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  • DARIAH EU
  • 2022-2022
  • Open Access
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodrigo, Javier; Flecha, Ainhoa; Kasprowicz, Dominika; Hess, Karolina; +4 Authors

    Storytelling tools aim to leverage the technological restraints of creating and sharing digital narratives, allowing non-expert users to deploy projects and populate them with custom-made content. In other words, storytelling tools aim at giving space for diverse narratives to emerge and spread in the digital sphere. As facilitators of imagining and communicating ideas, they may also be considered incubators of rethinking societal challenges. The three storytelling tools developed in the framework of the HORIZON2020 SO-CLOSE project allow users to create and publish multimedia, multilingual and accessible digital cultural heritage projects. In this demonstration, we present the three tools: the interactive story map, the immersive web doc and the participatory virtual exhibition. We showcase the publishing interfaces (front-end), the authoring and content management system (back-end) and a use-case application (project). The present prototypes will be publicly released by the end of the project (December 2022). SO-CLOSE is a three-year project that aims at enhancing social cohesion through sharing the cultural heritage of forced migrations. Based on theories of cultural heritage-making, the project works towards exposing the commonalities of past and present experiences with the mediation of innovative digital tools and collaborative approaches. The act of storytelling becomes a premise for the potential of a better understanding between local communities and newcomers. In this context, the three tools are conceived and developed to empower cultural institutions and communities in building and publishing their digital stories. To achieve this, end-users were intensively involved in the design process, through participatory methodologies. Starting from a state-of-the-art tools analysis, the project collaborated with cultural institutions, NGOs, refugees and asylum seekers, local communities, researchers and policy makers in the requirements elicitation process (interviews and focus groups), co-design workshops and validation surveys. Overall, the users of the storytelling tools can create projects based on journeys, chapters or exhibitions, use modules that can be selected, shuffled and repeated, populate them with their own content – including 360 videos and images and 3D models – and carry out crowdsourcing calls. The projects are published online, with integrated features for accessibility, interactivity and data interoperability with other repositories. The use-case that will illustrate the tools application will be a pilot project of Greek Forum of Refugees, co-created together with three different refugee communities living in Greece and the Contemporary Social History Archives. posters & demos: 142

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Other literature type . Article . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Other literature type . Article . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Wigg-Wolf, David; Brand, Mirko; Deligio, Chrisowalandis; Hofmann, Kerstin; +4 Authors

    The transformation from analogue to digital data is the core principle of the digital turn in the sciences and humanities. Within numismatics, this is visible in projects to digitise coin collections and publish them in online catalogues (e. g. IKMK and KENOM), or in coin find databases (e. g. AFE-RGK). The project nomisma.org was founded to promote and support the application of LOD within numismatics, and is now firmly established internationally as the primary resource for the domain. Drawing on the vocabulary and ontology of nomisma.org, a range of web-based resources, such as OCRE for the Roman Imperial coinage, now translate individual coins from instances in collection or find databases to exemplars of standard typologies or classifications,. However, in contrast to the coinages of much of the Graeco-Roman world, for which well established classifications exist, the lack of a single, universal classification for Celtic coinages presents a range of challenges. Instead there are a number of classifications for individual coinages and regions, many of which cannot be mutually reconciled. To address this, the BMBF cooperative project ClaReNet is developing a nomisma-conform virtual union catalogue, Online Celtic Coinage (OCC) to provide both a human-user friendly resource and machine-readable, re-usable data for the semantic web (LOUD and FAIR). This presents not only a unique opportunity to attain interconnectivity between the disparate classifications of analogue publications, but also to incorporate contextual, in particular the archaeological information (distribution, findspot) that is essential for establishing the chronology of Celtic coinages and understanding their use. Taking OCC as an example, this paper aims to explain how we would define LOD usability for Celtic coins and how data from different contexts of collection can be brought together in a virtual union catalogue.

