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9 Research products

  • DARIAH EU
  • 2014-2023
  • Open Access
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  • European Commission
  • EU
  • DARIAH EU
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alejandro, Benito-Santos; Salvador, Muñoz; Roberto, Therón Sánchez; Francisco J, García Peñalvo;

    Metrical and rhythmical poetry analysis is founded on the systematic statistical analysis and comparison of sonic devices (e.g., rhythmic patterns) that emerge from a combination of pre-established aesthetic and structural rules and the poet's abilities and creative genius to convey a given message adhering to the said constraints. These rhythmical patterns, which have been traditionally obtained by means of a careful close reading of the poems, in a process known as “scansion,” can now be obtained and made visible by automatic means. However, the visualization literature is still scarce on approaches that allow an insightful close and distant reading of the rhythmical patterns in a poetry corpus. In this work, we report our initial efforts in characterizing of the visualization design space of distant and close reading of poetic rhythm. By employing a digital version of a corpus of 11,268 verses originally written by the Spanish poet and playwright Federico García-Lorca (1898–1936), we could craft several prototypical visualizations representative of the inherent complexity of the problem which we expect to employ in future user studies and that we share here with the rest of the community to foster further discussion around this interesting topic.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontiers in Big Dat...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Frontiers in Big Data
    Article . 2023 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontiers in Big Dat...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Frontiers in Big Data
      Article . 2023 . Peer-reviewed
      License: CC BY
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Georgios Artopoulos; Melinos Avrekiou; Marissia Deligiorgi; Andreas C. Andreou; +2 Authors

    One of the most widely investigated computational methods in material culture enquiry, and specifically in architecture, archaeology and built heritage, regards the application of computation for the unsupervised annotation and classification of large datasets, or big unstructured data that otherwise would require a highly laborious supervised marking and analysis process by trained and skilled experts. In many of these operations, computer vision methods are used to analyse datasets in order to annotate them, e.g., the geo-reference of series of aerial photos, or the semantic analysis of digital assets in large repositories of libraries, museums, etc. Currently, computer vision-enabled operations can successfully classify objects by high level attributes across basic level categories, e.g., a chair, vase, column (Wang 2017). Arguably, the next step in the development of these methods is their application for unsupervised semantic analysis of more complex digital representations of objects, in terms of shape, but also to classify variations of geometric configurations that belong to complex assemblages of larger scale, i.e., architecture styles of buildings. This is typically done mostly by experts who identify a building’s historic phases and components chronologically based on spatial and social context, technique of production, provenance, style and geometric or material features, e.g., colour (Historic England 2021). The application of logic and symbolic analysis through recursive mechanisms in architecture, has been used on several occasions in the past – by some researchers for plan configuration classification of historical architecture, for didactic purposes, while by others for the analysis of the unique characteristics of the design process of an architect who was prominent in the history of architecture (Steadman and Mitchell 2010; Stiny 2000). Contextualised in the field of computation analytical methods in architecture, this paper will present the development of an online 3D interface for architectural annotation of built heritage and the study of monuments and buildings (https://annfass-srv.cs.ucy.ac.cy). This 3D interface assists in identifying a building’s architectural components (e.g., arch, dome), understanding stylistic influences (e.g., Gothic, Byzantine), understanding its history, and in comparing it to other buildings of the same period. Literature in computational methods for the analysis of building features and shape analysis relies on 2D representations, e.g., images, architectural drawings, floor plans etc., but recent technological advances have allowed researchers to acquire high quality 3D data (e.g., point clouds, meshes etc.) of monuments ‘as built’, which are more informative and descriptive representations than drawings or floor plans. Wide access to digital 3D documentation and representation methods and the evolution of deep learning methods in processing 3D data have been the source of inspiration for the development of the digital interface discussed in the paper. This online 3D interface relies on deep learning, using 3D Convolutional Neural Networks, to classify the architectural stylistic influences of heritage buildings and historically complex monuments with multiple construction phases based on 3D analysis instead of 2D image-based analysis. This process can contribute to educational activities, as well as facilitate the automated classification of datasets in digital repositories for scholarly research in digital humanities. {"references": ["Historic England, 2020. Architectural Investigation, https://historicengland.org.uk/research/methods/architectural-investigation, accessed 10 March 2021.", "Steadman, P., Mitchell, L., 2010. Architectural morphospace: Mapping worlds of built forms. Environ. Plan. B Plan. Des. 37, 197\u2013220. https://doi.org/10.1068/b35102t", "Stiny, G., 2000. How to Calculate with Shapes. Cambridge MA, MIT.", "Peng-Shuai Wang, Yang Liu, Yu-Xiao Guo, Chun-Yu Sun, and Xin Tong. 2017. O-cnn: Octree-based convolutional neural networks for 3d shape analysis. ACM 1471 Transactions on Graphics, 36.", "Stathopoulou EK, Remondino F. SEMANTIC PHOTOGRAMMETRY- BOOSTING IMAGE-BASED 3D RECONSTRUCTION with SEMANTIC LABELING. In: International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives. Copernicus Publications; 2019;42:685\u201390. doi:10.5194/isprs-archives-XLII 2-W9-685-2019", "Shalunts G. (2015) Architectural Style Classification of Building Facade Towers. In: Bebis G. et al. (eds) Advances in Visual Computing. ISVC 2015. Lecture Notes in Computer Science, vol 9474. Springer, Cham.", "Ibrahim, Mohamed. (2011). Structuring the design studio education Crafting the projects of the beginning studio using shape grammars."]}

