopenarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    KITopen
    Conference object . 2013
    Data sources: KITopen
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5445/ir/220...
    Conference object . 2013
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KITopenarrow_drop_down
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      KITopen
      Conference object . 2013
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5445/ir/220...
      Conference object . 2013
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rizza, Ettore; Chardonnens, Anne; Van Hooland, Seth;

    More and more cultural institutions use Linked Data principles to share and connect their collection metadata. In the archival field, initiatives emerge to exploit data contained in archival descriptions and adapt encoding standards to the semantic web. In this context, online authority files can be used to enrich metadata. However, relying on a decentralized network of knowledge bases such as Wikidata, DBpedia or even Viaf has its own difficulties. This paper aims to offer a critical view of these linked authority files by adopting a close-reading approach. Through a practical case study, we intend to identify and illustrate the possibilities and limits of RDF triples compared to institutions' less structured metadata. Comment: Workshop "Dariah "Trust and Understanding: the value of metadata in a digitally joined-up world" (14/05/2018, Brussels), preprint of the submission to the journal "Archives et Biblioth\`eques de Belgique"

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2019
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    DI-fusion
    Article . 2019 . Peer-reviewed
    Data sources: DI-fusion
    https://doi.org/10.48550/arxiv...
    Article . 2019
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
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    Authors: Tonne, D.;
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    KITopen
    Conference object . 2011
    Data sources: KITopen
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5445/ir/230...
    Other literature type . 2011
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      KITopen
      Conference object . 2011
      Data sources: KITopen
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5445/ir/230...
      Other literature type . 2011
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tonne, D.;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KITopenarrow_drop_down
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    KITopen
    Conference object . 2012
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5445/ir/220...
    Conference object . 2012
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KITopenarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      KITopen
      Conference object . 2012
      Data sources: KITopen
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5445/ir/220...
      Conference object . 2012
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Reinhard Altenhöner; Ina Blümel; Franziska Boehm; Jens Bove; +21 Authors

    Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies. The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
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    https://doi.org/10.5445/ir/100...
    Article . 2020
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    KITopen
    Article . 2020
    License: CC BY
    Data sources: KITopen
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Research Ideas and Outcomes
    Article
    License: CC BY
    Data sources: UnpayWall
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    ZENODO; Research Ideas and Outcomes
    Article . 2020 . Peer-reviewed
    License: CC BY
    Data sources: ZENODO; Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    DOAJ
    Article . 2020
    Data sources: DOAJ
    https://doi.org/10.25968/opus-...
    Article . 2023
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
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      https://doi.org/10.5445/ir/100...
      Article . 2020
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      KITopen
      Article . 2020
      License: CC BY
      Data sources: KITopen
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      Research Ideas and Outcomes
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      License: CC BY
      Data sources: UnpayWall
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      ZENODO; Research Ideas and Outcomes
      Article . 2020 . Peer-reviewed
      License: CC BY
      Data sources: ZENODO; Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      DOAJ
      Article . 2020
      Data sources: DOAJ
      https://doi.org/10.25968/opus-...
      Article . 2023
      License: CC BY
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    Authors: Tonne, Danah; Stotzka, Rainer; Rindone, Francesca;
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    KITopen
    Part of book or chapter of book . 2013
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      KITopen
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dumouchel, Suzanne;

    International audience; This contribution will show how Access play a strong role in the creation and structuring of DARIAH, a European Digital Research Infrastructure in Arts and Humanities.To achieve this goal, this contribution will develop the concept of Access from five examples:_ Interdisciplinarity point of view_ Manage contradiction between national and international perspectives_ Involve different communities (not only researchers stakeholders)_ Manage tools and services_ Develop and use new collaboration toolsWe would like to demonstrate that speaking about Access always implies a selection, a choice, even in the perspective of "Open Access".

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2017
    https://doi.org/10.48550/arxiv...
    Article . 2017
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tonne, D.;
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    KITopen
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    https://doi.org/10.5445/ir/230...
    Other literature type . 2014
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      https://doi.org/10.5445/ir/230...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Benito-Santos, Alejandro; Ghajari, Adrián; Hernández,Pedro; Fresno, Victor; +2 Authors

