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  • Digital Humanities and Cultural Heritage
  • 2021-2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mathieu, Nicolas;

    Peu attesté dans les inscriptions, et uniquement durant l’Empire, surtout au IIe siècle apr. J.-C., dans les provinces, à Cyrène, Avenches chez les Helvètes, Centuripe en Sicile et, probablement, à Nîmes en Narbonnaise, le sphaeristerium est mentionné dans les sources littéraires d’époque impériale et dans le Digeste. Toutes ces attestations signalent un lieu plus ou moins aménagé ou construit, dans un contexte sportif ou ludique, thermal ou balnéaire, public ou privé – dans une villa –, où les hommes jouaient à la balle. C’était un lieu de sociabilité : la pratique ludique participait à la construction civique et sociale du uir. Magistrats municipaux et empereurs en ont construit ou restauré et y ont joué. C’est un élément d’identification normée. The sphaeristerium was the place where Roman men played to ball game. The word is documented by three or four inscriptions discovered in Sicily, in Germania Superior, in Cyrenaica, and Gallia Narbonensis. This game room was designated as paganicum by epigraphy in Africa Proconsularis. Pliny the Younger described the sphaeristeria he possessed in his uillae. It is noticed Digest proved these places were located in private gardens. Sphaeristerium was in any case associated with bath and heated rooms. Gamers and ball boys were well known by literary and epigraphic documents: young persons, old men, freedmen, slaves gamed skillfully in order to relax themselves, to try out their ability. The corpus dated from 1st century AD until to 3rd century AD highlights a sociability complied with uirtus and bodily practices coming from palestra.

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    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY
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    Article . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODO; Kentronarrow_drop_down
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      Other literature type . Article . 2021 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Attia Alexandra; Delahaye Adrien;

    International audience; Place of sociability par excellence for the ancient Greeks, the symposion is also a privileged setting for playing with social norms. Beyond the shared consumption of wine, which underpins the group’s cohesion, the symposion allows values and norms to be reaffirmed, but also to be exceeded, within a circumscribed framework. This constant wobbling between the rules and their transgression often takes the form, in the iconography of Greek vases, of a game of mirrors between civilisation and wildness, in which komasts and satyrs embody a counter-model of civic sociability. At a second level of interpretation, this wobbling can also be interpreted metaphorically, throughout the notion of balance. Excessive drunkenness threatens the drinker’s equilibrium by causing him to lose enkrateia, the control of the senses and the body. The use of games of skill and dexterity – of which the kottabos is the best known – makes it possible to materialise, in a playful way, this tension at work in the symposion. However, these formalised games are only the visible part of a much wider semantic field of the balance, which unfolds in the image through graphic games that combine wine, vases and drinkers in scenes characterised by the imminence of falling.; Lieu de sociabilité par excellence des Grecs anciens, le symposion constitue aussi un cadre privilégié pour jouer avec les normes sociales. Au-delà de la consommation partagée du vin qui fonde la cohésion du groupe, ce moment permet de réaffirmer les valeurs et les normes, mais aussi d’outrepasser ces dernières, dans un cadre circonscrit. Cette oscillation constante entre les règles et leur transgression peut être matérialisée à travers des jeux d’habileté et d’équilibre qui matérialisent, de façon ludique, cette tension à l’œuvre dans le symposion. Outre le célèbre kottabos, cet article s’interrogera sur l’existence d’autres formes de jeux et de détournements dans le cadre de l’iconographie des vases de banquet. Cômastes et satyres peuvent ainsi se jouer des règles, dans le cadre d’un jeu de miroir entre ordre et chaos, entre les normes et leur transgression. Enfin, à un troisième niveau de lecture, la notion d’équilibre sera explorée plus largement, à travers la représentation de jeux d’équilibre moins formalisés. L’ivresse excessive menace l’équilibre du buveur, en faisant perdre l’enkrateia, le contrôle des sens et du corps. Les jeux d’habileté ne constituent en effet que la partie émergée d’un champ sémantique bien plus large de l’équilibre, qui se déploie dans l’image à travers des jeux graphiques qui associent vin, vases et buveurs dans des scènes caractérisées par l’imminence de la chute

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEdition; Kentronarrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2021
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    Article . 2021
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    Article . 2022
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEdition; Kentronarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
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      Article . 2021
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      Article . 2022
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      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Travers, Alice; Venturi, Federica;