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    Other literature type . 2021
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Presentation . 2021
    License: CC BY
    Data sources: Datacite
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      Other literature type . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Presentation . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daga, Enrico; Asprino, Luigi; Damiano, Rossana; Diaz Agudo, Belen; +9 Authors

    Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2021
    License: CC BY
    Data sources: ZENODO; Sygma
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2021
      License: CC BY
      Data sources: ZENODO; Sygma
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marissia Deligiorgi; Maria Maslioukova; Melinos Averkiou; Andreas C. Andreou; +5 Authors

    Abstract Contemporary discourse points to the central role that heritage plays in the process of enabling groups of various cultural or ethnic background to strengthen their feeling of belonging and sharing in society. Safeguarding heritage is also valued highly in the priorities of the European Commission. As a result, there have been several long-term initiatives involving the digitisation, annotation and cataloguing of tangible cultural heritage in museums and collections. Specifically, for built heritage, a pressing challenge is that historical monuments such as buildings, temples, churches or city fortification infrastructures are hard to document due to their historic palimpsest; spatial transformations, actions of destruction, reuse of material, or continuous urban development that covers traces and changes the formal integrity and identity of a cultural heritage site. The ability to reason about a monument’s form is crucial for efficient documentation and cataloguing. This paper presents a 3D digitisation workflow through the involvement of reality capture technologies for the annotation and structure analysis of built heritage with the use of 3D Convolutional Neural Networks (3D CNNs) for classification purposes. The presented workflow contributes a new approach to the identification of a building’s architectural components (e.g., arch, dome) and to the study of the stylistic influences (e.g., Gothic, Byzantine) of building parts. In doing so this workflow can assist in tracking a building’s history, identifying its construction period and comparing it to other buildings of the same period. This process can contribute to educational and research activities, as well as facilitate the automated classification of datasets in digital repositories for scholarly research in digital humanities.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Article . 2021
    License: CC BY NC ND
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Archaeological Science Reports
    Article . 2021 . Peer-reviewed
    License: Elsevier TDM
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Archaeological Science Reports
      Article . 2021 . Peer-reviewed
      License: Elsevier TDM
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Toth-Czifra, Erzsébet; Clivaz, Claire; Maryl, Maciej; Stojavovski, Jadranka; +1 Authors