    En este trabajo presentamos un nuevo conjunto de datos y benchmark orientados a la tarea de similitud semántica en letras de canciones. Nuestro conjunto de datos, originalmente formado por 2775 pares de canciones en Español, fue anotado en un experimento de anotación colectivo por 63 anotadores nativos. Después de recoger y refinar los datos para asegurar un alto grado de consenso e integridad en los datos, obtuvimos 676 pares anotados de alta calidad que fueron empleados para evaluar el rendimiento de diferentes modelos del lenguaje monolingües y multilingües pertenecientes al estado del arte. En consecuencia, obtuvimos unos resultados base que esperamos sean de utilidad a la comunidad en todas aquellas aplicaciones académicas e industriales futuras que se realicen en este contexto. In this paper, we present a new dataset and benchmark tailored to the task of semantic similarity in song lyrics. Our dataset, originally consisting of 2775 pairs of Spanish songs, was annotated in a collective annotation experiment by 63 native annotators. After collecting and refining the data to ensure a high degree of consensus and data integrity, we obtained 676 high-quality annotated pairs that were used to evaluate the performance of various state-of-the-art monolingual and multilingual language models. Consequently, we established baseline results that we hope will be useful to the community in all future academic and industrial applications conducted in this context. This research has been carried out in the framework of the Grant LyrAIcs Grant agreement ID: 964009 funded by ERC-POCLS, and in the framework of the Grant CLS INFRA reference 101004984 funded by H2020-INFRAIA-2020-1. It has also received funding from the project ISL: Intelligent Systems for Learning (GID2016-39) in the call PID 22/23, and from FAIRTRANSNLP-DIAGNOSIS: Measuring and quantifying bias and fairness in NLP systems, grant PID2021-124361OB-C32, funded by MCIN/AEI/10.13039/501100011033 and by ERDF, EU A way of making Europe. Alejandro Benito-Santos acknowledges support from the postdoctoral grant ”Margarita Salas”, awarded by the Spanish Ministry of Universities.

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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2023
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    ZENODO
    Article . 2023
    License: CC BY
    Data sources: ZENODO
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.48550/arxiv...
    Article . 2023
    License: CC BY SA
    Data sources: Datacite
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      arXiv.org e-Print Archive
      Other literature type . Preprint . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2023
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.48550/arxiv...
      Article . 2023
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    Authors: Blanke, Tobias; Kristel, Conny; Romary, Laurent;

    Humanities have convincingly argued that they need transnational research opportunities and through the digital transformation of their disciplines also have the means to proceed with it on an up to now unknown scale. The digital transformation of research and its resources means that many of the artifacts, documents, materials, etc. that interest humanities research can now be combined in new and innovative ways. Due to the digital transformations, (big) data and information have become central to the study of culture and society. Humanities research infrastructures manage, organise and distribute this kind of information and many more data objects as they becomes relevant for social and cultural research. International audience

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    http://arxiv.org/pdf/1601.0053...
    Part of book or chapter of book
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2015
    https://doi.org/10.4324/978131...
    Part of book or chapter of book . 2017 . Peer-reviewed
    Data sources: Crossref
    KNAW Pure
    Part of book or chapter of book . 2017
    Data sources: KNAW Pure
    https://doi.org/10.48550/arxiv...
    Article . 2016
    License: arXiv Non-Exclusive Distribution
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tonne, D.;
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    KITopen
    Conference object . 2013
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    https://doi.org/10.5445/ir/220...
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      https://doi.org/10.5445/ir/220...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rizza, Ettore; Chardonnens, Anne; Van Hooland, Seth;

    More and more cultural institutions use Linked Data principles to share and connect their collection metadata. In the archival field, initiatives emerge to exploit data contained in archival descriptions and adapt encoding standards to the semantic web. In this context, online authority files can be used to enrich metadata. However, relying on a decentralized network of knowledge bases such as Wikidata, DBpedia or even Viaf has its own difficulties. This paper aims to offer a critical view of these linked authority files by adopting a close-reading approach. Through a practical case study, we intend to identify and illustrate the possibilities and limits of RDF triples compared to institutions' less structured metadata. Comment: Workshop "Dariah "Trust and Understanding: the value of metadata in a digitally joined-up world" (14/05/2018, Brussels), preprint of the submission to the journal "Archives et Biblioth\`eques de Belgique"

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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2019
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    DI-fusion
    Article . 2019 . Peer-reviewed
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    https://doi.org/10.48550/arxiv...
    Article . 2019
    License: arXiv Non-Exclusive Distribution
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    Authors: Tonne, D.;
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    https://doi.org/10.5445/ir/230...
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      https://doi.org/10.5445/ir/230...
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    Authors: Tonne, D.;
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5445/ir/220...
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      https://doi.org/10.5445/ir/220...
      Conference object . 2012
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    Authors: Reinhard Altenhöner; Ina Blümel; Franziska Boehm; Jens Bove; +21 Authors

    Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies. The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.