    International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Annali di Ca’ Foscar...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ahmadi, Sina; Constant, Mathieu; Fort, Karën; Guillaume, Bruno; +1 Authors

    Nous présentons dans ce papier les travaux que nous avons réalisés pour convertir dans le modèle Ontolex-Lemon l'une des plus importantes ressources lexicographiques pour le français : le Trésor de la Langue Française. En effet, malgré l'utilisation généralisée de cette ressource, son format actuel, basé sur XML, ne respecte pas les standards les plus récents de la représentation des données lexicographiques, notamment ceux basés sur les données liées. Nos travaux mettent en lumière la nécessité d'établir des mécanismes permettant d'augmenter l'inter-opérabilité des ressources et des technologies pour créer et maintenir des ressources lexicographiques. In this paper, we report our efforts to convert one of the most comprehensive lexicographic resources of French, the Trésor de la Langue Française, into the Ontolex-Lemon model. Despite the widespread usage of this resource, the original XML format seems to impede its integration in language technology tools. In order to breathe new life into this resource, we examine the usage and the conversion to more interoperable formats, primarily those based on the linguistic linked data, to provide this resource to a broader range of applications and users.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Article . 2021
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    Conference object . 2021
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    Other literature type . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Article . 2021
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      Other literature type . 2021
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    Authors: M. Dietze; M. Dietze; S. Kreutzer; S. Kreutzer; +2 Authors

    Abstract. The majority of palaeoenvironmental information is inferred from proxy data contained in accretionary sediments, called geo-archives. The validity of proxy data and analysis workflows are usually assumed implicitly, with systematic tests and uncertainty estimates restricted to modern analogue studies or reduced-complexity case studies. However, a more generic and consistent approach to exploring the validity and variability of proxy functions would be to translate a given geo-archive into a model scenario: a "virtual twin". Here, we introduce a conceptual framework and numerical toolset that allows the definition and analysis of synthetic sediment sections. The R package sandbox describes arbitrary stratigraphically consistent deposits by depth-dependent rules and grain-specific parameters, allowing full scalability and flexibility. Virtual samples can be taken, resulting in discrete grain-mixtures with well-defined parameters. These samples can then be virtually prepared and analysed, for example to test hypotheses. We illustrate the concept of sandbox, explain how a sediment section can be mapped into the model and, by focusing on an exemplary field of application, we explore universal geochronological research questions related to the effects of sample geometry and grain-size specific age inheritance. We summarise further application scenarios of the model framework, relevant for but not restricted to the broader geochronological community.

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    https://gchron.copernicus.org/...
    Preprint
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    https://doi.org/10.5194/gchron...
    Preprint . 2021 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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    Copernicus Publications
    Other literature type . 2022
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    Copernicus Publications
    Other literature type . 2021
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    DOAJ
    Article . 2022
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      https://gchron.copernicus.org/...
      Preprint
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      https://doi.org/10.5194/gchron...
      Preprint . 2021 . Peer-reviewed
      License: CC BY
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      Copernicus Publications
      Other literature type . 2022
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      Copernicus Publications
      Other literature type . 2021
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      DOAJ
      Article . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nicolas, Clément; Pailler, Yvan; Stéphan, Pierre; Pierson, Julie; +4 Authors

    SummaryWhile early maps are known from all over the world, the key questions always involve: what exactly do they show? And what spatial extent do they cover? In this context, we recently used 3D‐modelling to re‐examine a carved stone slab datable to the Early Bronze Age (c.2150–1600 BC) that was found at Saint‐Bélec in Brittany. We show that the surface of the slab had been shaped in three dimensions to represent the relief of the surrounding landscape in which it was found, while several engraved motifs on it evoke contemporary structures known archaeologically. We argue that the Saint‐Bélec slab represents an area of c.545 km2 corresponding to the extent of a prehistoric political entity. The carving and subsequent burying of the slab can be linked to the postulated rise and fall of hierarchical societies and raises many wider questions about socio‐economic structures in temperate Europe at that time.

