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TRAME is a research infrastructure for medieval manuscripts. The TRAME engine scans a set of sources for searched terms and retrieves links to a wide range of possible information, from simple reference, to detailed manuscript record, to full text transcriptions. Currently, it is possible to perform queries by: free-text, shelfmark, author, title, date, copyst or incipit, on more than 80 selected scholarly digital resources across EU and USA. Since 2014 September 1st, TRAME has entered a new phase and the current work is focused on: extending the meta-search approach to other web resources, leveraging the users interaction to define an ontology for medieval manuscripts, re-designing the front-end towards a new UX approach.

This book is a collection of seventeen papers which describe the impact that the ARIADNE project and its successor, ARIADNEplus (2019-2022) have had on the archaeological community, both in Europe and further afield. Each case study has been contributed by organisations involved in the ARIADNE Infrastructure who cover many countries from across Europe as well as Argentina and Japan. These papers were originally presented at the CAA Conference in Krakow, April 2019 and cover aspects such as data management, application of standards and guidelines, the use of CIDOC-CRM and Open Data to name but a few.

The European Holocaust Research Infrastructure (EHRI) portal website aims to aggregate digitally available archival descriptions concerning the Holocaust. This portal is actually a meta-catalogue, or an information aggregator, whose biggest goal is to have up-to-date information by means of building sustainable data pipelines between EHRI and its content providers. Just like in similar archival information aggregators (e.g. Archives Portal Europe or Monasterium), the XML-based metadata standard Encoded Archival Description (EAD) plays a key role. The article presents how EADs are imported into the portal, mainly thanks to the Open Archive Initiative protocols.

In this chapter I will describe what the CLARIN infrastructure is and how it can be used, with a focus on the Low Countries (and especially the Netherlands) part of the CLARIN infrastructure. I aim to explain how a Humanities researcher can use the CLARIN infrastructure. I describe the basic functionality that CLARIN aims to offer, including searching for data and software, applying software to data, and storing data and software resulting from research.

Within the EU funded project “INCEPTION – Inclusive Cultural Heritage in Europe through 3D semantic modelling”, the use and application of H-BIM data is focused at. The project realizes innovation in 3D modelling of cultural heritage through an inclusive approach for time-dynamic 3D reconstruction of built and social environments.

Licence Creative Commons Attribution 4.0 (CC-BY); The digital age, by making large amounts of text available to us, prompts us to develop new and additional reading strategies supported by the use of computers and enabling us to deal with such amounts of text. One such "distant reading" strategy is stylometry, a method of quantitative text analysis which relies on the frequencies of certain linguistic features such as words, letters or grammatical units to statistically assess the relative similarity of texts to each other and to classify texts on this basis. This method is applied here to French drama of the seventeenth century, more precisely to the now famous "Corneille / Molière- controversy". In this controversy, some researchers claim that Pierre Corneille wrote several of the plays traditionally attributed to Molière. The methodological challenge, it is shown here, lies in the fact that categories such as authorship, genre (comedy vs. tragedy) and literary form (prose vs. verse) all have an influence on stylometric distance measures and classification. Cross-genre and cross-form authorship attribution needs to distinguish such competing signals if it is to produce reliable attribution results. This contribution describes two attempts to accomplish this, parameter optimization and feature-range selection. The contribution concludes with some more general remarks about the use of quantitative methods in a hermeneutic discipline such as literary studies.

Here we address the roadmap of the Digital Cultural Heritage research group DigitCH group, which was set up in 2013 at the Department of Architecture, University of Florence. The aim of DigitCH group was to realize the link between scientifically validated methodologies and contents, innovative storytelling, and technological instrumentation. The spread of electronic devices has enabled rapid and easy technological fallout of research in the field of the acquisition-representation of the survey data expanding audiences and accelerating even an innovative approach to the whole knowledge of CH.

Introduction to the Conference.

The paper is about recent national and European legislation on data re-use. It argues that the time has come to realize that Open Access and copyright ought not to oppose each other. They should instead find ways to balance each other. Open Access is necessary for government-sponsored data. The industrial and creative industry cannot simply give up copyright; it must keep it in order to survive on the market. On the other hand, the industrial and creative industry ought to be allowed to make use of government-sponsored data. Legislation is on the way.

The ongoing EU funded INCEPTION project proposes a significant improvement in the 3D modelling for the enhancement of Cultural Heritage knowledge by the use of a BIM approach for the semantic enrichment and management of models. Indeed, when used in the CH field, semantic BIM will be able to connect different users (e.g. scholars, technicians, citizens, governments), supporting the need for interpretation of the cultural heritage model.