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Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors' experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people's responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

User Experience und Usability sind wichtige Bestandteile der Forschung und Praxis in der Produkt- und Softwareentwicklung. In diesem Artikel nähern sich die Autoren dem Thema aus der Perspektive der digitalen Geisteswissenschaften. Es werden die Erfahrungen aus zwei Infrastrukturprojekten, DARIAH und CENDARI, näher beschrieben und Handlungsanweisungen abgeleitet. In den Projekten wurden Usability-Studien durchgeführt und nutzerorientierte Methoden eingesetzt, bei denen es einerseits um die Nutzung von unabhängigen Tools, andererseits um einen integrierten Forschungskreislauf mit verschiedenen Tools ging. Aufgrund der in den Projekten gesammelten Erfahrung und durchgeführten Forschung werden Faktoren aufgelistet, die die Entwicklungsmethoden in Bezug auf Usability in den digitalen Geisteswissenschaften beeinflussen. User experience and usability (UX) form a key part of research and best practice for product and software development. In this paper, the topic is addressed from the perspective of the Digital Humanities (DH) and approaches undertaken in two DH infrastructure projects, DARIAH and CENDARI are presented. Both projects addressed aspects of UX, focusing on the usage of a single software tool, as well as on an integrated research workflow using several tools and devices. The article lists the main factors, gleaned from research undertaken in the projects, that influence usability practices in the DH, and provides possible recommendations on how to approach them.

In recent years, a variety of initiatives have been funded with the aim of producing software tools or environments of a type variously known as virtual research environments, research infrastructures, or cyberinfrastructures. These initiatives vary in their scale, specialization, scope, and level of funding. One issue that they face in common, however, is that of sustainability: how can the continued--and useful--existence of a system or tool be guaranteed, or at least facilitated, once a project's funding has been spent? In this paper, we examine how such sustainability has been enabled, in the particular case of infrastructures for textual scholarship, in the context of three international projects: TextGrid,1 TEXTvre,2 and DARIAH3. Firstly, we will address the inter-project collaboration and crossfertilization between TextGrid and TEXTvre, including architectural decisions and shared data infrastructures, and investigate how the projects benefited from the exchange. We will then discuss how this existing collaboration can be taken forward by the loosely-coupled and distributed framework being developed by the DARIAH community, and how it can serve as a model for the sort of collaborations that DARIAH plans to enable. International audience

The CENDARI infrastructure is a research-supporting platform designed to provide tools for transnational historical research, focusing on two topics: medieval culture and World War I. It exposes to the end users modern Web-based tools relying on a sophisticated infrastructure to collect, enrich, annotate, and search through large document corpora. Supporting researchers in their daily work is a novel concern for infrastructures. We describe how we gathered requirements through multiple methods to understand historians' needs and derive an abstract workflow to support them. We then outline the tools that we have built, tying their technical descriptions to the user requirements. The main tools are the note-taking environment and its faceted search capabilities; the data integration platform including the Data API, supporting semantic enrichment through entity recognition; and the environment supporting the software development processes throughout the project to keep both technical partners and researchers in the loop. The outcomes are technical together with new resources developed and gathered, and the research workflow that has been described and documented. International audience

In this paper, we present the diachronic maps of a selection of 75 Latin modal markers designed through the tool 'Pygmalion'. Both the maps and 'Pygmalion' were conceived in the framework of the 'WoPoss' project, which aims at analysing the diachronic pathways of modality in Latin. While the description of the tool and its functionalities is beyond the scope of this paper, we focus here on the description of our diachronic modal maps. Using visualisations to represent semantic shifts is a well-known practice in some linguistic fields such as typology and lexicography, and they have already been applied to modality. Though the situation is rapidly evolving, typological semantic maps as well as lexicographic maps are still for the most part static and usually not-interactive visualisations. Our modal maps stand out not only for their interactivity, but also for the richness of the information conveyed: chronology, etymology, semantics, syntax, first attestation and diachronic relationships between the meanings. After presenting our conceptual framework for modality, we illustrate the process of conceptualisation and development of our diachronic maps of modality. More specifically, we explain how we gathered and organised the data in order to transpose it into a visual representation. We then showcase the map of 'possum' as an example of our results. Subsequently, we discuss the results with respect to previous literature concerning both visualisation of modal evolution from a general point of view and the investigation of modality in Latin. Finally, we outline possible applications within and beyond the 'WoPoss' project.