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    Oxford Journal of Archaeology
    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY NC ND
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    Oxford Journal of Archaeology
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    Authors: Alsaidi, Safa; Decker, Amandine; Lay, Puthineath; Marquer, Esteban; +2 Authors

    Analogical proportions are statements of the form "A is to B as C is to D" that are used for several reasoning and classification tasks in artificial intelligence and natural language processing (NLP). For instance, there are analogy based approaches to semantics as well as to morphology. In fact, symbolic approaches were developed to solve or to detect analogies between character strings, e.g., the axiomatic approach as well as that based on Kolmogorov complexity. In this paper, we propose a deep learning approach to detect morphological analogies, for instance, with reinflexion or conjugation. We present empirical results that show that our framework is competitive with the above-mentioned state of the art symbolic approaches. We also explore empirically its transferability capacity across languages, which highlights interesting similarities between them. Comment: Submitted and accepted by the 8th IEEE International Conference on Data Science and Advanced Analytics (DSAA)

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    VIRTA
    Conference object . 2021
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    http://arxiv.org/pdf/2108.0394...
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    https://doi.org/10.1109/dsaa53...
    Conference object . 2021 . Peer-reviewed
    License: IEEE Copyright
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    Hal-Diderot
    Conference object . 2021
    License: CC BY
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    Hal-Diderot
    Conference object . 2021
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    https://doi.org/10.48550/arxiv...
    Article . 2021
    License: CC BY SA
    Data sources: Datacite
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    Authors: Schmiedchen, Annette;

    Abstract The phenomenon of interreligious patronage on the Indian subcontinent in the pre-modern period is best attested in royal inscriptions recording religious endowments. It is striking that most pre-Islamic Indian rulers patronised priests, monks, ascetics, and religious establishments of multiple faiths. The personal religious affiliations of the kings often contrasted remarkably with the patronage patterns followed by them according to the testimony of their epigraphs. The strongest indication for the individual confessions of rulers is given by the religious epithets among their titles. While the ambivalent relationship between the personal beliefs of the kings and their donative practices has been repeatedly described as an expression of Indian religious “tolerance” or of the specific character of Indian religious traditions, this paper emphasises that there were several reasons for the dichotomy. This will be investigated on the basis of the epigraphic material of the Maitraka dynasty, which ruled in Gujarat from the 5th to the 8th centuries. The article also contains an edition and translation of the hitherto unpublished Yodhāvaka Grant of Dharasena iv.

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    Endowment Studies
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    Authors: Frank Uiterwaal; Franco Niccolucci; Sheena Bassett; Steven Krauwer; +7 Authors

    This article has been accepted for publication by EUP in the IJHAC: International Journal of Humanities and Arts Computing (https://www.euppublishing.com/loi/ijhac); International audience; Since the first ESFRI roadmap in 2006, multiple humanities Research Infrastructures (RIs) have been set up all over the European continent, supporting archaeologists (ARIADNE), linguists (CLARIN-ERIC), Holocaust researchers (EHRI), cultural heritage specialists (IPERION-CH) and others. These examples only scratch the surface of the breadth of research communities that have benefited from close cooperation in the European Research Area.While each field developed discipline-specific services over the years, common themes can also be distinguished. All humanities RIs address, in varying degrees, questions around research data management, the use of standards and the desired interoperability of data across disciplinary boundaries.This article sheds light on how cluster project PARTHENOS developed pooled services and shared solutions for its audience of humanities researchers, RI managers and policymakers. In a time where the convergence of existing infrastructure is becoming ever more important – with the construction of a European Open Science Cloud as an audacious, ultimate goal – we hope that our experiences inform future work and provide inspiration on how to exploit synergies in interdisciplinary, transnational, scientific cooperation.

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    International Journal of Humanities and Arts Computing
    Article . 2021 . Peer-reviewed
    License: EUP TDM
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    ISTI Open Portal
    Article . 2021
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    NARCIS
    Article . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
    Article . 2021
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    Hal-Diderot
    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ International Journa...arrow_drop_down
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      International Journal of Humanities and Arts Computing
      Article . 2021 . Peer-reviewed
      License: EUP TDM
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      ISTI Open Portal
      Article . 2021
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      NARCIS
      Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Article . 2021
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    Authors: Elena Salinas; Jorge De Juan; Juan M. Piñero; M. Teresa Casal; +2 Authors

