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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jan Rohden;

    Wenige Autoren haben die europäische Lyrik so geprägt wie Francesco Petrarca (1304-1374). Das liegt vor allem an dem poetischen Stil von Petrarcas wichtigstem Text in italienischer Sprache, einer Sammlung von Liebesgedichten mit dem Titel Canzoniere, die über Jahrhunderte zu einem bedeutenden poetischen Modell für die europäische Lyrik wurde. Petrarcas Einfluss auf die europäische Literatur wird in der Forschung oft mit dem Ausdruck „Petrarkismus“ bezeichnet, allerdings ist die genaue Definition des Begriffs nach wie vor umstritten. Ein Grund dafür mag sein, dass nur wenige Untersuchungen zum Petrarkismus ein größeres Textkorpus in den Blick nehmen. Die Analyse eines umfassenden Korpus petrarkistischer Dichtung könnte allerdings nicht nur existierende Definitionen auf breiterer Basis erproben, sondern ferner einen quantitativ fundierten Beitrag zum besseren Verständnis des Petrarkismus leisten. Der vorliegende Beitrag untersucht ausgehend von bestehenden Erklärungsansätzen des Petrarkismus ein Korpus aus 55 italienischen Gedichtsammlungen mittels digitaler stilometrischer, Kookkurrenz- und Netzwerkanalysen.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ apropos [Perspektive...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ apropos [Perspektive...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Antonis Bikakis; Eero Hyvönen; Stéphane Jean; Béatrice Markhoff; +1 Authors

    Cultural Heritage and Digital Humanities have become major application fields of Linked Data and Semantic Web technologies. This editorial introduces the special issue of the Semantic Web (SWJ) journal on Semantic Web for Cultural Heritage. In total 30 submissions for the call of papers were received, of which 11 were selected for publication. The papers cover a wide spectrum of modelled topics related to language, reading and writing, narratives, historical events and cultural artefacts, while describing reusable methodologies and tools for cultural data management. This issue indicates and demonstrates the high potential of Semantic Web technologies for applications in the Cultural Heritage domain.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Semantic Webarrow_drop_down
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    Semantic Web
    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Semantic Webarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Jenny Oltersdorf; Stefan Schmunk;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ BIBLIOTHEK Forschung...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ BIBLIOTHEK Forschung...arrow_drop_down
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    Authors: Stefan Bornhofen; Marten Düring;

    AbstractThe paper presents Intergraph, a graph-based visual analytics technical demonstrator for the exploration and study of content in historical document collections. The designed prototype is motivated by a practical use case on a corpus of circa 15.000 digitized resources about European integration since 1945. The corpus allowed generating a dynamic multilayer network which represents different kinds of named entities appearing and co-appearing in the collections. To our knowledge, Intergraph is one of the first interactive tools to visualize dynamic multilayer graphs for collections of digitized historical sources. Graph visualization and interaction methods have been designed based on user requirements for content exploration by non-technical users without a strong background in network science, and to compensate for common flaws with the annotation of named entities. Users work with self-selected subsets of the overall data by interacting with a scene of small graphs which can be added, altered and compared. This allows an interest-driven navigation in the corpus and the discovery of the interconnections of its entities across time.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Applied Network Scie...arrow_drop_down
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    Applied Network Science
    Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Applied Network Scie...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Applied Network Science
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Spinello, Andrea Orazio; Giglitto, Danilo; Lockley, Eleanor;