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    Presentation . 2022
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      Other literature type . 2022
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      Presentation . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lisanne van Rossum; Artjoms Šeļa;

    We have explored gaps in teaching of research skills for computational literary studies to inform the CLS INFRA project’s own approach to training schools and chart the territory to gain broader insight into current CLS teaching practices. To understand supply we have manually annotated a sample of European university courses in Digital Humanities and summer school workshops. To index demand we set up an online survey to ask the community to evaluate a set of predetermined ‘skills’ based on its perceived future prospects in the field and teaching (1-5 scale response, 118 participants). The survey also offered a chance to observe the demographic structure of the CLS community. The prevalence of early career respondents indicates a new generational wave within computational literary studies. Participant gender was balanced, although introduction of variables such as career stage, self-reported proficiency, and discipline demonstrated skewness. Researchers who work in the field of CLS also report more experience in computational methods, which suggests that these go hand in hand in current practice. Despite the gap in skills education being more general in nature, we identified areas of heightened interest. These are the skills that make up the backbone of computational research: from designing the study to text collection, to multivariate analysis and statistical modeling. Survey responses reiterated that the current gap in schooling is qualitative rather than quantitative. Moreover, there was a consensus among participants that the institutionalized training of a new generation of researchers is instrumental to disciplinary advancement of CLS.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gray, Edward;

    Founded as an ERIC in 2014, DARIAH has long held a place in the SSH Research Landscape. Like any research infrastructure, or indeed any type of infrastructure, its work often passes unseen. That does not mean that DARIAH has been inactive, it simply means that the work carried out by the infrastructure focused more on the construction of our international research infrastructure and of the various national consortia, as well as policy and advocacy on behalf of our communities. DARIAH also served, and serves, as an excellent incubator for European project grants and the creation of project consortia. These important initiatives, however, are rarely seen or appreciated by the individual researcher. However, with the increasing maturity of the infrastructure and notably the SSH Open Marketplace and DARIAH Campus platforms, DARIAH can proudly boast services that appeal to the individual researcher. Joining with the existing, grassroots and researcher-led Working Groups, DARIAH now has multiple means of enabling research in social sciences and humanities in a way that is visible to the individual researcher. Our important unseen infrastructure work continues, and it is joined now by these more visible and tangible initiatives. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Presentation . 2022
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    Authors: Fileva, Evgenia; Dudar, Julia; Schöch, Christof;

    Supplementary data to the Baseline Methodological User Needs Analysis

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    ZENODO
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    Dataset . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Fileva;

    Supplementary data to the Baseline Methodological User Needs Analysis

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    ZENODO
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    Authors: Barbot, Laure; Gray, Edward J.; Illmayer, Klaus;

    This presentation provides an overview of the SSH Open Marketplace, what it is and how it works. It focuses especially on the creation of workflows, and was used as supporting documentation for two Curation Sprint sessions given the 14th and the 21st of March 2022. "Interested in helping your fellow researchers by explaining real research workflows? Want to show off how you conduct research with tools and services listed in the SSH Open Marketplace? Want to make full use of the contextualization and interlinking features of the Marketplace by explaining step by step how you use digital humanities tools to advance the social sciences and humanities? This curation sprint is for you! WHO: Researchers interested in creating a Workflow in the SSH Open Marketplace WHAT: A two-part training session on how to use the SSH Open Marketplace, and specifically, it's research workflows WHEN: Monday, March 14th at 11am and Monday, March 21st at 11 am. The first of these hour-long sessions will be a presentation on the SSH Marketplace and how to create a workflow entry. After a week for you to explore the SSH Open Marketplace and make your own research workflow, we will then have an hour-long session to work on improving your entries and discuss any issues you may have had. WHY: Workflows are a key added value of the SSH Open Marketplace, and take full advantage of powerful semantic interlinking of Tools, Publications, Training Materials, and Datasets at the heart of the Marketplace's data model. It will show other researchers real research use cases for the various tools, taking them step by step in the process of conducting research in the digital age. It is the best way to show off your tools and research processes, by making them public for other like-minded scholars to see!"

