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23 Research products

  • DARIAH EU
  • 2014-2023
  • Publications
  • Research software
  • Other research products
  • European Commission
  • EC|FP7
  • EU
  • DARIAH EU

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  • Authors: Walker-Meikle, Kathleen; Lehmann, Jörg; Morselli, Francesca; Tromboni, Lorenza; +1 Authors

    CENDARI Archival Research Guide; This Archival Research Guide (ARG) aims to provide the user with a broad overview of the Archival Directory, a key component of the CENDARI Virtual Research Environment. The CENDARI Archival Directory consists of all available data in the AtoM application (“Access to Memory”) and data in the main repository, which is derived from international or national aggregators as well as national archives or other data providers. All data, whether manually inputted via the AtoM application or collected from institutions, form together the Archival Directory. In this guide the term “Archival Directory” refers only to the application AtoM and it hence will be used in this narrow sense. The term “Archival Directory AtoM” reinforces this definition. Unlike most of the other ARGs in CENDARI, this is not a thematic overview of a historical subject but instead a practical guide to the Archival Directory AtoM’s aims and how it was created and organised.This guide will present the methodology used by researchers associated with the CENDARI project when creating archival description and archival institution entries in CENDARI. It explains how material was selected to be entered into the Archival Directory AtoM, which institutions were considered as ‘hidden archives’ by the CENDARI team, what material was not included, the limitations of the project and the future of the Archival Directory AtoM. The CENDARI Archival Directory AtoM can be accessed both directly from the website and indirectly via the link provided in the Note-Taking Environment (NTE).

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  • Authors: Morselli, Francesca; Lehmann, Jörg;

    CENDARI Archival Research Guide; This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men.

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  • Authors: Lehmann, Jörg; Morselli, Francesca;

    CENDARI Archival Research Guide; The subject “Science and Technology in the First World War” has so far been treated from the perspective on inventions and the development of new weapons, and often the focus has been on the topic of chemical warfare at the expense of other important dimensions. The approach of this Archival Research Guide, by contrast, comes from the social sciences and focuses on the establishment of relevant scientific, military and governmental bodies and on the personal networks established during the war. By examining these institutions and networks country by country, comparisons between them can be drawn, enabling further research with regard to the sociology of institutions. By pointing to the connections and channels of exchange between the nations and institutions under consideration, this approach opens up a transnational perspective and supports the paradoxal insight that transnational ties can dissolve national obstacles while simultaneously strengthening the nation-states themselves. On the individual level, the ARG takes the role of intellectuals into account, for whom scientific objectivity / neutrality and patriotic commitment seemed to have been no contradiction. It is remarkable that the First World War led to the establishment of several institutions aiming at funding science through the state, most notably in the case of France (CNRS), the U.S. (NACA/NASA) and Russia (KEPS).

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  • Authors: Beneš, Jakub; Bulatovic, Natasa; Edmond, Jennifer; Knežević,, Milica; +3 Authors

    Over the course of its four year project timeline, the CENDARI project has collected archival descriptions and metadata in various formats from a broad range of cultural heritage institutions. These data were drawn together in a single repository and are being stored there. The repository contains curated data which has been manually established by the CENDARI team as well as data acquired from small, ‘hidden’ archives in spreadsheet format or from big aggregators with advanced data exchange tools in place. While the acquisition and curation of heterogeneous data in a single repository presents a technical challenge in itself, the ingestion of data into the CENDARI repository also opens up the possibility to process and index them through data extraction, entity recognition, semantic enhancement and other transformations. In this way the CENDARI project was able to act as a bridge between cultural heritage institutions and historical researchers, insofar as it drew together holdings from a broad range of institutions and enabled the browsing of this heterogeneous content within a single search space. This paper describes a broad range of ways in which the CENDARI project acquired data from cultural heritage institutions as well as the necessary technical background. In exemplifying diverse data creation or acquisition strategies, multiple formats and technical solutions, assets and drawbacks of a repository, this “White Book” aims at providing guidance and advice as well as best practices for archivists and cultural heritage institutions collaborating or planning to collaborate with infrastructure projects.

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  • Authors: Morselli, Francesca; Lehmann, Jörg;

    CENDARI Archival Research Guide; This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Emiliano Degl'Innocenti; Alfredo Cosco; Fabrizio Butini; Roberta Giacomi; +1 Authors

    TRAME is a research infrastructure for medieval manuscripts. The TRAME engine scans a set of sources for searched terms and retrieves links to a wide range of possible information, from simple reference, to detailed manuscript record, to full text transcriptions. Currently, it is possible to perform queries by: free-text, shelfmark, author, title, date, copyst or incipit, on more than 80 selected scholarly digital resources across EU and USA. Since 2014 September 1st, TRAME has entered a new phase and the current work is focused on: extending the meta-search approach to other web resources, leveraging the users interaction to define an ontology for medieval manuscripts, re-designing the front-end towards a new UX approach.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
    Conference object . 2016
    Data sources: CNR ExploRA
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2016 . Peer-reviewed
    License: Springer TDM
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      CNR ExploRA
      Conference object . 2016
      Data sources: CNR ExploRA
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2016 . Peer-reviewed
      License: Springer TDM
      Data sources: Crossref
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  • Authors: Lucia Pinelli; Emiliano Degl'Innocenti;

    MIRABILE è il risultato dei processi di analisi e integrazione delle informazioni confluite nei data-base costituiti dalle singole ricerche condotte dalla SISMEL, dalla FEF e da altre istituzioni che hanno portato il loro contributo di analisi e di dati. Obiettivo di MIRABILE è fornire agli utenti della rete uno strumento informatico unitario, aperto e in costante evoluzione (sia dal punto di vista dei contenuti sia da quello tecnologico) per lo studio e la ricerca sugli autori medievali, i testi manoscritti e la loro tradizione. Si può effettuare la ricerca integrata su numerosi repertori specializzati tra cui il MEL «Medioevo latino. Bollettino bibliografico della cultura europea da Boezio a Erasmo - secoli VI-XV».