    Research funding organizations, particularly at international level, are increasingly promoting the\ud creation and maintenance of open access research infrastructures (RI). These resources have\ud assumed a pivotal role as support for the new open and networked science in their dimension of\ud technical and operational frameworks that allow scientists and stakeholders to collaborate and\ud share scientific data and results. In Social Sciences and Humanities (SSH), the creation and\ud exploitation of open data platforms is still attempting to catch up with longer-standing practices\ud in the “hard sciences” as the resistance to wider data sharing has not yet been completely\ud overcome. This paper aims to describe how a large project, financed by the European\ud Commission, managed the creation of a RI in the field of SSH, showing the steps undertaken to\ud comply with the GDPR regulations and prepare the data for useful sharing and reuse. In this\ud regard, the authors present the case study of the Horizon 2020 “CultureLabs” project, placing\ud emphasis on some specific practical factors that they believe are particularly important for\ud implementing open access principles in the establishment and maintenance of RIs in the new\ud course of science based on sharing and openness. In particular, the authors will focus on creation\ud of “useful” and GDPR-compliant data and the impact on research activities as a result of their\ud (re)utilisation; the control of the data management process; and the compliance with funders’\ud requirements (e.g. in terms of data security). The reflection on the interplay of these aspects,\ud operated through a case study, appears to be crucial in moving away from a merely theoretical\ud approach to addressing the issue of open access, and it hopes to serve as a guide or a warning for\ud those who create and administer open RIs.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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  • Authors: Pouyllau, Stéphane;

    International audience; Le web sémantique et l'ouverture des données (publications, archives, référentiels) dans les sciences humaines et sociales (SHS) ont permis la création outils de recherche nouveaux permettant à la fois de créer des portails documentaires (autour de moteurs de recherche sémantiques) et des applications pouvant être embarquées dans des sites web. ISIDORE, l'accès unifié aux données, publications et informations des SHS entre dans cette catégorie. Lancé en 2010 par le CNRS et actuellement développé par Huma-Num, ISIDORE propose, outre un moteur de recherche sur le web, une collection d'applications permettant de l'utiliser de façon « embarqué » pour des usages aux plus près des besoins des enseignants-chercheurs et des étudiants.

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    Authors: Suzanne Dumouchel; Emilie Blotière; Gert Breitfuss; Yin Chen; +11 Authors

    Social sciences and humanities (SSH) research is divided across a wide array of disciplines, sub-disciplines and languages. While this specialization makes it possible to investigate the extensive variety of SSH topics, it also leads to a fragmentation that prevents SSH research from reaching its full potential. The TRIPLE project brings answers to these issues by developing an innovative discovery platform for SSH data, researchers’ projects and profiles. Having started in October 2019, the project has already three main achievements that are presented in this paper: (1) the definition of main features of the GOTRIPLE platform; (2) its interoperability; (3) its multilingual, multicultural and interdisciplinary vocation. These results have been achieved thanks to different methodologies such as a co-design process, market analysis and benchmarking, monitoring and co-building. These preliminary results highlight the need for respecting diversity of practices and communities through coordination and harmonization.

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    Authors: Tim Lloyd;

    This paper provides a general introduction to the SeamlessAccess (SA) initiative, covering the following four topics: Why are we here? A recap of why was SA created and the history of this initiative to date; How does it work? A walk through how Federated Authentication and SA work, so you are familiar with some of the technical terms and we can build on that knowledge when we address privacy and security; What is the current status? An update on the status of this initiative; How do I participate? Information on how you can participate to deliver more seamless access to your users.

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    Authors: Franziska Heimburger is a PhD student at the EHESS Paris working under the joint supervision of Christophe Prochasson (EHESS Paris) and John Horne (Trinity College Dublin). Her thesis, Language questions in the Allied coalition on the Western Front during the First World War, focuses on military interpreters and, more generally, on languages in Allied coalition warfare during the First World War. She held a French government “allocation de recherche” from 2008 to 2011 and she is currently Attaché Temporaire d’Enseignement et Recherche at the EHESS. The multidisciplinary approach leading her research allowed her to intervene in various international conferences on history and humanities, such as the International Society for First World War Studies 6th Biennial Conference (Innsbruck, 2011). Among her forthcoming publications: Fighting Together: Language Issues in the Military Coordination of First World War Allied Coalition Warfare, in Languages at War. Policies and Practices of Langua; Émilien Ruiz is a PhD student in Contemporary History at the École des Hautes Études en Sciences Sociales (EHESS). His thesis Trop de fonctionnaires? La question des effectifs de l’État dans la France du XXe siècle focuses on different aspects of the evolution of government officials in France from 1880 to 1980. He taught methodology of historical research, contemporary history and informatics for history at the EHESS at the Paris Diderot University. From 2012 he works as assistant of Professor Paul-André Rosental at the Institut of Political Sciences of Paris (URL: < http://www.sciencespo.fr/ >). He cofounded – with Franziska Heimburger – “La Boite à Outils des Historiens” (URL: < http://www.boiteaoutils.info/ >), a blog on informatics’ tools for history and maintains the blog “Devenir historien-ne” (URL: < http://devhist.hypotheses.org/ >), about methods of historical research and historiography. Among his recent publications: «Compter: l’invention de la statistique des fonctionnaire;