    Il a été proposé que la technologie de la glaçure plombifère ait précédé la production du verre en Europe occidentale et que cette technologie aurait ensuite été transférée au verre. Cet article présente de nouvelles données qui indiquent le contraire, c'est-à-dire une invention locale du verre et son transfert aux techniques de glaçure en al-Andalus (Espagne) au début de l’époque islamique. Des analyses de composition montrent que les glaçures plombifères de l’époque islamique de Cordoue sont liées à un type distinct de verre à haute teneur en plomb, ce qui met en évidence la relation étroite entre les deux technologies. Les vestiges archéologiques d'un atelier de potiers indiquent que le processus de production de la glaçure impliquait initialement la production de verre au plomb et n’était pas lié à la technologie romaine ou autres technologies contemporaines de la glaçure. Les données démontrent également que les potiers n'ont pas seulement utilisé les mêmes matériaux et techniques mais ont emprunté des motifs stylistiques et décoratifs à la verrerie. Es wurde angenommen, dass die Technologie der Bleiglasur der Glasherstellung in Westeuropa vorausging und dass der Technologietransfer von Glasur zu Glas erfolgte. Die Ergebnisse der vorliegenden Untersuchungen zeigen jedoch, dass das Gegenteil der Fall war. Im frühislamischen al-Andalus in Spanien wurde zunächst Glas hergestellt und diese Technologie wurde dann auf Glasuren übertragen. Chemische Analysen zeigen, dass die Bleiglasuren der frühislamischen Zeit aus Córdoba eng mit einem bestimmten Typus von Bleiglas verwandt sind, was für einen Zusammenhang der beiden Technologien spricht. Das archäologische Fundmaterial aus einer Töpferwerkstatt deutet darauf hin, dass der Glasurprozess ursprünglich die Herstellung eines Bleiglases beinhaltete und nicht mit früheren römischen oder anderen zeitgenössischen Glasurtechnologien zusammenhängt. Die Daten zeigen auch, dass die Töpfer nicht nur die gleichen Techniken und Rohstoffe benutzten, sondern auch stilistische und dekorative Elemente der Glasherstellung entliehen. It has long been assumed that lead glazing technology preceded glassmaking in the Western world and that the technological transfer was from glazes to glass. Here, we present new evidence for the reverse, the indigenous innovation of glassmaking and its transfer to glazes in early Islamic al-Andalus (Spain). Compositional analyses show that Islamic lead glazes from Córdoba are intimately related to a distinct type of high-lead glass, suggesting a connection between the two technologies. The archaeological remains from a pottery workshop indicate that the glazing process initially involved the production of a lead glass and is not linked to earlier Roman or other contemporary glazing technologies. The data also demonstrate that the potters not only used the same materials and techniques but borrowed stylistic and decorative models from glassmaking.

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    Authors: Mathieu, Nicolas;

    Peu attesté dans les inscriptions, et uniquement durant l’Empire, surtout au IIe siècle apr. J.-C., dans les provinces, à Cyrène, Avenches chez les Helvètes, Centuripe en Sicile et, probablement, à Nîmes en Narbonnaise, le sphaeristerium est mentionné dans les sources littéraires d’époque impériale et dans le Digeste. Toutes ces attestations signalent un lieu plus ou moins aménagé ou construit, dans un contexte sportif ou ludique, thermal ou balnéaire, public ou privé – dans une villa –, où les hommes jouaient à la balle. C’était un lieu de sociabilité : la pratique ludique participait à la construction civique et sociale du uir. Magistrats municipaux et empereurs en ont construit ou restauré et y ont joué. C’est un élément d’identification normée. The sphaeristerium was the place where Roman men played to ball game. The word is documented by three or four inscriptions discovered in Sicily, in Germania Superior, in Cyrenaica, and Gallia Narbonensis. This game room was designated as paganicum by epigraphy in Africa Proconsularis. Pliny the Younger described the sphaeristeria he possessed in his uillae. It is noticed Digest proved these places were located in private gardens. Sphaeristerium was in any case associated with bath and heated rooms. Gamers and ball boys were well known by literary and epigraphic documents: young persons, old men, freedmen, slaves gamed skillfully in order to relax themselves, to try out their ability. The corpus dated from 1st century AD until to 3rd century AD highlights a sociability complied with uirtus and bodily practices coming from palestra.

