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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Chapter One;

    The Irish home has always been a place of conviviality, from the most humble cup of tea to the grandest offering of a traditional Irish coffee. Chapter One has worked hard to reflect this great Irish tradition. We never felt it was enough simply to do things correctly; we wanted to strive for the best, and that remains as true today as at the beginning. It has earned us an extremely loyal customer base and also a Michelin star in the process. Good cooking starts with good produce, and when you have the richness of the Irish larder to choose from there’s an opportunity to really soar. What you see on a plate in Chapter One is an expression of many artisans, many landscapes and much hardworking talent. Many of our specialist growers and artisan producers have been supplying us since the earliest days in the nineties. Our location on the Northside of Dublin was a notoriously difficult place to trade. Yet people who cared about food came, and suppliers who were passionate about their uniquely Irish produce came too – integrity of produce was what united us. This gives our menus a unique strength and depth that we feel our customers really value and enjoy. https://arrow.tudublin.ie/menus21c/1160/thumbnail.jpg

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Arrow@TU Dublin
    Other literature type . 2017
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fitzpatrick, Noel;
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    Arrow@TU Dublin
    Other literature type . 2016
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
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      Other literature type . 2016
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: L'Ecrivain Restaurant;

    https://arrow.tudublin.ie/menus21c/1097/thumbnail.jpg

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    Arrow@TU Dublin
    Other literature type . 2015
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      Arrow@TU Dublin
      Other literature type . 2015
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Luppino, Claudia;
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    Other literature type . 2013
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      Other literature type . 2013
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Conrad Hotel,;

    https://arrow.tudublin.ie/menus20c/1024/thumbnail.jpg

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  • Authors: M. Jäger; Michael Gloger; Stefan Kaes;
    https://doi.org/10.1...arrow_drop_down
    https://doi.org/10.1007/3-540-...
    Part of book or chapter of book . 1988 . Peer-reviewed
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      Part of book or chapter of book . 1988 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hadjimitsis, Diofantos G.; Christofe, Andreas; Agapiou, Athos; Lysandrou, Vasiliki; +3 Authors

    A core element of the ATHENA Horizon 2020 funded project is knowledge transfer, achieved primarily through intense training activities (including virtual training courses, workshops and summer schools) with an ultimate scope to enhance the scientific profile of the research staff and to accelerate the development of research capabilities of the Eratosthenes Research Centre (ERC), placed in Cyprus. In addition, the project aims to promote Earth Observation knowledge and best practices intended for Cultural Heritage (CH). The preservation of CH and landscape is today a strategic priority not only to guarantee cultural treasure and evidences of the human past to future generations, but also to exploit them as a strategic and valuable economic asset (Masini & Soldovieri 2016). This is an extremely important key factor for the countries which are owners of an extraordinary cultural legacy, that is particularly fragile due to its specific characteristics and specific risks at which CH is continuously exposed (Brodie et al. 2001). Taking advantage of large-spatial coverage, high-spectral and sensitivity satellite remote sensing can be usefully adopted for contrasting looting. Satellite technologies offer a suitable chance to quantify and analyze this phenomenon, especially in several countries, from Southern America to Middle East (Casana 2015), where the onsite surveillance is not much effective or non-practicable due to military or political restrictions. Target training activities organized by the National Research Council (CNR, through IMAA and IBAM) are focused on the characterization of the looting phenomenon from a multi-faced prospective. These workshops are focused on the use of high spatial resolution satellite and aerial optical images as well as Lidar and geophysical data to quantitatively assess looting (Lasaponara et al 2014). An overview of methodologies and data processing for the identification and quantification of looting features (using both single date and multi temporal satellite images and object oriented classifications as in Lasaponara et al 2016) are discussed for several study areas.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ktisisarrow_drop_down
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    Ktisis
    Conference object . 2018
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      Ktisis
      Conference object . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ricardo Carcelén González;

