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The Reception Reader is a web tool for studying text reuse in the Early English Books Online (EEBO-TCP) and Eighteenth Century Collections Online (ECCO) data. Users can: 1) explore a visual overview of the reception of a work, or its incoming connections, across time based on shared text segments, 2) interactively survey the details of connected documents, and 3) examine the context of reused text for “close reading”. We show examples of how the tool streamlines research and exploration tasks, and discuss the utility and limitations of the user interface along with its current data sources. Peer reviewed

Reproducible research (Reproducible research is when data can be reanalysed taking the same steps and producing the same or similar result) is being implemented at different speeds in different disciplines, and Archaeology, as a discipline that sits at the intersection of the sciences and humanities, is at the start of this journey. Enabling reproducibility of your work by others is an important step in ensuring research quality. There are currently many barriers to moving towards reproducible research such as upskilling researchers in the practices, software and infrastructure needed to do reproducible research and also the need to address how we can, as a discipline, deal with issues like sensitive data. In this article, we seek to introduce reproducible research in an understandable manner so that archaeological researchers can learn where and how to start with this approach. We describe what reproducible archaeological research can look like and suggest three different computational skill levels of constructing reproducible research workflows (a research workflow is the different parts of a research lifecycle such as data collection, data analysis, data archiving, etc, and making all stages reproducible by using a history tracking system (version control) and transparent documation). Finally, in an extensive appendix, we address common questions about reproducible research to remove the stigma about these issues and suggest ways to overcome them.

Contributor Role Ontologies and Taxonomies (CROTs) provide a standard list of roles to specify individual contributions to research. CROTs most common application has been their inclusion alongside author bylines in scholarly publications. With the recent uptake of CROTs among publishers –particularly the Contributor Role Taxonomy (CRediT)– some have anticipated a positive impact on ethical issues regarding the attribution of credit and responsibilities, but others have voiced concerns about CROTs shortcomings and ways they could be misunderstood or have unintended consequences. Since these discussions have never been consolidated, this review collated and explored published viewpoints about the ethics of CROTs. After searching Ovid Medline, Scopus, Web of Science, and Google Scholar, 30 papers met the inclusion criteria and were analyzed. We identified eight themes and 20 specific issues related to the ethics of CROTs and provided four recommendations for CROT developers, custodians, or others seeking to use CROTs in their workflows, policy and practice: 1) Compile comprehensive instructions that explain how CROTs should be used; 2) Improve the coherence of used terms, 3) Translate roles in languages other than English, 4) Communicate a clear vision about future development plans and be transparent about CROTs’ strengths and weaknesses. We conclude that CROTs are not the panacea for unethical attributions and should be complemented with initiatives that support social and infrastructural transformation of scholarly publications.

This article presents a study of the French-speaking digital humanities. It is based on the experience of two research engineers from the French National Center for Scientific Research (CNRS) who have been studying these issues for the last ten years. They conducted a survey at the École Normale Supérieure (ENS-Paris) which enabled them to draw up an overview of the transformation of the profession of humanities and social sciences research engineers in the context of the digital humanities. The Digit_Hum initiative, which they run in parallel with their respective activities at the ENS, also provided information for this overview thanks to its role as a space for discussion about the digital humanities along with training and structuring of this field at the ENS and the Université Paris Sciences & Lettres (PSL). Cet article est une réflexion sur les humanités numériques en contexte francophone. Elle s’appuie sur l'expérience de deux ingénieures du Centre National de la Recherche Scientifique travaillant sur ces questions depuis une dizaine d'années. À travers l'enquête qu'elles ont menée à l'École normale supérieure (ENS-Paris), elles dressent un panorama de la transformation du métier d'ingénieur(e) en sciences humaines et sociales dans le contexte des humanités numériques. L'initiative Digit_Hum, qu'elles animent en parallèle de leurs activités respectives à l'École, nourrit également ce témoignage en constituant un espace de discussions, de formations et de structuration des humanités numériques au sein de l'ENS et de l’Université Paris Sciences & Lettres.

