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48 Research products

  • DARIAH EU
  • 2014-2023
  • Publications
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  • Mémoires en Sciences de l'Information et de la Communication
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  • Authors: Tóth-Czifra, Erzsébet; Moranville, Yoann;

    International audience; Navigating through the rich and dynamically evolving (Wouters et al., 2013) Digital Humanities (henceforth DH) landscape can be a time-consuming task and difficult to integrate into researchers' everyday routines. Yet primary goals of the DH paradigm such as 1. broadening and deepening the adoption of digital methods amongst humanities scholars and 2. facilitating the culture of reuse of already existing resources requires sufficient tools that make DH resources, methods and best practices visible, easily discoverable and freely accessible for researchers in all levels of expertise. The OpenMethods metablog aims to fulfil this need and provides a platform to bring together all formats of Open Access publications in different languages about methods in DH to spread the knowledge and raise peer recognition for them.

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  • Authors: Vanden Daelen, Veerle; Drenth, Petra;

    International audience; The mission of the European Holocaust Research Infrastructure (EHRI) is to support the Holocaust research community by building a digital infrastructure and facilitating human networks. EHRI provides online access to information about dispersed sources relating to the Holocaust through its Online Portal, and tools and methods that enable researchers and archivists to collaboratively work with such sources. Apart from providing an online platform, EHRI also facilitates an extensive network of researchers, archivists and others to increase cohesion and co-ordination among practitioners and to initiate new transnational and collaborative approaches to the study of the Holocaust. EHRI thereby seeks to overcome one of the hallmark challenges of Holocaust research: the wide dispersal of the archival source material across Europe and beyond, and the concomitant fragmentation of Holocaust historiography. More than twenty organisations – research institutions, libraries, archives, museums and memorial sites – from 17 countries form a core working group, but EHRI equally relies on the support of many other individuals and organisations in the broad fields of Holocaust studies and digital humanities. With a poster presentation at the DARIAH-EU Annual Event 2017 in Berlin, the authors would like to present the resources and services EHRI has to offer to the research community, with a special emphasis on the EHRI Portal. The EHRI portal offers access to information on Holocaust-related archival material held in institutions across Europe and beyond. You can browse 57 country reports, 1,938 archival institutions in 51 countries, and 231,478 archival descriptions in 472 institutions (April 2017). Other EHRI resources and training include: Online Training in Holocaust Studies; Seminars and Workshops; Fellowship Programme; Conferences; Online Document Blog; Online Research Guides; and Tools and Methods for Digital History. Two features were highlighted: The relatively new EHRI Document Blog, and the successful EHRI Fellowships. The EHRI Document Blog is a space to share ideas about Holocaust-related archival documents, and their presentation and interpretation, using digital tools. The EHRI Fellowships support and stimulate Holocaust research by facilitating international access to key archives and collections as well as archival and digital humanities knowhow. The fellowships intend to support researchers, archivists, curators, and younger scholars. By bringing together experts from different fields, and by building an innovative digital infrastructure supported by a large community, EHRI is a flagship project that showcases the opportunities for historical research in the digital age. EHRI started its work in October 2010 with initial financial support from the European Union for four years. Thanks to the continued EU support, EHRI keeps on developing. EHRI is devoted to building a Holocaust research infrastructure that is sustained by its network and will have a right of existence on its own accord.https://portal.ehri-project.eu/www.ehri-project.eu

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Wilms, L.; Cock, M.P.; Companjen, B.A.;

    International audience; Academic libraries in the Netherlands have the ambition to increase the knowledge level of their librarians on digital humanities (DH). Three libraries therefore set up a series of full-day training events aimed specifically at library professionals of academic and research libraries in the Netherlands, named DH Clinics. The aim of these clinics is to provide basic methodological competencies and technical skills in DH, for a diverse group of library employees, consisting of both subject and technical librarians with basic technical skills. The content of these sessions should 1) enable them to provide services to researchers and students, 2) identify remaining gaps in knowledge or skills that they could address by self-directed learning and 3) (possibly) to automate their daily library work. This paper describes final schedule of the DH Clinics, how we organised the design process by involving the user community and the lessons we learned.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NARCIS
    Article . 2017
    Data sources: NARCIS
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hal-Diderot
    Other literature type . 2017
    Data sources: Hal-Diderot
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2017
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . 2017
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2017
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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      NARCIS
      Article . 2017
      Data sources: NARCIS
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hal-Diderot
      Other literature type . 2017
      Data sources: Hal-Diderot
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      ZENODO
      Conference object . 2017
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2017
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Conference object . 2017
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  • Authors: Ribbe, Paulin; Engelhardt, Claudia; Larrousse, Nicolas; Leone, Claudio; +4 Authors