    [ES] El gobierno español franquista impulsó, a mediados del siglo XX, un novedoso modelo vacacional para la regulación del descanso y el ocio de las clases trabajadoras del país: las ciudades de vacaciones de Educación y Descanso. Comenzando con una visión del Estado como agente productor de espacios turísticos, la investigación plantea una revisión de la prensa coetánea para contrastar el éxito de estos conjuntos ejecutados en los años 50 en Tarragona, Perlora y Marbella. Los resultados que se presentan nos llevan a formular la hipótesis de la posible continuidad de este modelo vacacional en la etapa final del franquismo, y demostrar la existencia de nuevos casos de estudio se convierte en el objetivo principal de este trabajo. Para ello, la investigación presenta documentación inédita del proyecto original de una cuarta ciudad de vacaciones de Educación y Descanso en Punta Umbría, Huelva, redactado en 1968 por el arquitecto Francisco de la Corte López. Pese a que dicho conjunto no llegaría finalmente a ser ejecutado, el estudio de la documentación de proyecto nos permite concluir con una reflexión sobre la influencia que el nuevo contexto de la década de los años sesenta en nuestro país ejerció sobre dicho modelo vacacional. [EN] In the middle of the 20th century, the pro-Franco Spanish government promoted a new holiday model for the regulation of rest and leisure for the working classes in the country: the holiday cities of Education and Rest Originating with the State’s vision to create tourist spaces, this research reviews the press of the time, to contrast the success of these complexes built in the 50’s in Tarragona, Perlora and Marbella. The results lead us to formulate the hypothesis of the possible continuity of this holiday model in the final stage of Franco’s regime. Revealing the existence of new study cases becomes the main goal of this work. In order to do so, the research shows unpublished documentation of the original project for a fourth holiday city of Education and Rest in Punta Umbría, Huelva, designed in 1968 by the architect Francisco de la Corte López. Although it would not be constructed, a study of the project documentation allows us to consider the influence that the context of the 60s had on that new holiday model in our country.

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    Article . 2019
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    Other literature type . 2019
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    Article . 2019 . Peer-reviewed
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      Other literature type . 2019
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      Article . 2019 . Peer-reviewed
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    Authors: Ard Bia Restaurant;

    Ard Bia @ Nimmo's is located in the Spanish Arch, Long Walk, Galway. The restaurant is located beside the river Corrib, under the Spanish Arch and across from the Musuem.The proprietor is Aoibheann McNamara. The story so far... One of Galway’s most enduring restaurant operations which is now housed in one of the city’s most iconic restaurant spaces, Ard Bia has always placed as much emphasis on community experiences and aesthetic stimulation as on serving great food in a fun environment. We believe in having roots in a place whilst having an identity that transcends location and takes inspiration from around the world. Ard Bia is about expecting great local food with an unusual twist, the best of Irish produce served with a little exotic magic: seasoning Atlantic scallops with tangy sumac, indulging pomegranate cake with freshly whipped Irish cream, pairing produce from local artisan heroes such as butcher-turned-charcutier James McGeough with eclectic influences from the Middle East and beyond. Ard Bia was on Quay Street five years ago then we moved into Nimmos and ran both places for two years. In 2008 we moved Ard Bia to Nimmos building in the Spanish Arch. That space is now the combination of both Ard Bia and Nimmos." Taken from the Ard Bia website https://arrow.tudublin.ie/menus21c/1007/thumbnail.jpg

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    Arrow@TU Dublin
    Other literature type . 2012
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      Other literature type . 2012
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    Authors: Robert Vacareanu; Marco Antonio Valenzuela-Escárcega; Rebecca Sharp; Mihai Surdeanu;

    This paper explores an unsupervised approach to learning a compositional representation function for multi-word expressions (MWEs), and evaluates it on the Tratz dataset, which associates two-word expressions with the semantic relation between the compound constituents (e.g. the label employer is associated with the noun compound government agency) (Tratz, 2011). The composition function is based on recurrent neural networks, and is trained using the Skip-Gram objective to predict the words in the context of MWEs. Thus our approach can naturally leverage large unlabeled text sources. Further, our method can make use of provided MWEs when available, but can also function as a completely unsupervised algorithm, using MWE boundaries predicted by a single, domain-agnostic part-of-speech pattern. With pre-defined MWE boundaries, our method outperforms the previous state-of-the-art performance on the coarse-grained evaluation of the Tratz dataset (Tratz, 2011), with an F1 score of 50.4%. The unsupervised version of our method approaches the performance of the supervised one, and even outperforms it in some configurations.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Chapter One;