AbstractHow can researchers identify suitable research data repositories for the deposit of their research data? Which repository matches best the technical and legal requirements of a specific research project? For this end and with a humanities perspective the Data Deposit Recommendation Service (DDRS) has been developed as a prototype. It not only serves as a functional service for selecting humanities research data repositories but it is particularly a technical demonstrator illustrating the potential of re-using an already existing infrastructure - in this case re3data - and the feasibility to set up this kind of service for other research disciplines. The documentation and the code of this project can be found in the DARIAH GitHub repository: https://dariah-eric.github.io/ddrs/.

This article presents a study of the French-speaking digital humanities. It is based on the experience of two research engineers from the French National Center for Scientific Research (CNRS) who have been studying these issues for the last ten years. They conducted a survey at the École Normale Supérieure (ENS-Paris) which enabled them to draw up an overview of the transformation of the profession of humanities and social sciences research engineers in the context of the digital humanities. The Digit_Hum initiative, which they run in parallel with their respective activities at the ENS, also provided information for this overview thanks to its role as a space for discussion about the digital humanities along with training and structuring of this field at the ENS and the Université Paris Sciences & Lettres (PSL). Cet article est une réflexion sur les humanités numériques en contexte francophone. Elle s’appuie sur l'expérience de deux ingénieures du Centre National de la Recherche Scientifique travaillant sur ces questions depuis une dizaine d'années. À travers l'enquête qu'elles ont menée à l'École normale supérieure (ENS-Paris), elles dressent un panorama de la transformation du métier d'ingénieur(e) en sciences humaines et sociales dans le contexte des humanités numériques. L'initiative Digit_Hum, qu'elles animent en parallèle de leurs activités respectives à l'École, nourrit également ce témoignage en constituant un espace de discussions, de formations et de structuration des humanités numériques au sein de l'ENS et de l’Université Paris Sciences & Lettres.

The concept of literary genre is a highly complex one: not only are different genres frequently defined on several, but not necessarily the same levels of description, but consideration of genres as cognitive, social, or scholarly constructs with a rich history further complicate the matter. This contribution focuses on thematic aspects of genre with a quantitative approach, namely Topic Modeling. Topic Modeling has proven to be useful to discover thematic patterns and trends in large collections of texts, with a view to class or browse them on the basis of their dominant themes. It has rarely if ever, however, been applied to collections of dramatic texts. In this contribution, Topic Modeling is used to analyze a collection of French Drama of the Classical Age and the Enlightenment. The general aim of this contribution is to discover what semantic types of topics are found in this collection, whether different dramatic subgenres have distinctive dominant topics and plot-related topic patterns, and inversely, to what extent clustering methods based on topic scores per play produce groupings of texts which agree with more conventional genre distinctions. This contribution shows that interesting topic patterns can be detected which provide new insights into the thematic, subgenre-related structure of French drama as well as into the history of French drama of the Classical Age and the Enlightenment. 11 figures

Digital technologies, such as the Internet and Artificial Intelligence, are part of our daily lives, influencing broader aspects of our way of life, as well as the way we interact with the past. Having dramatically changed the ways in which knowledge is produced and consumed, the algorithmic age has also radically changed the relationship that the general public has with History. Fields of History such as Public and Oral History have particularly benefitted from the rise of digital culture. How does our digital culture affect the way we think, study, research and teach the past, as historical evidence spreads rapidly in the public sphere? How do digital technologies promote the study, writing and teaching of History? What should historians, students of history and pre-service history teachers be critically aware of, when swarmed with digitized or born-digital content, constantly growing on the Internet? And while these changes are now visible globally, how is the discipline of History situated within the digital transformation rapidly advancing in Greece? Finally, what are the consequences of these changes for History as a subject taught at Greek secondary schools? These are some of the issues raised in the text that follows, which is part of the course materials of the undergraduate course offered during winter semester 2020-2021 at the School University of Athens, School of Philosophy, Pedagogy, Psychology. Course Title: 'Pedagogics of History: Theory and Practice', Academic Institution: School of Philosophy-Pedagogy-Psychology, University of Athens. Comment: 47 pages, in Greek, 8 figures