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    Authors: Attia Alexandra; Delahaye Adrien;

    International audience; Place of sociability par excellence for the ancient Greeks, the symposion is also a privileged setting for playing with social norms. Beyond the shared consumption of wine, which underpins the group’s cohesion, the symposion allows values and norms to be reaffirmed, but also to be exceeded, within a circumscribed framework. This constant wobbling between the rules and their transgression often takes the form, in the iconography of Greek vases, of a game of mirrors between civilisation and wildness, in which komasts and satyrs embody a counter-model of civic sociability. At a second level of interpretation, this wobbling can also be interpreted metaphorically, throughout the notion of balance. Excessive drunkenness threatens the drinker’s equilibrium by causing him to lose enkrateia, the control of the senses and the body. The use of games of skill and dexterity – of which the kottabos is the best known – makes it possible to materialise, in a playful way, this tension at work in the symposion. However, these formalised games are only the visible part of a much wider semantic field of the balance, which unfolds in the image through graphic games that combine wine, vases and drinkers in scenes characterised by the imminence of falling.; Lieu de sociabilité par excellence des Grecs anciens, le symposion constitue aussi un cadre privilégié pour jouer avec les normes sociales. Au-delà de la consommation partagée du vin qui fonde la cohésion du groupe, ce moment permet de réaffirmer les valeurs et les normes, mais aussi d’outrepasser ces dernières, dans un cadre circonscrit. Cette oscillation constante entre les règles et leur transgression peut être matérialisée à travers des jeux d’habileté et d’équilibre qui matérialisent, de façon ludique, cette tension à l’œuvre dans le symposion. Outre le célèbre kottabos, cet article s’interrogera sur l’existence d’autres formes de jeux et de détournements dans le cadre de l’iconographie des vases de banquet. Cômastes et satyres peuvent ainsi se jouer des règles, dans le cadre d’un jeu de miroir entre ordre et chaos, entre les normes et leur transgression. Enfin, à un troisième niveau de lecture, la notion d’équilibre sera explorée plus largement, à travers la représentation de jeux d’équilibre moins formalisés. L’ivresse excessive menace l’équilibre du buveur, en faisant perdre l’enkrateia, le contrôle des sens et du corps. Les jeux d’habileté ne constituent en effet que la partie émergée d’un champ sémantique bien plus large de l’équilibre, qui se déploie dans l’image à travers des jeux graphiques qui associent vin, vases et buveurs dans des scènes caractérisées par l’imminence de la chute

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    Authors: Travers, Alice; Venturi, Federica;

    International audience

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    Authors: Ahmadi, Sina; Constant, Mathieu; Fort, Karën; Guillaume, Bruno; +1 Authors

    Nous présentons dans ce papier les travaux que nous avons réalisés pour convertir dans le modèle Ontolex-Lemon l'une des plus importantes ressources lexicographiques pour le français : le Trésor de la Langue Française. En effet, malgré l'utilisation généralisée de cette ressource, son format actuel, basé sur XML, ne respecte pas les standards les plus récents de la représentation des données lexicographiques, notamment ceux basés sur les données liées. Nos travaux mettent en lumière la nécessité d'établir des mécanismes permettant d'augmenter l'inter-opérabilité des ressources et des technologies pour créer et maintenir des ressources lexicographiques. In this paper, we report our efforts to convert one of the most comprehensive lexicographic resources of French, the Trésor de la Langue Française, into the Ontolex-Lemon model. Despite the widespread usage of this resource, the original XML format seems to impede its integration in language technology tools. In order to breathe new life into this resource, we examine the usage and the conversion to more interoperable formats, primarily those based on the linguistic linked data, to provide this resource to a broader range of applications and users.

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    Authors: M. Dietze; M. Dietze; S. Kreutzer; S. Kreutzer; +2 Authors

    Abstract. The majority of palaeoenvironmental information is inferred from proxy data contained in accretionary sediments, called geo-archives. The validity of proxy data and analysis workflows are usually assumed implicitly, with systematic tests and uncertainty estimates restricted to modern analogue studies or reduced-complexity case studies. However, a more generic and consistent approach to exploring the validity and variability of proxy functions would be to translate a given geo-archive into a model scenario: a "virtual twin". Here, we introduce a conceptual framework and numerical toolset that allows the definition and analysis of synthetic sediment sections. The R package sandbox describes arbitrary stratigraphically consistent deposits by depth-dependent rules and grain-specific parameters, allowing full scalability and flexibility. Virtual samples can be taken, resulting in discrete grain-mixtures with well-defined parameters. These samples can then be virtually prepared and analysed, for example to test hypotheses. We illustrate the concept of sandbox, explain how a sediment section can be mapped into the model and, by focusing on an exemplary field of application, we explore universal geochronological research questions related to the effects of sample geometry and grain-size specific age inheritance. We summarise further application scenarios of the model framework, relevant for but not restricted to the broader geochronological community.