    The Irish home has always been a place of conviviality, from the most humble cup of tea to the grandest offering of a traditional Irish coffee. Chapter One has worked hard to reflect this great Irish tradition. We never felt it was enough simply to do things correctly; we wanted to strive for the best, and that remains as true today as at the beginning. It has earned us an extremely loyal customer base and also a Michelin star in the process. Good cooking starts with good produce, and when you have the richness of the Irish larder to choose from there’s an opportunity to really soar. What you see on a plate in Chapter One is an expression of many artisans, many landscapes and much hardworking talent. Many of our specialist growers and artisan producers have been supplying us since the earliest days in the nineties. Our location on the Northside of Dublin was a notoriously difficult place to trade. Yet people who cared about food came, and suppliers who were passionate about their uniquely Irish produce came too – integrity of produce was what united us. This gives our menus a unique strength and depth that we feel our customers really value and enjoy. https://arrow.tudublin.ie/menus21c/1160/thumbnail.jpg

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    Arrow@TU Dublin
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    Authors: Fitzpatrick, Noel;
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    Arrow@TU Dublin
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    Authors: L'Ecrivain Restaurant;

    https://arrow.tudublin.ie/menus21c/1097/thumbnail.jpg

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    Arrow@TU Dublin
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    Authors: Luppino, Claudia;
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    Arrow@TU Dublin
    Other literature type . 2013
    License: CC BY NC SA
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    Authors: Conrad Hotel,;

    https://arrow.tudublin.ie/menus20c/1024/thumbnail.jpg

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  • Authors: M. Jäger; Michael Gloger; Stefan Kaes;
    https://doi.org/10.1...arrow_drop_down
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    Authors: Hadjimitsis, Diofantos G.; Christofe, Andreas; Agapiou, Athos; Lysandrou, Vasiliki; +3 Authors

    A core element of the ATHENA Horizon 2020 funded project is knowledge transfer, achieved primarily through intense training activities (including virtual training courses, workshops and summer schools) with an ultimate scope to enhance the scientific profile of the research staff and to accelerate the development of research capabilities of the Eratosthenes Research Centre (ERC), placed in Cyprus. In addition, the project aims to promote Earth Observation knowledge and best practices intended for Cultural Heritage (CH). The preservation of CH and landscape is today a strategic priority not only to guarantee cultural treasure and evidences of the human past to future generations, but also to exploit them as a strategic and valuable economic asset (Masini & Soldovieri 2016). This is an extremely important key factor for the countries which are owners of an extraordinary cultural legacy, that is particularly fragile due to its specific characteristics and specific risks at which CH is continuously exposed (Brodie et al. 2001). Taking advantage of large-spatial coverage, high-spectral and sensitivity satellite remote sensing can be usefully adopted for contrasting looting. Satellite technologies offer a suitable chance to quantify and analyze this phenomenon, especially in several countries, from Southern America to Middle East (Casana 2015), where the onsite surveillance is not much effective or non-practicable due to military or political restrictions. Target training activities organized by the National Research Council (CNR, through IMAA and IBAM) are focused on the characterization of the looting phenomenon from a multi-faced prospective. These workshops are focused on the use of high spatial resolution satellite and aerial optical images as well as Lidar and geophysical data to quantitatively assess looting (Lasaponara et al 2014). An overview of methodologies and data processing for the identification and quantification of looting features (using both single date and multi temporal satellite images and object oriented classifications as in Lasaponara et al 2016) are discussed for several study areas.