    Since the end of the 1980s the historiographical context has changed considerably. Over the course of the last ten years, we have reached the “digital age” and computers as well as resources available via the Internet have become indispensable tools for all researchers. Be it for the stage of documentation or for actual writing, we are now living and working in a context where historians can no longer completely refuse all IT tools. As long as there are no solid, durable, large-scale training efforts to equip all historians with the skills to use the new and old IT tools, their potential is necessarily limited. While there have been studies on “researchers” in general and also on political scientists in particular, there has, to our knowledge, been no scientific study which would allow us to reach conclusions on the use of IT tools and digital resources by French historians. It is thus difficult to reach conclusions on a larger scale and we have decided to base our analysis on our own experience in order to consider what could be the transformations of the historian’s craft in the digital age. We will thus proceed first to a series of conclusions based on our activities in mediation (teaching and blogging), before proposing a typology of the principal evolutions. We will conclude with a certain number of propositions as far as training of historians is concerned.

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    Authors: Ferro E.;

    The National Research Council of Italy (CNR) is involved in the E-Cabin project, which aims to create a futuristic and intelligent cabin in order both to improve the well- being and satisfaction of passengers and to minimize the on-board waste by using advanced consumption control.

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    Article . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jan Rohden;

    Wenige Autoren haben die europäische Lyrik so geprägt wie Francesco Petrarca (1304-1374). Das liegt vor allem an dem poetischen Stil von Petrarcas wichtigstem Text in italienischer Sprache, einer Sammlung von Liebesgedichten mit dem Titel Canzoniere, die über Jahrhunderte zu einem bedeutenden poetischen Modell für die europäische Lyrik wurde. Petrarcas Einfluss auf die europäische Literatur wird in der Forschung oft mit dem Ausdruck „Petrarkismus“ bezeichnet, allerdings ist die genaue Definition des Begriffs nach wie vor umstritten. Ein Grund dafür mag sein, dass nur wenige Untersuchungen zum Petrarkismus ein größeres Textkorpus in den Blick nehmen. Die Analyse eines umfassenden Korpus petrarkistischer Dichtung könnte allerdings nicht nur existierende Definitionen auf breiterer Basis erproben, sondern ferner einen quantitativ fundierten Beitrag zum besseren Verständnis des Petrarkismus leisten. Der vorliegende Beitrag untersucht ausgehend von bestehenden Erklärungsansätzen des Petrarkismus ein Korpus aus 55 italienischen Gedichtsammlungen mittels digitaler stilometrischer, Kookkurrenz- und Netzwerkanalysen.

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    Authors: Antonis Bikakis; Eero Hyvönen; Stéphane Jean; Béatrice Markhoff; +1 Authors

    Cultural Heritage and Digital Humanities have become major application fields of Linked Data and Semantic Web technologies. This editorial introduces the special issue of the Semantic Web (SWJ) journal on Semantic Web for Cultural Heritage. In total 30 submissions for the call of papers were received, of which 11 were selected for publication. The papers cover a wide spectrum of modelled topics related to language, reading and writing, narratives, historical events and cultural artefacts, while describing reusable methodologies and tools for cultural data management. This issue indicates and demonstrates the high potential of Semantic Web technologies for applications in the Cultural Heritage domain.

