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International audience; In this paper, we present an online communication-driven decision support system to align terms from a dataset with terms of another dataset (standardized controlled vocabulary or not). Heterotoki differs from existing proposals in that it takes place at the interface with humans, inviting the experts to commit on their definitions, so as to either agree to validate the mapping or to propose some enrichment to the terminologies. More precisely, differently to most of existing proposals that support terminology alignment, Heterotoki sustains the negotiation of meaning thanks to semantic coordination support within its interface design. This negotiation involves domain experts having produced multiple datasets.

Over the last decade Digital Humanities has ceased being a “niche discipline” and have become a major phenomenon in academic and cultural debate. Significant scientific results and outcomes have been achieved, and fundamental research infrastructures have been realized. Despite these far-reaching outcomes, Digital Humanities still does not have a satisfactory influence in the traditional disciplinary fields. We need to find new methods to deal with cultural artifacts and texts. Amongst the many emerging research fields in the DH, two come forth as the most promising and interesting: Big Data and distant reading; Semantic Web and Linked Open Data. In my paper I will argue that Big Data in the Humanities, although very promising, have some critical issues, and I will propose the idea of a Semantic Cultural and Literary Web, a collaborative infrastructure based on ontology driven semantic annotation of primary resources.  Over the last decade Digital Humanities has ceased being a “niche discipline” and have become a major phenomenon in academic and cultural debate. Significant scientific results and outcomes have been achieved, and fundamental research infrastructures have been realized. Despite these far-reaching outcomes, Digital Humanities still does not have a satisfactory influence in the traditional disciplinary fields. We need to find new methods to deal with cultural artifacts and texts. Amongst the many emerging research fields in the DH, two come forth as the most promising and interesting: Big Data and distant reading; Semantic Web and Linked Open Data. In my paper I will argue that Big Data in the Humanities, although very promising, have some critical issues, and I will propose the idea of a Semantic Cultural and Literary Web, a collaborative infrastructure based on ontology driven semantic annotation of primary resources.

Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE (Social Participation, Cohesion, and Inclusion through Cultural Engagement) as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting, viewpoints and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature toward a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation and discuss challenges and opportunities from the socio-technical standpoint.

Here we address the roadmap of the Digital Cultural Heritage research group DigitCH group, which was set up in 2013 at the Department of Architecture, University of Florence. The aim of DigitCH group was to realize the link between scientifically validated methodologies and contents, innovative storytelling, and technological instrumentation. The spread of electronic devices has enabled rapid and easy technological fallout of research in the field of the acquisition-representation of the survey data expanding audiences and accelerating even an innovative approach to the whole knowledge of CH.

This article has been accepted for publication by EUP in the IJHAC: International Journal of Humanities and Arts Computing (https://www.euppublishing.com/loi/ijhac); International audience; Since the first ESFRI roadmap in 2006, multiple humanities Research Infrastructures (RIs) have been set up all over the European continent, supporting archaeologists (ARIADNE), linguists (CLARIN-ERIC), Holocaust researchers (EHRI), cultural heritage specialists (IPERION-CH) and others. These examples only scratch the surface of the breadth of research communities that have benefited from close cooperation in the European Research Area.While each field developed discipline-specific services over the years, common themes can also be distinguished. All humanities RIs address, in varying degrees, questions around research data management, the use of standards and the desired interoperability of data across disciplinary boundaries.This article sheds light on how cluster project PARTHENOS developed pooled services and shared solutions for its audience of humanities researchers, RI managers and policymakers. In a time where the convergence of existing infrastructure is becoming ever more important – with the construction of a European Open Science Cloud as an audacious, ultimate goal – we hope that our experiences inform future work and provide inspiration on how to exploit synergies in interdisciplinary, transnational, scientific cooperation.