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    Authors: Christof Schöch; Evgeniia Fileva; Julia Dudar;

    The findings reported here have been obtained in the framework of CLS INFRA’s Work Package 3 concerned with “Methodological Considerations of Computational Literary Studies” (WP3). The overarching objective of WP3 is to identify, document and show-case current shared practices in CLS research. This objective supports several purposes, among them guiding infrastructure development, defining training opportunities, and consolidating the CLS community. Specifically, one can deduct infrastructure requirements from such findings and feed them to other work packages within the project, in order to ensure that decisions taken when designing a research infrastructure for the CLS community are informed by these requirements.1 Also, such a documentation of current shared practices can help design a useful training programme both for scholars who are newly entering the field and for more experienced researchers. In addition, it can help consolidate the CLS community by making shared research practices visible. Within WP3, the first step to identify, document and show-case best practices in CLS research is to capture the current state of the art in terms of widespread research practices in CLS. Task 3.1 on the “Baseline Methodological User Needs Analysis” is devoted to this aim.

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    We have explored gaps in teaching of research skills for computational literary studies to inform the CLS INFRA project’s own approach to training schools and chart the territory to gain broader insight into current CLS teaching practices. To understand supply we have manually annotated a sample of European university courses in Digital Humanities and summer school workshops. To index demand we set up an online survey to ask the community to evaluate a set of predetermined ‘skills’ based on its perceived future prospects in the field and teaching (1-5 scale response, 118 participants). The survey also offered a chance to observe the demographic structure of the CLS community. The prevalence of early career respondents indicates a new generational wave within computational literary studies. Participant gender was balanced, although introduction of variables such as career stage, self-reported proficiency, and discipline demonstrated skewness. Researchers who work in the field of CLS also report more experience in computational methods, which suggests that these go hand in hand in current practice. Despite the gap in skills education being more general in nature, we identified areas of heightened interest. These are the skills that make up the backbone of computational research: from designing the study to text collection, to multivariate analysis and statistical modeling. Survey responses reiterated that the current gap in schooling is quantitative rather than qualitative. Moreover, there was a consensus among participants that the institutionalized training of a new generation of researchers is instrumental to disciplinary advancement of CLS.

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    Authors: Daga, Enrico; Asprino, Luigi; Damiano, Rossana; Daquino, Marilena; +11 Authors

    Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors' experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people's responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodrigo, Javier; Flecha, Ainhoa; Kasprowicz, Dominika; Hess, Karolina; +4 Authors

    Storytelling tools aim to leverage the technological restraints of creating and sharing digital narratives, allowing non-expert users to deploy projects and populate them with custom-made content. In other words, storytelling tools aim at giving space for diverse narratives to emerge and spread in the digital sphere. As facilitators of imagining and communicating ideas, they may also be considered incubators of rethinking societal challenges. The three storytelling tools developed in the framework of the HORIZON2020 SO-CLOSE project allow users to create and publish multimedia, multilingual and accessible digital cultural heritage projects. In this demonstration, we present the three tools: the interactive story map, the immersive web doc and the participatory virtual exhibition. We showcase the publishing interfaces (front-end), the authoring and content management system (back-end) and a use-case application (project). The present prototypes will be publicly released by the end of the project (December 2022). SO-CLOSE is a three-year project that aims at enhancing social cohesion through sharing the cultural heritage of forced migrations. Based on theories of cultural heritage-making, the project works towards exposing the commonalities of past and present experiences with the mediation of innovative digital tools and collaborative approaches. The act of storytelling becomes a premise for the potential of a better understanding between local communities and newcomers. In this context, the three tools are conceived and developed to empower cultural institutions and communities in building and publishing their digital stories. To achieve this, end-users were intensively involved in the design process, through participatory methodologies. Starting from a state-of-the-art tools analysis, the project collaborated with cultural institutions, NGOs, refugees and asylum seekers, local communities, researchers and policy makers in the requirements elicitation process (interviews and focus groups), co-design workshops and validation surveys. Overall, the users of the storytelling tools can create projects based on journeys, chapters or exhibitions, use modules that can be selected, shuffled and repeated, populate them with their own content – including 360 videos and images and 3D models – and carry out crowdsourcing calls. The projects are published online, with integrated features for accessibility, interactivity and data interoperability with other repositories. The use-case that will illustrate the tools application will be a pilot project of Greek Forum of Refugees, co-created together with three different refugee communities living in Greece and the Contemporary Social History Archives. posters & demos: 142