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    Authors: Jenny Oltersdorf; Stefan Schmunk;
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    Authors: Stefan Bornhofen; Marten Düring;

    AbstractThe paper presents Intergraph, a graph-based visual analytics technical demonstrator for the exploration and study of content in historical document collections. The designed prototype is motivated by a practical use case on a corpus of circa 15.000 digitized resources about European integration since 1945. The corpus allowed generating a dynamic multilayer network which represents different kinds of named entities appearing and co-appearing in the collections. To our knowledge, Intergraph is one of the first interactive tools to visualize dynamic multilayer graphs for collections of digitized historical sources. Graph visualization and interaction methods have been designed based on user requirements for content exploration by non-technical users without a strong background in network science, and to compensate for common flaws with the annotation of named entities. Users work with self-selected subsets of the overall data by interacting with a scene of small graphs which can be added, altered and compared. This allows an interest-driven navigation in the corpus and the discovery of the interconnections of its entities across time.

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    Applied Network Science
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      Applied Network Science
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    Authors: Spinello, Andrea Orazio; Giglitto, Danilo; Lockley, Eleanor;

    Research funding organizations, particularly at international level, are increasingly promoting the\ud creation and maintenance of open access research infrastructures (RI). These resources have\ud assumed a pivotal role as support for the new open and networked science in their dimension of\ud technical and operational frameworks that allow scientists and stakeholders to collaborate and\ud share scientific data and results. In Social Sciences and Humanities (SSH), the creation and\ud exploitation of open data platforms is still attempting to catch up with longer-standing practices\ud in the “hard sciences” as the resistance to wider data sharing has not yet been completely\ud overcome. This paper aims to describe how a large project, financed by the European\ud Commission, managed the creation of a RI in the field of SSH, showing the steps undertaken to\ud comply with the GDPR regulations and prepare the data for useful sharing and reuse. In this\ud regard, the authors present the case study of the Horizon 2020 “CultureLabs” project, placing\ud emphasis on some specific practical factors that they believe are particularly important for\ud implementing open access principles in the establishment and maintenance of RIs in the new\ud course of science based on sharing and openness. In particular, the authors will focus on creation\ud of “useful” and GDPR-compliant data and the impact on research activities as a result of their\ud (re)utilisation; the control of the data management process; and the compliance with funders’\ud requirements (e.g. in terms of data security). The reflection on the interplay of these aspects,\ud operated through a case study, appears to be crucial in moving away from a merely theoretical\ud approach to addressing the issue of open access, and it hopes to serve as a guide or a warning for\ud those who create and administer open RIs.

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  • Authors: Pouyllau, Stéphane;

    International audience; Le web sémantique et l'ouverture des données (publications, archives, référentiels) dans les sciences humaines et sociales (SHS) ont permis la création outils de recherche nouveaux permettant à la fois de créer des portails documentaires (autour de moteurs de recherche sémantiques) et des applications pouvant être embarquées dans des sites web. ISIDORE, l'accès unifié aux données, publications et informations des SHS entre dans cette catégorie. Lancé en 2010 par le CNRS et actuellement développé par Huma-Num, ISIDORE propose, outre un moteur de recherche sur le web, une collection d'applications permettant de l'utiliser de façon « embarqué » pour des usages aux plus près des besoins des enseignants-chercheurs et des étudiants.

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    Authors: Suzanne Dumouchel; Emilie Blotière; Gert Breitfuss; Yin Chen; +11 Authors

    Social sciences and humanities (SSH) research is divided across a wide array of disciplines, sub-disciplines and languages. While this specialization makes it possible to investigate the extensive variety of SSH topics, it also leads to a fragmentation that prevents SSH research from reaching its full potential. The TRIPLE project brings answers to these issues by developing an innovative discovery platform for SSH data, researchers’ projects and profiles. Having started in October 2019, the project has already three main achievements that are presented in this paper: (1) the definition of main features of the GOTRIPLE platform; (2) its interoperability; (3) its multilingual, multicultural and interdisciplinary vocation. These results have been achieved thanks to different methodologies such as a co-design process, market analysis and benchmarking, monitoring and co-building. These preliminary results highlight the need for respecting diversity of practices and communities through coordination and harmonization.

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