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The aim of this poster is to provide an overview of the work carried out in the CLS INFRA project and its conclusions for the field of Computational Literary Studies.

The process of onboarding new texts onto already established platforms, such as the Drama Corpora (DraCor) ecosystem, poses several challenges in terms of data curation and homogenization. We present here for discussion the prototypes of some pipelines, workflows, and tools embedding plays from diverse sources and formats into the DraCor environment. As a showcase of our approach, we also report on the building process of two new corpora (the English-language EPDraCor and the Ukrainian UDraCor), whose different sources require a flexible and tailored approach. Ein Beitrag zur 9. Tagung des Verbands "Digital Humanities im deutschsprachigen Raum" - DHd 2023 Open Humanities Open Culture.

Previous research on indicators for measuring the success of Open Science tends to operate at a macro/global level and very rarely addresses the need to measure success at the level of a single project. However, this previous research has the merit of arguing for the definition of indicators that offer an alternative to more traditional bibliometric measures or indicators that focus on mere performance. This paper is the outcome of work conducted for a specific project that aims to build a discovery platform for social sciences and humanities, the platform GoTriple. GoTriple is designed taking inspiration from Open Science principles and has been built through a user-centered approach. The paper details the practice-led work conducted by the GoTriple team for assessing the meaning of the term success for the project and to identify indicators. To this end, this paper proposes the concept of compass indicators and presents how the project team arrived at the definition of this concept. The paper also highlights a distinction between compass indicators, which are modest measures, and key performance indicators, which tend to be tied up with measurable objectives. Compass indicators are defined as indicators that do not aim to achieve a specified numerical target of success but rather explain the journey of a project toward achieving certain desirable outcomes and offer insights to take action. Compass indicators defined for the project embrace areas such as diversity, inclusivity, collaboration, and the general use of the platform. In the final discussion, the paper offers reflections on the potential relevance of the notion of compass indicators and closes with a discussion of the next steps for this work.

International audience

If citation is a common practice for publications, it is relatively new for data especially in SSH. This paper will present the work carried out during the SSHOC project about data citation in general and more precisely how to make them actionable. International audience

Digital 3D modelling and visualization technologies have been widely applied to support research in the humanities since the 1980s. Since technological backgrounds, project opportunities, and methodological considerations for application are widely discussed in the literature, one of the next tasks is to validate these techniques within a wider scientific community and establish them in the culture of academic disciplines. This article resulted from a postdoctoral thesis and is intended to provide a comprehensive overview on the use of digital 3D technologies in the humanities with regards to (1) scenarios, user communities, and epistemic challenges; (2) technologies, UX design, and workflows; and (3) framework conditions as legislation, infrastructures, and teaching programs. Although the results are of relevance for 3D modelling in all humanities disciplines, the focus of our studies is on modelling of past architectural and cultural landscape objects via interpretative 3D reconstruction methods.

Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors' experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people's responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.