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    Authors: Wigg-Wolf, David; Brand, Mirko; Deligio, Chrisowalandis; Hofmann, Kerstin; +4 Authors

    The transformation from analogue to digital data is the core principle of the digital turn in the sciences and humanities. Within numismatics, this is visible in projects to digitise coin collections and publish them in online catalogues (e. g. IKMK and KENOM), or in coin find databases (e. g. AFE-RGK). The project nomisma.org was founded to promote and support the application of LOD within numismatics, and is now firmly established internationally as the primary resource for the domain. Drawing on the vocabulary and ontology of nomisma.org, a range of web-based resources, such as OCRE for the Roman Imperial coinage, now translate individual coins from instances in collection or find databases to exemplars of standard typologies or classifications,. However, in contrast to the coinages of much of the Graeco-Roman world, for which well established classifications exist, the lack of a single, universal classification for Celtic coinages presents a range of challenges. Instead there are a number of classifications for individual coinages and regions, many of which cannot be mutually reconciled. To address this, the BMBF cooperative project ClaReNet is developing a nomisma-conform virtual union catalogue, Online Celtic Coinage (OCC) to provide both a human-user friendly resource and machine-readable, re-usable data for the semantic web (LOUD and FAIR). This presents not only a unique opportunity to attain interconnectivity between the disparate classifications of analogue publications, but also to incorporate contextual, in particular the archaeological information (distribution, findspot) that is essential for establishing the chronology of Celtic coinages and understanding their use. Taking OCC as an example, this paper aims to explain how we would define LOD usability for Celtic coins and how data from different contexts of collection can be brought together in a virtual union catalogue.

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    Authors: Lisanne van Rossum; Artjoms Šeļa;

    We have explored gaps in teaching of research skills for computational literary studies to inform the CLS INFRA project’s own approach to training schools and chart the territory to gain broader insight into current CLS teaching practices. To understand supply we have manually annotated a sample of European university courses in Digital Humanities and summer school workshops. To index demand we set up an online survey to ask the community to evaluate a set of predetermined ‘skills’ based on its perceived future prospects in the field and teaching (1-5 scale response, 118 participants). The survey also offered a chance to observe the demographic structure of the CLS community. The prevalence of early career respondents indicates a new generational wave within computational literary studies. Participant gender was balanced, although introduction of variables such as career stage, self-reported proficiency, and discipline demonstrated skewness. Researchers who work in the field of CLS also report more experience in computational methods, which suggests that these go hand in hand in current practice. Despite the gap in skills education being more general in nature, we identified areas of heightened interest. These are the skills that make up the backbone of computational research: from designing the study to text collection, to multivariate analysis and statistical modeling. Survey responses reiterated that the current gap in schooling is qualitative rather than quantitative. Moreover, there was a consensus among participants that the institutionalized training of a new generation of researchers is instrumental to disciplinary advancement of CLS.

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    Authors: Gray, Edward;

    Founded as an ERIC in 2014, DARIAH has long held a place in the SSH Research Landscape. Like any research infrastructure, or indeed any type of infrastructure, its work often passes unseen. That does not mean that DARIAH has been inactive, it simply means that the work carried out by the infrastructure focused more on the construction of our international research infrastructure and of the various national consortia, as well as policy and advocacy on behalf of our communities. DARIAH also served, and serves, as an excellent incubator for European project grants and the creation of project consortia. These important initiatives, however, are rarely seen or appreciated by the individual researcher. However, with the increasing maturity of the infrastructure and notably the SSH Open Marketplace and DARIAH Campus platforms, DARIAH can proudly boast services that appeal to the individual researcher. Joining with the existing, grassroots and researcher-led Working Groups, DARIAH now has multiple means of enabling research in social sciences and humanities in a way that is visible to the individual researcher. Our important unseen infrastructure work continues, and it is joined now by these more visible and tangible initiatives. 

