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  • Authors: Julia Damerow;

    Two of the cornerstones of modern software development, Continuous Integration (CI) and Continuous Delivery (CD) are practices to support collaborative and fast development through automation. With CI, software is built and tested on every code push. Using triggers from version control systems, code is compiled and tested against defined criteria, such as unit and integration tests. This ensures that the latest changes to the code base are compatible with the existing code base, i.e. they integrate well. On top of this, CD is the practices of packaging and publishing the build artifact of a successful integration run. In an optimal setup, this allows the immediate delivery of the latest successfully built version to a production environment. In our first Virtual Workshop we will be hearing from Malte Vogl on his experience using Gitlab CI for Django projects. Expanding on Malte’s introduction, Julia Damerow and Carsten Thiel will open up the general discussion with their experiences using Travis-CI and Jenkins.

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    DARIAH-DE
    Other ORP type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jörg Lehmann (Eberhard Karls Universität Tübingen), author;

    This text elucidates how we make use of the FAIR data principles.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other ORP type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DARIAH-DEarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Claudia Cedeño Báez (Eberhard Karls Universität Tübingen), creator;

    This animation visualizes the relative percentages of genre distributions in seven of the modernist magazines.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • Authors: Robert Casties;

    Robert Casties (MPIWG) talks about image servers and IIIF (International Image Interoperability Framework). Robert is the architect and developer of Digilib, a state-less, web-based client-server application for interactive viewing and manipulation of images that is IIIF compliant. IIIF is a set of API specifications to enable interoperability between image repositories.

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    Other ORP type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: orcid.org/0000-0002-0865-2025;

    Short text about the project, selected documents and related publications

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    DARIAH-DE
    Other ORP type . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2021
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    Authors: Hanno Ehrlicher (Eberhard Karls Universität Tübingen), author;

    This text explicates the criteria which guided the selection criteria applied to construct the corpus.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other ORP type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • Authors: Robert Casties;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Judith Rideout (Eberhard Karls Universität Tübingen), data collector; Claudia Cedeño Báez (Eberhard Karls Universität Tübingen), data collector; Hanno Ehrlicher (Eberhard Karls Universität Tübingen), principal investigator and project leader; Teresa Herzgsell (Eberhard Karls Universität Tübingen), data collector; +1 Authors

    This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.

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      DARIAH-DE
      Other ORP type . 2020
      Data sources: B2FIND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2020
      Data sources: B2FIND
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jörg Lehmann (Eberhard Karls Universität Tübingen), author; Hanno Ehrlicher (Eberhard Karls Universität Tübingen), principal investigator and project leader; Hanno Ehrlicher (Eberhard Karls Universität Tübingen), project leader and author; Teresa Herzgsell (Eberhard Karls Universität Tübingen), author; +1 Authors

    This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DARIAH-DEarrow_drop_down
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    DARIAH-DE
    Other ORP type . 2020
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      DARIAH-DE
      Other ORP type . 2020
      Data sources: B2FIND
  • Authors: Malte Vogl;

    Two of the cornerstones of modern software development, Continuous Integration (CI) and Continuous Delivery (CD) are practices to support collaborative and fast development through automation. With CI, software is built and tested on every code push. Using triggers from version control systems, code is compiled and tested against defined criteria, such as unit and integration tests. This ensures that the latest changes to the code base are compatible with the existing code base, i.e. they integrate well. On top of this, CD is the practices of packaging and publishing the build artifact of a successful integration run. In an optimal setup, this allows the immediate delivery of the latest successfully built version to a production environment. In our first Virtual Workshop we will be hearing from Malte Vogl on his experience using Gitlab CI for Django projects. Expanding on Malte’s introduction, Julia Damerow and Carsten Thiel will open up the general discussion with their experiences using Travis-CI and Jenkins.

    DARIAH-DEarrow_drop_down
    DARIAH-DE
    Other ORP type . 2018
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  • Authors: Julia Damerow;

    Two of the cornerstones of modern software development, Continuous Integration (CI) and Continuous Delivery (CD) are practices to support collaborative and fast development through automation. With CI, software is built and tested on every code push. Using triggers from version control systems, code is compiled and tested against defined criteria, such as unit and integration tests. This ensures that the latest changes to the code base are compatible with the existing code base, i.e. they integrate well. On top of this, CD is the practices of packaging and publishing the build artifact of a successful integration run. In an optimal setup, this allows the immediate delivery of the latest successfully built version to a production environment. In our first Virtual Workshop we will be hearing from Malte Vogl on his experience using Gitlab CI for Django projects. Expanding on Malte’s introduction, Julia Damerow and Carsten Thiel will open up the general discussion with their experiences using Travis-CI and Jenkins.