    Communicating is a par excellence scholarly primitive, all probably the most universal scholarly activity across disciplines and over time. This, however, does not imply the uniformity of scholarly communication practices. This is especially true for the humanities domain where the need for cultural nuance in many fields, scholarly outputs are usually grounded in regional, national and language-specific communities. But what are the chances and limitations of bibliodiversity and media diversity in everyday scholarly communication practices? How we can communicate research results in ways that truly align with our increasingly digital and diverse research workflows? What are the cases where the evaluation is disconnected to novel forms of research and what are the possibilities for re-harmonization? Considering that the traditional paradigm of article and book publishing still serves as the highest value currency of career-development in Humanities, the stakes are especially high when looking for answers to such questions. The Innovations in Scholarly Communication Work Package of the Horizon2020 project OPERAS-P is conducting an open consultation to get a better understanding about current trends, gaps and community needs in scholarly writing and research evaluation practices. Working closely with the OPERAS infrastructure dedicated to scholarly communication in the SSH domain, we are in the position to directly translate these needs into supporting the development of the relevant OPERAS activities and services. This workshop, organised in coordination with the DiMPO WG, will be centred around the four scholarly primitives of communicating, linking, commenting, and evaluating. We will look how these basic scholarly activities can be supported by novel scholarly communication practices. Workshop format Target audience: scholars in various humanities disciplines from the DARIAH-community. What participants can gain: Shared knowledge of workflows and resources for innovative scholarly communication that are well-grounded in research realities of the Humanities. Participants' needs will be amplified in the European policy debates and will be considered in the development of scholarly communication services provided by OPERAS: Contribution to DARIAH community: Although scholarly communication is an elementary scholarly activity, this topic has not yet been addressed in DARIAH Annual Event workshops. Recommendations will be incorporated into both DARIAHOpen and DARIAH DiMPO outputs, as well as the forthcoming recommendations to Humanities researchers being prepared by the OPERAS Innovations WG. Method: World café with questions addressing various aspects of research publications (writing, linking, commenting, evaluating) in the humanities. The workshop will build upon the versatile experience of the DiMPO and the OPERAS Working Groups covering such techniques as user stories, process collage, thermometers of indicators etc. adapted for this workshop. Outline: Introduction flesh talks (30 mins) Presentation of OPERAS WP 6. Innovation Writing innovations/challenges with special focus on data publications + presentation of the journals JODH and RDJHSS for further discussion in the breakout room Peer review challenges + presentation of Publons to be further discussed in the breakout Presentation of the findings of the OPERAS-P Landscape Study Presentation of The Open Science Career Assessment Matrix to be further discussed in the breakout BREAKOUT discussions (30 mins) Two SSH data journals: JOHD and RDJHSS (Claire and Elisa) Publons (Erzsébet) OS metrics (Maciej and Jadranka) Reporting back, conclusion (20’)

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    ZENODO
    Presentation . 2020
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Presentation . 2020
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      Other literature type . Article . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Edmond, Jennifer; Morselli, Francesca;

    PurposeThis paper proposes a new perspective on the enormous and unresolved challenge to existing practices of publication and documentation posed by the outputs of digital research projects in the humanities, where much good work is being lost due to resource or technical challenges.Design/methodology/approachThe paper documents and analyses both the existing literature on promoting sustainability for the outputs of digital humanities projects and the innovative approach of a single large-scale project.FindingsThe findings of the research presented show that sustainability planning for large-scale research projects needs to consider data and technology but also community, communications and process knowledge simultaneously. In addition, it should focus not only on a project as a collection of tangible and intangible assets, but also on the potential user base for these assets and what these users consider valuable about them.Research limitations/implicationsThe conclusions of the paper have been formulated in the context of one specific project. As such, it may amplify the specificities of this project in its results.Practical implicationsAn approach to project sustainability following the recommendations outlined in this paper would include a number of uncommon features, such as a longer development horizon, wider perspective on project results, and an audit of tacit and explicit knowledge.Social ImplicationsThese results can ultimately preserve public investment in projects.Originality/valueThis paper supplements more reductive models for project sustainability with a more holistic approach that others may learn from in mapping and sustaining user value for their projects for the medium to long terms.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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    Article . 2020
    Data sources: NARCIS
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    Article . 2020
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    Article . 2020
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Documentation
    Article . 2020 . Peer-reviewed
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      Journal of Documentation
      Article . 2020
      Data sources: KNAW Pure
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Article . 2020
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Documentation
      Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hube, Christoph; Fetahu, Besnik;