    International audience

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    Authors: Vanden Daelen, Veerle; Edmond, Jennifer; Links, Petra; Priddy, Mike; +3 Authors

    International audience; One of the funded project proposals under DARIAH’s Open Humanities call 2015 was “Open History: Sustainable digital publishing of archival catalogues of twentieth-century history archives”. Based on the experiences of the Collaborative EuropeaN Digital Archival Research Infrastructure (CENDARI) and the European Holocaust Research Infrastructure (EHRI), the main goal of the “Open History” project was to enhance the dialogue between (meta-)data providers and research infrastructures. Integrating archival descriptions – when they were already available – held at a wide variety of twentieth-century history archives (from classic archives to memorial sites, libraries and private archives) into research infrastructures has proven to be a major challenge, which could not be done without some degree of limited to extensive pre-processing or other preparatory work. The “Open History” project organized two workshops and developed two tools: an easily accessible and general article on why the practice of standardization and sharing is important and how this can be achieved; and a model which provides checklists for self-analyses of archival institutions. The text that follows is the article we have developed. It intentionally remains at a general level, without much jargon, so that it can be easily read by those who are non-archivists or non-IT. Hence, we hope it will be easy to understand for both those who are describing the sources at various archives (with or without IT or archival sciences degrees), as well as decision-makers (directors and advisory boards) who wish to understand the benefits of investing in standardization and sharing of data. It is important to note is that this text is a first step, not a static, final result. Not all aspects about standardization and publication of (meta-)data are discussed, nor are updates or feedback mechanisms for annotations and comments discussed. The idea is that this text can be used in full or in part and that it will include further chapters and section updates as time goes by and as other communities begin using it. Some archives will read through much of these and see confirmation of what they have already been implementing; others – especially the smaller institutions, such as private memory institutions – will find this a low-key and hands-on introduction to help them in their efforts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Hal-Diderot
    Other literature type . 2016
    Data sources: Hal-Diderot
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    Other literature type . 2016
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kalman, Tibor; Moranville, Yoann;

    International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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    Hal-Diderot
    Other literature type . 2019
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  • Authors: Uetani, Toshinori; Porte, Guillaume;

    International audience

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    Authors: Duncan, Sumitra;

    International audience; In late-2013 the New York Art Resources Consortium (NYARC), consisting of the research libraries and archives of three leading art museums in New York City (the Brooklyn Museum, The Frick Art Reference Library of the Frick Collection, and the Museum of Modern Art), implemented a program for web archiving born-digital specialist art and art historical resources. In the three years following the initiation of NYARC's collaborative web archiving program, ten collections of archived art websites have seen steady growth, with particular focus on archiving the websites of the institutions themselves, sites pertaining to New York City galleries, and those of born-digital catalogues raisonnés. NYARC works in partnership with the Internet Archive's Archive-It service to build their web archive collections and harvest web content, as well as partners with those in the galleries, libraries, archives, and museums (GLAM) community to raise awareness about the inherent need for preservation of ephemeral borndigital materials of high risk of disappearance from the live web. NYARC has pioneered the archiving of born-digital catalogue raisonné, with the collection of catalogue raisonné in Archive-It now including 40 discreet projects. NYARC's overall web archive collections now encompass approximately 3,900 sites. While web archiving is still considered an "emerging" area of focus for collection development within libraries and archives, preservation of borndigital materials remains absolutely crucial to future scholarship. Digital art history in particular depends upon the existence and accessibility of these web-native ephemeral materials, with the many use cases for web archive collections by independent scholars only just being considered as big data analysis gains momentum in the humanities. Additionally, given the rapid rate at which citations for web-based materials within scholarly publications suffer from "link rot" or drifting URLs, it is especially pertinent that web archiving becomes a more prominent practice within cultural heritage institutions, universities, and in collaboration with the GLAM community.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Mémoires en Sciences...arrow_drop_down
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    Other literature type . 2017
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      Other literature type . 2017
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    Authors: Chambers, Sally; van Der West, Jan; Hoogerwerf, Maarten; Backes, Marianne;