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    Authors: Ricardo Carcelén González;

    [ES] El gobierno español franquista impulsó, a mediados del siglo XX, un novedoso modelo vacacional para la regulación del descanso y el ocio de las clases trabajadoras del país: las ciudades de vacaciones de Educación y Descanso. Comenzando con una visión del Estado como agente productor de espacios turísticos, la investigación plantea una revisión de la prensa coetánea para contrastar el éxito de estos conjuntos ejecutados en los años 50 en Tarragona, Perlora y Marbella. Los resultados que se presentan nos llevan a formular la hipótesis de la posible continuidad de este modelo vacacional en la etapa final del franquismo, y demostrar la existencia de nuevos casos de estudio se convierte en el objetivo principal de este trabajo. Para ello, la investigación presenta documentación inédita del proyecto original de una cuarta ciudad de vacaciones de Educación y Descanso en Punta Umbría, Huelva, redactado en 1968 por el arquitecto Francisco de la Corte López. Pese a que dicho conjunto no llegaría finalmente a ser ejecutado, el estudio de la documentación de proyecto nos permite concluir con una reflexión sobre la influencia que el nuevo contexto de la década de los años sesenta en nuestro país ejerció sobre dicho modelo vacacional. [EN] In the middle of the 20th century, the pro-Franco Spanish government promoted a new holiday model for the regulation of rest and leisure for the working classes in the country: the holiday cities of Education and Rest Originating with the State’s vision to create tourist spaces, this research reviews the press of the time, to contrast the success of these complexes built in the 50’s in Tarragona, Perlora and Marbella. The results lead us to formulate the hypothesis of the possible continuity of this holiday model in the final stage of Franco’s regime. Revealing the existence of new study cases becomes the main goal of this work. In order to do so, the research shows unpublished documentation of the original project for a fourth holiday city of Education and Rest in Punta Umbría, Huelva, designed in 1968 by the architect Francisco de la Corte López. Although it would not be constructed, a study of the project documentation allows us to consider the influence that the context of the 60s had on that new holiday model in our country.

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    Article . 2019
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    Article . 2019 . Peer-reviewed
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    Authors: Ard Bia Restaurant;

    Ard Bia @ Nimmo's is located in the Spanish Arch, Long Walk, Galway. The restaurant is located beside the river Corrib, under the Spanish Arch and across from the Musuem.The proprietor is Aoibheann McNamara. The story so far... One of Galway’s most enduring restaurant operations which is now housed in one of the city’s most iconic restaurant spaces, Ard Bia has always placed as much emphasis on community experiences and aesthetic stimulation as on serving great food in a fun environment. We believe in having roots in a place whilst having an identity that transcends location and takes inspiration from around the world. Ard Bia is about expecting great local food with an unusual twist, the best of Irish produce served with a little exotic magic: seasoning Atlantic scallops with tangy sumac, indulging pomegranate cake with freshly whipped Irish cream, pairing produce from local artisan heroes such as butcher-turned-charcutier James McGeough with eclectic influences from the Middle East and beyond. Ard Bia was on Quay Street five years ago then we moved into Nimmos and ran both places for two years. In 2008 we moved Ard Bia to Nimmos building in the Spanish Arch. That space is now the combination of both Ard Bia and Nimmos." Taken from the Ard Bia website https://arrow.tudublin.ie/menus21c/1007/thumbnail.jpg

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    Arrow@TU Dublin
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    Authors: Robert Vacareanu; Marco Antonio Valenzuela-Escárcega; Rebecca Sharp; Mihai Surdeanu;

    This paper explores an unsupervised approach to learning a compositional representation function for multi-word expressions (MWEs), and evaluates it on the Tratz dataset, which associates two-word expressions with the semantic relation between the compound constituents (e.g. the label employer is associated with the noun compound government agency) (Tratz, 2011). The composition function is based on recurrent neural networks, and is trained using the Skip-Gram objective to predict the words in the context of MWEs. Thus our approach can naturally leverage large unlabeled text sources. Further, our method can make use of provided MWEs when available, but can also function as a completely unsupervised algorithm, using MWE boundaries predicted by a single, domain-agnostic part-of-speech pattern. With pre-defined MWE boundaries, our method outperforms the previous state-of-the-art performance on the coarse-grained evaluation of the Tratz dataset (Tratz, 2011), with an F1 score of 50.4%. The unsupervised version of our method approaches the performance of the supervised one, and even outperforms it in some configurations.

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