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This book is a collection of seventeen papers which describe the impact that the ARIADNE project and its successor, ARIADNEplus (2019-2022) have had on the archaeological community, both in Europe and further afield. Each case study has been contributed by organisations involved in the ARIADNE Infrastructure who cover many countries from across Europe as well as Argentina and Japan. These papers were originally presented at the CAA Conference in Krakow, April 2019 and cover aspects such as data management, application of standards and guidelines, the use of CIDOC-CRM and Open Data to name but a few.

The European Holocaust Research Infrastructure (EHRI) portal website aims to aggregate digitally available archival descriptions concerning the Holocaust. This portal is actually a meta-catalogue, or an information aggregator, whose biggest goal is to have up-to-date information by means of building sustainable data pipelines between EHRI and its content providers. Just like in similar archival information aggregators (e.g. Archives Portal Europe or Monasterium), the XML-based metadata standard Encoded Archival Description (EAD) plays a key role. The article presents how EADs are imported into the portal, mainly thanks to the Open Archive Initiative protocols.

In this chapter I will describe what the CLARIN infrastructure is and how it can be used, with a focus on the Low Countries (and especially the Netherlands) part of the CLARIN infrastructure. I aim to explain how a Humanities researcher can use the CLARIN infrastructure. I describe the basic functionality that CLARIN aims to offer, including searching for data and software, applying software to data, and storing data and software resulting from research.

Here we address the roadmap of the Digital Cultural Heritage research group DigitCH group, which was set up in 2013 at the Department of Architecture, University of Florence. The aim of DigitCH group was to realize the link between scientifically validated methodologies and contents, innovative storytelling, and technological instrumentation. The spread of electronic devices has enabled rapid and easy technological fallout of research in the field of the acquisition-representation of the survey data expanding audiences and accelerating even an innovative approach to the whole knowledge of CH.

Introduction to the Conference.

The paper is about recent national and European legislation on data re-use. It argues that the time has come to realize that Open Access and copyright ought not to oppose each other. They should instead find ways to balance each other. Open Access is necessary for government-sponsored data. The industrial and creative industry cannot simply give up copyright; it must keep it in order to survive on the market. On the other hand, the industrial and creative industry ought to be allowed to make use of government-sponsored data. Legislation is on the way.

The ongoing EU funded INCEPTION project proposes a significant improvement in the 3D modelling for the enhancement of Cultural Heritage knowledge by the use of a BIM approach for the semantic enrichment and management of models. Indeed, when used in the CH field, semantic BIM will be able to connect different users (e.g. scholars, technicians, citizens, governments), supporting the need for interpretation of the cultural heritage model.

The co-operative model is a key concept of ICCU’s cultural policy. The Institute is responsible for some of the most important national infrastructures for accessing heritage and documentation of the Italian libraries, and over the years it has adopted an increasingly open data policy to facilitate the use and reuse of digital cultural heritage on an international scale. ICCU has a profound expertise in digitisation standards and guidelines; it manages the National Library Service, the union catalogue of over 6,000 Italian libraries and it coordinates, on behalf of the Italian Ministry of Cultural Heritage Activities and Tourism, major digital cultural heritage projects at a national level such as Internet Culturale, the portal of the digital resources of Italy’s libraries, and CulturaItalia, the national aggregator for Europeana. ICCU also manages MuseiD-Italia, the digital library of the Italian museums, integrated in CulturaItalia portal. ICCU participates in many international initiatives for strengthening the cohesion of research and technical and semantic interoperability in the sector of cultural heritage, humanities, history and linguistic studies in order to create a digital ecosystem and effective e-infrastructures that can offer innovative tools and services able to exploit synergies and cooperative workflows in these related domains. The paper presents the main projects and activities carried out by ICCU at national and international levels that are investigating political and technical issues of the relation between the DCH sector and research infrastructures.

International audience; This paper describes the workflow of the Grammateus project, from gathering data on Greek documentary papyri to the creation of a web application. The first stage is the selection of a corpus and the choice of metadata to record: papyrology specialists gather data from printed editions, existing online resources and digital facsimiles. In the next step, this data is transformed into the EpiDoc standard of XML TEI encoding, to facilitate its reuse by others, and processed for HTML display. We also reuse existing text transcriptions available on . Since these transcriptions may be regularly updated by the scholarly community, we aim to access them dynamically. Although the transcriptions follow the EpiDoc guidelines, the wide diversity of the papyri as well as small inconsistencies in encoding make data reuse challenging. Currently, our data is available on an institutional GitLab repository, and we will archive our final dataset according to the FAIR principles.

The ongoing EU funded project “INCEPTION – Inclusive Cultural Heritage in Europe through 3D semantic modelling” proposes a workflow aimed at the achievements of efficient 3D digitization methods, post-processing tools for an enriched semantic modelling, web-based solutions and applications to ensure a wide access to experts and non-experts. Nevertheless, the generation of high quality 3D models can still be very time-consuming and expensive, and the outcome of digital reconstructions is frequently provided in formats that are not interoperable, and therefore cannot be easily accessed. This challenge is even more crucial for complex architectures and large heritage sites, which involve a large amount of data to be acquired, managed and enriched by metadata. In order to face these challenges and to start solving the issues of the large amount of captured data and time-consuming processes in the production of 3D digital models, an Optimized Data Acquisition Protocol (DAP) has been set up. The purpose is to guide the processes of digitization of Cultural Heritage, respecting needs, requirements and specificities of cultural assets, by dealing with issues such as time-consuming processes and limited budget available for 3D documentation, accuracy of 3D models, integration of metadata and semantics into the 3D model and links with multimedia information. The DAP can be followed during the planning and performing of a 3D laser scanner survey of Cultural Heritage, and it is referred to architectural, archaeological, urban and site scales.