    International audience; DARIAH, the Digital Research Infrastructure for the Arts and Humanities, aims to enhance and support digitally-enabled research and teaching across the humanities and arts. By bringing together national activities from Member countries, DARIAH is able to offer a portfolio of services and activities centred around research communities. DARIAH was established as a European legal entity in August 2014 with 15 countries - Austria, Belgium, Croatia, Cyprus, Denmark, France, Germany, Greece, Ireland, Italy, Luxembourg, Malta, The Netherlands, Slovenia and Serbia – as Founding Members. This was an important step towards developing a research infrastructure for sharing and sustaining digital arts and humanities knowledge across Europe and beyond. Using the opportunity to present a poster at DH Benelux 2015 as a starting point, the authors would like to explore how DARIAH-BE, DARIAH-LU and DARIAH-NL could collaborate to both strengthen their participation in DARIAH within their individual countries and together as the Benelux region. Initial ideas include: a) increasing collaboration between researchers and infrastructure providers: taking advantage of the geographical proximity and language synergies to participate in shared activities e.g. joint research projects and training events, b) increasing funding opportunities: exploring regional possibilities for funding and establishing partnerships for European funding proposals and c) sharing DARIAH knowledge and experience: increasing understanding and identifying synergies between the DARIAH activities in each country. Through strengthening the collaboration between DARIAH activities in Belgium, Luxembourg and The Netherlands, we would like to facilitate maximum participation of digital humanities researchers in the Benelux region in DARIAH in order to take full advantage of the benefits of being part of the European DARIAH community.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ghent University Aca...arrow_drop_down
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    Other literature type . 2015
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  • Authors: Gabay, Simon;

    International audience

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48 Research products
  • Authors: Tóth-Czifra, Erzsébet; Moranville, Yoann;

    International audience; Navigating through the rich and dynamically evolving (Wouters et al., 2013) Digital Humanities (henceforth DH) landscape can be a time-consuming task and difficult to integrate into researchers' everyday routines. Yet primary goals of the DH paradigm such as 1. broadening and deepening the adoption of digital methods amongst humanities scholars and 2. facilitating the culture of reuse of already existing resources requires sufficient tools that make DH resources, methods and best practices visible, easily discoverable and freely accessible for researchers in all levels of expertise. The OpenMethods metablog aims to fulfil this need and provides a platform to bring together all formats of Open Access publications in different languages about methods in DH to spread the knowledge and raise peer recognition for them.

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  • Authors: Vanden Daelen, Veerle; Drenth, Petra;