    Biased language commonly occurs around topics which are of controversial nature, thus, stirring disagreement between the different involved parties of a discussion. This is due to the fact that for language and its use, specifically, the understanding and use of phrases, the stances are cohesive within the particular groups. However, such cohesiveness does not hold across groups. In collaborative environments or environments where impartial language is desired (e.g. Wikipedia, news media), statements and the language therein should represent equally the involved parties and be neutrally phrased. Biased language is introduced through the presence of inflammatory words or phrases, or statements that may be incorrect or one-sided, thus violating such consensus. In this work, we focus on the specific case of phrasing bias, which may be introduced through specific inflammatory words or phrases in a statement. For this purpose, we propose an approach that relies on a recurrent neural networks in order to capture the inter-dependencies between words in a phrase that introduced bias. We perform a thorough experimental evaluation, where we show the advantages of a neural based approach over competitors that rely on word lexicons and other hand-crafted features in detecting biased language. We are able to distinguish biased statements with a precision of P=0.92, thus significantly outperforming baseline models with an improvement of over 30%. Finally, we release the largest corpus of statements annotated for biased language. The Twelfth ACM International Conference on Web Search and Data Mining, February 11--15, 2019, Melbourne, VIC, Australia

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://arxiv.org/pdf/1811.0574...
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1145/328960...
    Conference object . 2019 . Peer-reviewed
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    https://doi.org/10.48550/arxiv...
    Article . 2018
    License: arXiv Non-Exclusive Distribution
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      http://arxiv.org/pdf/1811.0574...
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1145/328960...
      Conference object . 2019 . Peer-reviewed
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      https://doi.org/10.48550/arxiv...
      Article . 2018
      License: arXiv Non-Exclusive Distribution
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Georgios Artopoulos; Gloria Pignatta; Mattheos Santamouris;

    Almost a century ago Modernism challenged the structure of the city and reshaped its physical space in order to, amongst other things, accommodate new transportation infrastructure and road networks proclaiming the, nowadays much-debated ‘scientificated’ pursuit of efficiency for the city. This transformation has had a great impact on the way humans still design, move in, occupy and experience the city. Today major cities in Europe, such as Paris and London, are considering banning vehicles from their historic centers. In parallel, significant effort is currently underway internationally by designers, architects, and engineers to integrate innovative technologies and sophisticated solutions for energy production, management, and storage, as well as for efficient energy consumption, into the architecture of buildings. In general, this effort seeks for new technologies and design methods (e.g., DesignBuilder with EnergyPlus simulation engine; Rhicoceros3D with Grasshopper plugin and Ecotect, Radiance and EnergyPlus tools) that would enable a holistic approach to the spatial design of Near-Zero Energy buildings, so that their ecological benefits are an added value to the architectural design and a building’s visual, and material, impact on its surrounding space. The paper inquires how the integration of such technological infrastructure and performance-orientated interfaces changes yet again the structure and form of cities, and to what extent it safeguards social rights and enables equal access to common resources. Drawing from preliminary results and initial considerations of ongoing research that involve the construction of four innovative NZE settlements across Europe, in the context of the EU-funded ZERO-PLUS project, this paper discusses the integration of novel infrastructure in communal spaces of these settlements. In doing so, it contributes to the debate about smart communities and their role in the sustainable management of housing developments and settlements that are designed and developed with the concept of smart territories.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenAIREarrow_drop_down
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    OpenAIRE
    Article . 2018
    Data sources: OpenAIRE
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    Architecture_MPS
    Article . 2018
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Architecture_MPS
    Article
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    Architecture_MPS
    Article . 2018 . Peer-reviewed
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      Article . 2018
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      Article . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Architecture_MPS
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Architecture_MPS
      Article . 2018 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laurent Romary; Charles Riondet;