    DARIAH-DEarrow_drop_down
    DARIAH-DE
    Other ORP type . 2018
    Data sources: B2FIND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jörg Lehmann (Eberhard Karls Universität Tübingen), author;

    This text elucidates how we make use of the FAIR data principles.

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    DARIAH-DE
    Other ORP type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2020
      Data sources: B2FIND
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Claudia Cedeño Báez (Eberhard Karls Universität Tübingen), creator;

    This animation visualizes the relative percentages of genre distributions in seven of the modernist magazines.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
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    0
    citations0
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2020
      Data sources: B2FIND
  • Authors: Robert Casties;

    Robert Casties (MPIWG) talks about image servers and IIIF (International Image Interoperability Framework). Robert is the architect and developer of Digilib, a state-less, web-based client-server application for interactive viewing and manipulation of images that is IIIF compliant. IIIF is a set of API specifications to enable interoperability between image repositories.

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    DARIAH-DE
    Other ORP type . 2018
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      Other ORP type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: orcid.org/0000-0002-0865-2025;

    Short text about the project, selected documents and related publications

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    DARIAH-DE
    Other ORP type . 2021
    Data sources: B2FIND
    0
    citations0
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2021
      Data sources: B2FIND
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hanno Ehrlicher (Eberhard Karls Universität Tübingen), author;

    This text explicates the criteria which guided the selection criteria applied to construct the corpus.

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    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2020
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  • Authors: Robert Casties;
    DARIAH-DEarrow_drop_down
    DARIAH-DE
    Other ORP type . 2018
    Data sources: B2FIND
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      Other ORP type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Judith Rideout (Eberhard Karls Universität Tübingen), data collector; Claudia Cedeño Báez (Eberhard Karls Universität Tübingen), data collector; Hanno Ehrlicher (Eberhard Karls Universität Tübingen), principal investigator and project leader; Teresa Herzgsell (Eberhard Karls Universität Tübingen), data collector; +1 Authors

    This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DARIAH-DEarrow_drop_down
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    DARIAH-DE
    Other ORP type . 2020
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    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
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    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
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    DARIAH-DE
    Other ORP type . 2020
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    DARIAH-DE
    Other ORP type . 2020
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    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
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    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2020
    Data sources: B2FIND
    0
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jörg Lehmann (Eberhard Karls Universität Tübingen), author; Hanno Ehrlicher (Eberhard Karls Universität Tübingen), principal investigator and project leader; Hanno Ehrlicher (Eberhard Karls Universität Tübingen), project leader and author; Teresa Herzgsell (Eberhard Karls Universität Tübingen), author; +1 Authors

    This DFG-funded research project studied a large corpus of cultural magazines of the Spanish-speaking modern age in Spain and Hispanic America. The research project started in 2017 and lasted until 2020; its project number is 327964298. Two sub-projects, one with an emphasis on Modernismo (1890-1914) and the other one with an emphasis on the avant-garde (1920-1936), were implemented, crossing fields during the transitional phase of the so-called Posmodernismo (about 1910-1920). Both sub-projects were closely connected and were designed to serve the following objectives: 1. Processes of the development of modern literature and its transnational dimension were studied by consistently comparing inter-cultural connections, thus underlining the status of the cultural magazine as a crucial medium of the dynamics of modernization. Within the project continuities and ruptures within these dynamics in Spanish-speaking literatures have been examined, which necessarily could only be partially considered in the prevailing epoch-centered studies on Modernismo and avant-garde so far. The high level of transnational networking, which is characteristic for the "cosmopolitan" Modernismo as well as the "international" avant-garde, was supposed to finally become the object of research, after this phase of studying magazines mostly as part of the national philologies. 2. In conducting this new field of research methods already established and theories on cultural transfer have been used to study modern literature outside the confines of national boundaries, in order to expand their reach to the medium of the cultural magazine. 3. Cultural magazines have been regarded as networks consisting of forms of texts, which do not only connect single contributors, but genres and types of texts as well. To research this aspect of magazines as networks, qualitative analytic parameters that require a close reading of carefully selected parts of the magazines have been used, as well as quantitative methods which are based on the entry of (meta-)data of reviews and their visualization. The dataset submitted here consists of explanatory texts, 16 data sheets comprising about 31,500 datasets, and of several visualizations. The project maintains its own virtual research environment named "Revistas Culturales 2.0", which is available at https://www.revistas-culturales.de/.

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  • Authors: Malte Vogl;