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    https://gchron.copernicus.org/...
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    https://doi.org/10.5194/gchron...
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      https://gchron.copernicus.org/...
      Preprint
      License: CC BY
      Data sources: UnpayWall
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      https://doi.org/10.5194/gchron...
      Preprint . 2021 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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      Copernicus Publications
      Other literature type . 2022
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      Copernicus Publications
      Other literature type . 2021
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      DOAJ
      Article . 2022
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    Authors: Nicolas, Clément; Pailler, Yvan; Stéphan, Pierre; Pierson, Julie; +4 Authors

    SummaryWhile early maps are known from all over the world, the key questions always involve: what exactly do they show? And what spatial extent do they cover? In this context, we recently used 3D‐modelling to re‐examine a carved stone slab datable to the Early Bronze Age (c.2150–1600 BC) that was found at Saint‐Bélec in Brittany. We show that the surface of the slab had been shaped in three dimensions to represent the relief of the surrounding landscape in which it was found, while several engraved motifs on it evoke contemporary structures known archaeologically. We argue that the Saint‐Bélec slab represents an area of c.545 km2 corresponding to the extent of a prehistoric political entity. The carving and subsequent burying of the slab can be linked to the postulated rise and fall of hierarchical societies and raises many wider questions about socio‐economic structures in temperate Europe at that time.

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    Oxford Journal of Archaeology
    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY NC ND
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    Oxford Journal of Archaeology
    Article
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    Authors: Alsaidi, Safa; Decker, Amandine; Lay, Puthineath; Marquer, Esteban; +2 Authors

    Analogical proportions are statements of the form "A is to B as C is to D" that are used for several reasoning and classification tasks in artificial intelligence and natural language processing (NLP). For instance, there are analogy based approaches to semantics as well as to morphology. In fact, symbolic approaches were developed to solve or to detect analogies between character strings, e.g., the axiomatic approach as well as that based on Kolmogorov complexity. In this paper, we propose a deep learning approach to detect morphological analogies, for instance, with reinflexion or conjugation. We present empirical results that show that our framework is competitive with the above-mentioned state of the art symbolic approaches. We also explore empirically its transferability capacity across languages, which highlights interesting similarities between them. Comment: Submitted and accepted by the 8th IEEE International Conference on Data Science and Advanced Analytics (DSAA)

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    VIRTA
    Conference object . 2021
    Data sources: VIRTA
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    http://arxiv.org/pdf/2108.0394...
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    https://doi.org/10.1109/dsaa53...
    Conference object . 2021 . Peer-reviewed
    License: IEEE Copyright
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    Hal-Diderot
    Conference object . 2021
    License: CC BY
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    Hal-Diderot
    Conference object . 2021
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    https://doi.org/10.48550/arxiv...
    Article . 2021
    License: CC BY SA
    Data sources: Datacite
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    Authors: Schmiedchen, Annette;

    Abstract The phenomenon of interreligious patronage on the Indian subcontinent in the pre-modern period is best attested in royal inscriptions recording religious endowments. It is striking that most pre-Islamic Indian rulers patronised priests, monks, ascetics, and religious establishments of multiple faiths. The personal religious affiliations of the kings often contrasted remarkably with the patronage patterns followed by them according to the testimony of their epigraphs. The strongest indication for the individual confessions of rulers is given by the religious epithets among their titles. While the ambivalent relationship between the personal beliefs of the kings and their donative practices has been repeatedly described as an expression of Indian religious “tolerance” or of the specific character of Indian religious traditions, this paper emphasises that there were several reasons for the dichotomy. This will be investigated on the basis of the epigraphic material of the Maitraka dynasty, which ruled in Gujarat from the 5th to the 8th centuries. The article also contains an edition and translation of the hitherto unpublished Yodhāvaka Grant of Dharasena iv.