    International audience; The mission of the European Holocaust Research Infrastructure (EHRI) is to support the Holocaust research community by building a digital infrastructure and facilitating human networks. EHRI provides online access to information about dispersed sources relating to the Holocaust through its Online Portal, and tools and methods that enable researchers and archivists to collaboratively work with such sources. Apart from providing an online platform, EHRI also facilitates an extensive network of researchers, archivists and others to increase cohesion and co-ordination among practitioners and to initiate new transnational and collaborative approaches to the study of the Holocaust. EHRI thereby seeks to overcome one of the hallmark challenges of Holocaust research: the wide dispersal of the archival source material across Europe and beyond, and the concomitant fragmentation of Holocaust historiography. More than twenty organisations – research institutions, libraries, archives, museums and memorial sites – from 17 countries form a core working group, but EHRI equally relies on the support of many other individuals and organisations in the broad fields of Holocaust studies and digital humanities. With a poster presentation at the DARIAH-EU Annual Event 2017 in Berlin, the authors would like to present the resources and services EHRI has to offer to the research community, with a special emphasis on the EHRI Portal. The EHRI portal offers access to information on Holocaust-related archival material held in institutions across Europe and beyond. You can browse 57 country reports, 1,938 archival institutions in 51 countries, and 231,478 archival descriptions in 472 institutions (April 2017). Other EHRI resources and training include: Online Training in Holocaust Studies; Seminars and Workshops; Fellowship Programme; Conferences; Online Document Blog; Online Research Guides; and Tools and Methods for Digital History. Two features were highlighted: The relatively new EHRI Document Blog, and the successful EHRI Fellowships. The EHRI Document Blog is a space to share ideas about Holocaust-related archival documents, and their presentation and interpretation, using digital tools. The EHRI Fellowships support and stimulate Holocaust research by facilitating international access to key archives and collections as well as archival and digital humanities knowhow. The fellowships intend to support researchers, archivists, curators, and younger scholars. By bringing together experts from different fields, and by building an innovative digital infrastructure supported by a large community, EHRI is a flagship project that showcases the opportunities for historical research in the digital age. EHRI started its work in October 2010 with initial financial support from the European Union for four years. Thanks to the continued EU support, EHRI keeps on developing. EHRI is devoted to building a Holocaust research infrastructure that is sustained by its network and will have a right of existence on its own accord.https://portal.ehri-project.eu/www.ehri-project.eu

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    Authors: Wilms, L.; Cock, M.P.; Companjen, B.A.;

    International audience; Academic libraries in the Netherlands have the ambition to increase the knowledge level of their librarians on digital humanities (DH). Three libraries therefore set up a series of full-day training events aimed specifically at library professionals of academic and research libraries in the Netherlands, named DH Clinics. The aim of these clinics is to provide basic methodological competencies and technical skills in DH, for a diverse group of library employees, consisting of both subject and technical librarians with basic technical skills. The content of these sessions should 1) enable them to provide services to researchers and students, 2) identify remaining gaps in knowledge or skills that they could address by self-directed learning and 3) (possibly) to automate their daily library work. This paper describes final schedule of the DH Clinics, how we organised the design process by involving the user community and the lessons we learned.

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    Article . 2017
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  • Authors: Ribbe, Paulin; Engelhardt, Claudia; Larrousse, Nicolas; Leone, Claudio; +4 Authors

    International audience

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    Authors: Vanden Daelen, Veerle; Edmond, Jennifer; Links, Petra; Priddy, Mike; +3 Authors

    International audience; One of the funded project proposals under DARIAH’s Open Humanities call 2015 was “Open History: Sustainable digital publishing of archival catalogues of twentieth-century history archives”. Based on the experiences of the Collaborative EuropeaN Digital Archival Research Infrastructure (CENDARI) and the European Holocaust Research Infrastructure (EHRI), the main goal of the “Open History” project was to enhance the dialogue between (meta-)data providers and research infrastructures. Integrating archival descriptions – when they were already available – held at a wide variety of twentieth-century history archives (from classic archives to memorial sites, libraries and private archives) into research infrastructures has proven to be a major challenge, which could not be done without some degree of limited to extensive pre-processing or other preparatory work. The “Open History” project organized two workshops and developed two tools: an easily accessible and general article on why the practice of standardization and sharing is important and how this can be achieved; and a model which provides checklists for self-analyses of archival institutions. The text that follows is the article we have developed. It intentionally remains at a general level, without much jargon, so that it can be easily read by those who are non-archivists or non-IT. Hence, we hope it will be easy to understand for both those who are describing the sources at various archives (with or without IT or archival sciences degrees), as well as decision-makers (directors and advisory boards) who wish to understand the benefits of investing in standardization and sharing of data. It is important to note is that this text is a first step, not a static, final result. Not all aspects about standardization and publication of (meta-)data are discussed, nor are updates or feedback mechanisms for annotations and comments discussed. The idea is that this text can be used in full or in part and that it will include further chapters and section updates as time goes by and as other communities begin using it. Some archives will read through much of these and see confirmation of what they have already been implementing; others – especially the smaller institutions, such as private memory institutions – will find this a low-key and hands-on introduction to help them in their efforts.

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