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    Authors: Fileva, Evgenia; Dudar, Julia; Schöch, Christof;

    Supplementary data to the Baseline Methodological User Needs Analysis

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    Authors: Fileva;

    Supplementary data to the Baseline Methodological User Needs Analysis

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    Authors: Barbot, Laure; Gray, Edward J.; Illmayer, Klaus;

    This presentation provides an overview of the SSH Open Marketplace, what it is and how it works. It focuses especially on the creation of workflows, and was used as supporting documentation for two Curation Sprint sessions given the 14th and the 21st of March 2022. "Interested in helping your fellow researchers by explaining real research workflows? Want to show off how you conduct research with tools and services listed in the SSH Open Marketplace? Want to make full use of the contextualization and interlinking features of the Marketplace by explaining step by step how you use digital humanities tools to advance the social sciences and humanities? This curation sprint is for you! WHO: Researchers interested in creating a Workflow in the SSH Open Marketplace WHAT: A two-part training session on how to use the SSH Open Marketplace, and specifically, it's research workflows WHEN: Monday, March 14th at 11am and Monday, March 21st at 11 am. The first of these hour-long sessions will be a presentation on the SSH Marketplace and how to create a workflow entry. After a week for you to explore the SSH Open Marketplace and make your own research workflow, we will then have an hour-long session to work on improving your entries and discuss any issues you may have had. WHY: Workflows are a key added value of the SSH Open Marketplace, and take full advantage of powerful semantic interlinking of Tools, Publications, Training Materials, and Datasets at the heart of the Marketplace's data model. It will show other researchers real research use cases for the various tools, taking them step by step in the process of conducting research in the digital age. It is the best way to show off your tools and research processes, by making them public for other like-minded scholars to see!"

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    Authors: Christof Schöch; Evgeniia Fileva; Julia Dudar;

    The findings reported here have been obtained in the framework of CLS INFRA’s Work Package 3 concerned with “Methodological Considerations of Computational Literary Studies” (WP3). The overarching objective of WP3 is to identify, document and show-case current shared practices in CLS research. This objective supports several purposes, among them guiding infrastructure development, defining training opportunities, and consolidating the CLS community. Specifically, one can deduct infrastructure requirements from such findings and feed them to other work packages within the project, in order to ensure that decisions taken when designing a research infrastructure for the CLS community are informed by these requirements.1 Also, such a documentation of current shared practices can help design a useful training programme both for scholars who are newly entering the field and for more experienced researchers. In addition, it can help consolidate the CLS community by making shared research practices visible. Within WP3, the first step to identify, document and show-case best practices in CLS research is to capture the current state of the art in terms of widespread research practices in CLS. Task 3.1 on the “Baseline Methodological User Needs Analysis” is devoted to this aim.

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    We have explored gaps in teaching of research skills for computational literary studies to inform the CLS INFRA project’s own approach to training schools and chart the territory to gain broader insight into current CLS teaching practices. To understand supply we have manually annotated a sample of European university courses in Digital Humanities and summer school workshops. To index demand we set up an online survey to ask the community to evaluate a set of predetermined ‘skills’ based on its perceived future prospects in the field and teaching (1-5 scale response, 118 participants). The survey also offered a chance to observe the demographic structure of the CLS community. The prevalence of early career respondents indicates a new generational wave within computational literary studies. Participant gender was balanced, although introduction of variables such as career stage, self-reported proficiency, and discipline demonstrated skewness. Researchers who work in the field of CLS also report more experience in computational methods, which suggests that these go hand in hand in current practice. Despite the gap in skills education being more general in nature, we identified areas of heightened interest. These are the skills that make up the backbone of computational research: from designing the study to text collection, to multivariate analysis and statistical modeling. Survey responses reiterated that the current gap in schooling is quantitative rather than qualitative. Moreover, there was a consensus among participants that the institutionalized training of a new generation of researchers is instrumental to disciplinary advancement of CLS.

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    Authors: Daga, Enrico; Asprino, Luigi; Damiano, Rossana; Daquino, Marilena; +11 Authors

    Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors' experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people's responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

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    ISPC Open Portal
    Article . 2022
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