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    Endowment Studies
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    Authors: Frank Uiterwaal; Franco Niccolucci; Sheena Bassett; Steven Krauwer; +7 Authors

    This article has been accepted for publication by EUP in the IJHAC: International Journal of Humanities and Arts Computing (https://www.euppublishing.com/loi/ijhac); International audience; Since the first ESFRI roadmap in 2006, multiple humanities Research Infrastructures (RIs) have been set up all over the European continent, supporting archaeologists (ARIADNE), linguists (CLARIN-ERIC), Holocaust researchers (EHRI), cultural heritage specialists (IPERION-CH) and others. These examples only scratch the surface of the breadth of research communities that have benefited from close cooperation in the European Research Area.While each field developed discipline-specific services over the years, common themes can also be distinguished. All humanities RIs address, in varying degrees, questions around research data management, the use of standards and the desired interoperability of data across disciplinary boundaries.This article sheds light on how cluster project PARTHENOS developed pooled services and shared solutions for its audience of humanities researchers, RI managers and policymakers. In a time where the convergence of existing infrastructure is becoming ever more important – with the construction of a European Open Science Cloud as an audacious, ultimate goal – we hope that our experiences inform future work and provide inspiration on how to exploit synergies in interdisciplinary, transnational, scientific cooperation.

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    International Journal of Humanities and Arts Computing
    Article . 2021 . Peer-reviewed
    License: EUP TDM
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    ISTI Open Portal
    Article . 2021
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    NARCIS
    Article . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
    Article . 2021
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    Hal-Diderot
    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ International Journa...arrow_drop_down
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      International Journal of Humanities and Arts Computing
      Article . 2021 . Peer-reviewed
      License: EUP TDM
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      ISTI Open Portal
      Article . 2021
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      NARCIS
      Article . 2021
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      Article . 2021
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      Article . 2021
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    Authors: Elena Salinas; Jorge De Juan; Juan M. Piñero; M. Teresa Casal; +2 Authors

    Il a été proposé que la technologie de la glaçure plombifère ait précédé la production du verre en Europe occidentale et que cette technologie aurait ensuite été transférée au verre. Cet article présente de nouvelles données qui indiquent le contraire, c'est-à-dire une invention locale du verre et son transfert aux techniques de glaçure en al-Andalus (Espagne) au début de l’époque islamique. Des analyses de composition montrent que les glaçures plombifères de l’époque islamique de Cordoue sont liées à un type distinct de verre à haute teneur en plomb, ce qui met en évidence la relation étroite entre les deux technologies. Les vestiges archéologiques d'un atelier de potiers indiquent que le processus de production de la glaçure impliquait initialement la production de verre au plomb et n’était pas lié à la technologie romaine ou autres technologies contemporaines de la glaçure. Les données démontrent également que les potiers n'ont pas seulement utilisé les mêmes matériaux et techniques mais ont emprunté des motifs stylistiques et décoratifs à la verrerie. Es wurde angenommen, dass die Technologie der Bleiglasur der Glasherstellung in Westeuropa vorausging und dass der Technologietransfer von Glasur zu Glas erfolgte. Die Ergebnisse der vorliegenden Untersuchungen zeigen jedoch, dass das Gegenteil der Fall war. Im frühislamischen al-Andalus in Spanien wurde zunächst Glas hergestellt und diese Technologie wurde dann auf Glasuren übertragen. Chemische Analysen zeigen, dass die Bleiglasuren der frühislamischen Zeit aus Córdoba eng mit einem bestimmten Typus von Bleiglas verwandt sind, was für einen Zusammenhang der beiden Technologien spricht. Das archäologische Fundmaterial aus einer Töpferwerkstatt deutet darauf hin, dass der Glasurprozess ursprünglich die Herstellung eines Bleiglases beinhaltete und nicht mit früheren römischen oder anderen zeitgenössischen Glasurtechnologien zusammenhängt. Die Daten zeigen auch, dass die Töpfer nicht nur die gleichen Techniken und Rohstoffe benutzten, sondern auch stilistische und dekorative Elemente der Glasherstellung entliehen. It has long been assumed that lead glazing technology preceded glassmaking in the Western world and that the technological transfer was from glazes to glass. Here, we present new evidence for the reverse, the indigenous innovation of glassmaking and its transfer to glazes in early Islamic al-Andalus (Spain). Compositional analyses show that Islamic lead glazes from Córdoba are intimately related to a distinct type of high-lead glass, suggesting a connection between the two technologies. The archaeological remains from a pottery workshop indicate that the glazing process initially involved the production of a lead glass and is not linked to earlier Roman or other contemporary glazing technologies. The data also demonstrate that the potters not only used the same materials and techniques but borrowed stylistic and decorative models from glassmaking.

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