    This article tackles the issue of integrating heterogeneous archival sources in one single data repository, namely the European Holocaust Research Infrastructure (EHRI) portal, whose aim is to support Holocaust research by providing online access to information about dispersed sources relating to the Holocaust (http://portal.ehri-project.eu). In this case, the problem at hand is to combine data coming from a network of archives in order to create an interoperable data space which can be used to search for, retrieve and disseminate content in the context of archival-based research. The scholarly purpose has specific consequences on our task. It assumes that the information made available to the researcher is as close as possible to the originating source in order to guarantee that the ensuing analysis can be deemed reliable. In the EHRI network of archives, as already observed in the case of the EU Cendari project, one cannot but face heterogeneity. The EHRI portal brings together descriptions from more than 1900 institutions. Each archive comes with a whole range of idiosyncrasies corresponding to the way it has been set up and evolved over time. Cataloging practices may also differ. Even the degree of digitization may range from the absence of a digital catalogue to the provision of a full-fledged online catalogue with all the necessary APIs for anyone to query and extract content. There is indeed a contrast here with the global endeavour at the international level to develop and promote standards for the description of archival content as a whole. Nonetheless, in a project like EHRI, standards should play a central role. They are necessary for many tasks related to the integration and exploitation of the aggregated content, namely: ● Being able to compare the content of the various sources, thus being able to develop quality-checking processes; ● Defining of an integrated repository infrastructure where the content of the various archival sources can be reliably hosted; ● Querying and re-using content in a seamless way; ● Deploying tools that have been developed independently of the specificities of the information sources, for instance in order to visualise or mine the resulting pool of information. The central aspect of the work described in this paper is the assessment of the role of the EAD (Encoded Archival Description) standard as the basis for achieving the tasks described above. We have worked out how we could develop a real strategy of defining specific customization of EAD that could be used at various stages of the process of integrating heterogeneous sources. While doing so, we have developed a methodology based on a specification and customization method inspired from the extensive experience of the Text Encoding Initiative (TEI) community. In the TEI framework, as we show in section 1, one has the possibility to model specific subsets or extensions of the TEI guidelines while maintaining both the technical (XML schemas) and editorial (documentation) content within a single framework. This work has led us quite far in anticipating that the method we have developed may be of a wider interest within similar environments, but also, as we believe, for the future maintenance of the EAD standard. Finally this work, successfully tested and implemented in the framework of EHRI [Riondet 2017], can be seen as part of the wider endeavour of European research infrastructures in the humanities such as CLARIN and DARIAH to provide support for researchers to integrate the use of standards in their scholarly practices. This is the reason why the general workflow studied here has been introduced as a use case in the umbrella infrastructure project PARTHENOS which aims, among other things, at disseminating information and resources about methodological and technical standards in the humanities.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenAIRE; Archival S...arrow_drop_down
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    OpenAIRE; Archival Science
    Other literature type . Article . 2018 . Peer-reviewed
    License: Springer TDM
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alejandro, Benito-Santos; Salvador, Muñoz; Roberto, Therón Sánchez; Francisco J, García Peñalvo;

    Metrical and rhythmical poetry analysis is founded on the systematic statistical analysis and comparison of sonic devices (e.g., rhythmic patterns) that emerge from a combination of pre-established aesthetic and structural rules and the poet's abilities and creative genius to convey a given message adhering to the said constraints. These rhythmical patterns, which have been traditionally obtained by means of a careful close reading of the poems, in a process known as “scansion,” can now be obtained and made visible by automatic means. However, the visualization literature is still scarce on approaches that allow an insightful close and distant reading of the rhythmical patterns in a poetry corpus. In this work, we report our initial efforts in characterizing of the visualization design space of distant and close reading of poetic rhythm. By employing a digital version of a corpus of 11,268 verses originally written by the Spanish poet and playwright Federico García-Lorca (1898–1936), we could craft several prototypical visualizations representative of the inherent complexity of the problem which we expect to employ in future user studies and that we share here with the rest of the community to foster further discussion around this interesting topic.