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    https://doi.org/10.5445/ir/100...
    Article . 2020
    License: CC BY
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    KITopen
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    Research Ideas and Outcomes
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    ZENODO; Research Ideas and Outcomes
    Article . 2020 . Peer-reviewed
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    DOAJ
    Article . 2020
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    https://doi.org/10.25968/opus-...
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      https://doi.org/10.5445/ir/100...
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      Research Ideas and Outcomes
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      ZENODO; Research Ideas and Outcomes
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      DOAJ
      Article . 2020
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      https://doi.org/10.25968/opus-...
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    Authors: Tonne, Danah; Stotzka, Rainer; Rindone, Francesca;
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    KITopen
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    Authors: Dumouchel, Suzanne;

    International audience; This contribution will show how Access play a strong role in the creation and structuring of DARIAH, a European Digital Research Infrastructure in Arts and Humanities.To achieve this goal, this contribution will develop the concept of Access from five examples:_ Interdisciplinarity point of view_ Manage contradiction between national and international perspectives_ Involve different communities (not only researchers stakeholders)_ Manage tools and services_ Develop and use new collaboration toolsWe would like to demonstrate that speaking about Access always implies a selection, a choice, even in the perspective of "Open Access".

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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2017
    https://doi.org/10.48550/arxiv...
    Article . 2017
    License: arXiv Non-Exclusive Distribution
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    Authors: Tonne, D.;
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    KITopen
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    https://doi.org/10.5445/ir/230...
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      https://doi.org/10.5445/ir/230...
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    Authors: Benito-Santos, Alejandro; Ghajari, Adrián; Hernández,Pedro; Fresno, Victor; +2 Authors

    En este trabajo presentamos un nuevo conjunto de datos y benchmark orientados a la tarea de similitud semántica en letras de canciones. Nuestro conjunto de datos, originalmente formado por 2775 pares de canciones en Español, fue anotado en un experimento de anotación colectivo por 63 anotadores nativos. Después de recoger y refinar los datos para asegurar un alto grado de consenso e integridad en los datos, obtuvimos 676 pares anotados de alta calidad que fueron empleados para evaluar el rendimiento de diferentes modelos del lenguaje monolingües y multilingües pertenecientes al estado del arte. En consecuencia, obtuvimos unos resultados base que esperamos sean de utilidad a la comunidad en todas aquellas aplicaciones académicas e industriales futuras que se realicen en este contexto. In this paper, we present a new dataset and benchmark tailored to the task of semantic similarity in song lyrics. Our dataset, originally consisting of 2775 pairs of Spanish songs, was annotated in a collective annotation experiment by 63 native annotators. After collecting and refining the data to ensure a high degree of consensus and data integrity, we obtained 676 high-quality annotated pairs that were used to evaluate the performance of various state-of-the-art monolingual and multilingual language models. Consequently, we established baseline results that we hope will be useful to the community in all future academic and industrial applications conducted in this context. This research has been carried out in the framework of the Grant LyrAIcs Grant agreement ID: 964009 funded by ERC-POCLS, and in the framework of the Grant CLS INFRA reference 101004984 funded by H2020-INFRAIA-2020-1. It has also received funding from the project ISL: Intelligent Systems for Learning (GID2016-39) in the call PID 22/23, and from FAIRTRANSNLP-DIAGNOSIS: Measuring and quantifying bias and fairness in NLP systems, grant PID2021-124361OB-C32, funded by MCIN/AEI/10.13039/501100011033 and by ERDF, EU A way of making Europe. Alejandro Benito-Santos acknowledges support from the postdoctoral grant ”Margarita Salas”, awarded by the Spanish Ministry of Universities.

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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2023
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    ZENODO
    Article . 2023
    License: CC BY
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    https://doi.org/10.48550/arxiv...
    Article . 2023
    License: CC BY SA
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      arXiv.org e-Print Archive
      Other literature type . Preprint . 2023
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      ZENODO
      Article . 2023
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      https://doi.org/10.48550/arxiv...
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    Authors: Blanke, Tobias; Kristel, Conny; Romary, Laurent;

    Humanities have convincingly argued that they need transnational research opportunities and through the digital transformation of their disciplines also have the means to proceed with it on an up to now unknown scale. The digital transformation of research and its resources means that many of the artifacts, documents, materials, etc. that interest humanities research can now be combined in new and innovative ways. Due to the digital transformations, (big) data and information have become central to the study of culture and society. Humanities research infrastructures manage, organise and distribute this kind of information and many more data objects as they becomes relevant for social and cultural research. International audience

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    http://arxiv.org/pdf/1601.0053...
    Part of book or chapter of book
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2015
    https://doi.org/10.4324/978131...
    Part of book or chapter of book . 2017 . Peer-reviewed
    Data sources: Crossref
    KNAW Pure
    Part of book or chapter of book . 2017
    Data sources: KNAW Pure
    https://doi.org/10.48550/arxiv...
    Article . 2016
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
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