The ongoing EU funded INCEPTION project proposes a significant improvement in the 3D modelling for the enhancement of Cultural Heritage knowledge by the use of a BIM approach for the semantic enrichment and management of models. Indeed, when used in the CH field, semantic BIM will be able to connect different users (e.g. scholars, technicians, citizens, governments), supporting the need for interpretation of the cultural heritage model.

National audience; Il 1° ottobre 2015 il MIUR firma l'adesione dell'Italia a CLARIN-ERIC, l'infrastruttura di ricerca che offre risorse e tecnologie linguistiche dedicate al settore delle scienze del linguaggio e delle scienze umane e sociali. Questo articolo intende fornire alla comunità italiana una ampia panoramica di CLARIN, la sua missione, i suoi pilastri, i servizi, la sua organizzazione tecnica ed amministrativa e la struttura di governance, sia a livello europeo che locale. Viene introdotto il network italiano, con il primo centro nazionale ILC4CLARIN, ospitato ed in via di sviluppo presso l'ILC-CNR, le funzionalità, le risorse ed i servizi offerti; viene presentato infine il primo nucleo del consorzio nazionale CLARIN-IT, illustrando i criteri di costituzione, le attività previste e le prospettive future.

The EU Project INCEPTION will create a platform that is able to exchange content according to state-of-the-art available open BIM standards. This INCEPTION open Heritage BIM platform is not only exchanging data according to existing state-of-the-art standards, but it is based on a new Heritage BIM model using Semantic Web technology. This allows applications to retrieve content according to modern query languages like SPARQL and allows user defined ‘on-the-fly’ extensions of the standard. This paper describes the structure and development of this new Heritage BIM standard. The Heritage BIM standard is developed by several Semantic Web and BIM standardization specialists in combination with top experts in the field of Cultural Heritage, all of them partners within the INCEPTION project.

The ongoing EU funded project “INCEPTION – Inclusive Cultural Heritage in Europe through 3D semantic modelling” proposes a workflow aimed at the achievements of efficient 3D digitization methods, post-processing tools for an enriched semantic modelling, web-based solutions and applications to ensure a wide access to experts and non-experts. Nevertheless, the generation of high quality 3D models can still be very time-consuming and expensive, and the outcome of digital reconstructions is frequently provided in formats that are not interoperable, and therefore cannot be easily accessed. This challenge is even more crucial for complex architectures and large heritage sites, which involve a large amount of data to be acquired, managed and enriched by metadata. In order to face these challenges and to start solving the issues of the large amount of captured data and time-consuming processes in the production of 3D digital models, an Optimized Data Acquisition Protocol (DAP) has been set up. The purpose is to guide the processes of digitization of Cultural Heritage, respecting needs, requirements and specificities of cultural assets, by dealing with issues such as time-consuming processes and limited budget available for 3D documentation, accuracy of 3D models, integration of metadata and semantics into the 3D model and links with multimedia information. The DAP can be followed during the planning and performing of a 3D laser scanner survey of Cultural Heritage, and it is referred to architectural, archaeological, urban and site scales.

The rapid development of new digital tools and infrastructures in recent years and their application to a variety of disciplines has transformed how we store, access and retrieve information available to us. This has also shaped the ways how knowledge in a diverse cultural context is presented, used and re-used. The exploreAT! project builds upon not only Austrian, but also European cultural identity from the aspect of language, in particular dialects. Unlike standard languages, dialects are in times of globalization under considerable threat of diminishing, and this ultimately poses a risk to the intangible record that is language and through which a history of tangible culture is expressed. In this paper we elaborate on the possibilities digital means and the infrastructure and services of the EGI-Engage project offer in revealing and giving access to unique traditional cultural knowledge contained in a non-standard language resource on the example of the Bavarian dialects in Austria (DBÖ). Digital tools and services allow our heterogeneous corpus of data to be virtually exploited and preserved. The flexibility of the internet allow these data to become not only visible, but searchable and extractable. Through the digitization efforts, and use of European infrastructures the hidden cultural narratives within the data can be uncovered, enriched and shared for the benefit of knowledge society.