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    Frontiers in Big Data
    Article . 2023 . Peer-reviewed
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      Frontiers in Big Data
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    Authors: Georgios Artopoulos; Melinos Avrekiou; Marissia Deligiorgi; Andreas C. Andreou; +2 Authors

    One of the most widely investigated computational methods in material culture enquiry, and specifically in architecture, archaeology and built heritage, regards the application of computation for the unsupervised annotation and classification of large datasets, or big unstructured data that otherwise would require a highly laborious supervised marking and analysis process by trained and skilled experts. In many of these operations, computer vision methods are used to analyse datasets in order to annotate them, e.g., the geo-reference of series of aerial photos, or the semantic analysis of digital assets in large repositories of libraries, museums, etc. Currently, computer vision-enabled operations can successfully classify objects by high level attributes across basic level categories, e.g., a chair, vase, column (Wang 2017). Arguably, the next step in the development of these methods is their application for unsupervised semantic analysis of more complex digital representations of objects, in terms of shape, but also to classify variations of geometric configurations that belong to complex assemblages of larger scale, i.e., architecture styles of buildings. This is typically done mostly by experts who identify a building’s historic phases and components chronologically based on spatial and social context, technique of production, provenance, style and geometric or material features, e.g., colour (Historic England 2021). The application of logic and symbolic analysis through recursive mechanisms in architecture, has been used on several occasions in the past – by some researchers for plan configuration classification of historical architecture, for didactic purposes, while by others for the analysis of the unique characteristics of the design process of an architect who was prominent in the history of architecture (Steadman and Mitchell 2010; Stiny 2000). Contextualised in the field of computation analytical methods in architecture, this paper will present the development of an online 3D interface for architectural annotation of built heritage and the study of monuments and buildings (https://annfass-srv.cs.ucy.ac.cy). This 3D interface assists in identifying a building’s architectural components (e.g., arch, dome), understanding stylistic influences (e.g., Gothic, Byzantine), understanding its history, and in comparing it to other buildings of the same period. Literature in computational methods for the analysis of building features and shape analysis relies on 2D representations, e.g., images, architectural drawings, floor plans etc., but recent technological advances have allowed researchers to acquire high quality 3D data (e.g., point clouds, meshes etc.) of monuments ‘as built’, which are more informative and descriptive representations than drawings or floor plans. Wide access to digital 3D documentation and representation methods and the evolution of deep learning methods in processing 3D data have been the source of inspiration for the development of the digital interface discussed in the paper. This online 3D interface relies on deep learning, using 3D Convolutional Neural Networks, to classify the architectural stylistic influences of heritage buildings and historically complex monuments with multiple construction phases based on 3D analysis instead of 2D image-based analysis. This process can contribute to educational activities, as well as facilitate the automated classification of datasets in digital repositories for scholarly research in digital humanities. {"references": ["Historic England, 2020. Architectural Investigation, https://historicengland.org.uk/research/methods/architectural-investigation, accessed 10 March 2021.", "Steadman, P., Mitchell, L., 2010. Architectural morphospace: Mapping worlds of built forms. Environ. Plan. B Plan. Des. 37, 197\u2013220. https://doi.org/10.1068/b35102t", "Stiny, G., 2000. How to Calculate with Shapes. Cambridge MA, MIT.", "Peng-Shuai Wang, Yang Liu, Yu-Xiao Guo, Chun-Yu Sun, and Xin Tong. 2017. O-cnn: Octree-based convolutional neural networks for 3d shape analysis. ACM 1471 Transactions on Graphics, 36.", "Stathopoulou EK, Remondino F. SEMANTIC PHOTOGRAMMETRY- BOOSTING IMAGE-BASED 3D RECONSTRUCTION with SEMANTIC LABELING. In: International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives. Copernicus Publications; 2019;42:685\u201390. doi:10.5194/isprs-archives-XLII 2-W9-685-2019", "Shalunts G. (2015) Architectural Style Classification of Building Facade Towers. In: Bebis G. et al. (eds) Advances in Visual Computing. ISVC 2015. Lecture Notes in Computer Science, vol 9474. Springer, Cham.", "Ibrahim, Mohamed. (2011). Structuring the design studio education Crafting the projects of the beginning studio using shape grammars."]}

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    Authors: Daga, Enrico; Asprino, Luigi; Damiano, Rossana; Diaz Agudo, Belen; +9 Authors

    Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

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