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    CNR ExploRA
    Other ORP type . 2016
    Data sources: CNR ExploRA
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      CNR ExploRA
      Other ORP type . 2016
      Data sources: CNR ExploRA
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Edmond, Jennifer; Morselli, Francesca;

    The CENDARI project committed in its original description of work to the production of a Business Plan (Deliverable 2.4), outlining a method statement for ensuring that the outputs of the CENDARI project would be available to future users. The project team decided to rename this deliverable the CENDARI “Sustainability Plan” and this document sets out the plan which is based upon a multidimensional conceptualisation of what CENDARI is and the value of its assets, as well as on the fundamental understanding of a digital project as useless if it does not ‘evolve and involve.’ This document presents not only the actions that have been and will continue to be taken by the CENDARI team, but also interrogates the topic of sustainability of research infrastructures

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NARCIS
    Other ORP type . 2016
    Data sources: NARCIS
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NARCIS
      Other ORP type . 2016
      Data sources: NARCIS
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jennifer Edmond;

    Digital history has spawned many great individual projects, and proven its value as both a methodology for the interrogation of sources and as a medium for the presentation and communication of research results. But the experiences of projects building research infrastructure for historical research raise the question of whether these methods can scale toward the realisation of historical ‘big data,’ or whether there are hindrances to this goal inherent in our current conceptualisation of the intersection between historical methods and computational ones. This paper discusses a number of the current barriers discovered by large-scale historical research infrastructure projects, including heterogeneous conceptions of what data is, hidden elements of data and the epistemics of humanities research. At the project level, these issues can be managed, but if digital history is to scale and grow to fit the infrastructural capability available to it, then a revisiting of some of the conceptual underpinnings of digital historical studies will be required.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://hal.inria.fr...arrow_drop_down
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    https://hal.inria.fr/hal-01616...
    Part of book or chapter of book
    License: CC BY
    Data sources: UnpayWall
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2016 . Peer-reviewed
    License: Springer TDM
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://hal.inria.fr...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://hal.inria.fr/hal-01616...
      Part of book or chapter of book
      License: CC BY
      Data sources: UnpayWall
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2016 . Peer-reviewed
      License: Springer TDM
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vanden Daelen, Veerle; Edmond, Jennifer; Links, Petra; Priddy, Mike; +3 Authors

    International audience; One of the funded project proposals under DARIAH’s Open Humanities call 2015 was “Open History: Sustainable digital publishing of archival catalogues of twentieth-century history archives”. Based on the experiences of the Collaborative EuropeaN Digital Archival Research Infrastructure (CENDARI) and the European Holocaust Research Infrastructure (EHRI), the main goal of the “Open History” project was to enhance the dialogue between (meta-)data providers and research infrastructures. Integrating archival descriptions – when they were already available – held at a wide variety of twentieth-century history archives (from classic archives to memorial sites, libraries and private archives) into research infrastructures has proven to be a major challenge, which could not be done without some degree of limited to extensive pre-processing or other preparatory work. The “Open History” project organized two workshops and developed two tools: an easily accessible and general article on why the practice of standardization and sharing is important and how this can be achieved; and a model which provides checklists for self-analyses of archival institutions. The text that follows is the article we have developed. It intentionally remains at a general level, without much jargon, so that it can be easily read by those who are non-archivists or non-IT. Hence, we hope it will be easy to understand for both those who are describing the sources at various archives (with or without IT or archival sciences degrees), as well as decision-makers (directors and advisory boards) who wish to understand the benefits of investing in standardization and sharing of data. It is important to note is that this text is a first step, not a static, final result. Not all aspects about standardization and publication of (meta-)data are discussed, nor are updates or feedback mechanisms for annotations and comments discussed. The idea is that this text can be used in full or in part and that it will include further chapters and section updates as time goes by and as other communities begin using it. Some archives will read through much of these and see confirmation of what they have already been implementing; others – especially the smaller institutions, such as private memory institutions – will find this a low-key and hands-on introduction to help them in their efforts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hal-Diderot
    Other literature type . 2016
    Data sources: Hal-Diderot
    Hyper Article en Ligne
    Other literature type . 2016
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23 Research products
  • Authors: Walker-Meikle, Kathleen; Lehmann, Jörg; Morselli, Francesca; Tromboni, Lorenza; +1 Authors

    CENDARI Archival Research Guide; This Archival Research Guide (ARG) aims to provide the user with a broad overview of the Archival Directory, a key component of the CENDARI Virtual Research Environment. The CENDARI Archival Directory consists of all available data in the AtoM application (“Access to Memory”) and data in the main repository, which is derived from international or national aggregators as well as national archives or other data providers. All data, whether manually inputted via the AtoM application or collected from institutions, form together the Archival Directory. In this guide the term “Archival Directory” refers only to the application AtoM and it hence will be used in this narrow sense. The term “Archival Directory AtoM” reinforces this definition. Unlike most of the other ARGs in CENDARI, this is not a thematic overview of a historical subject but instead a practical guide to the Archival Directory AtoM’s aims and how it was created and organised.This guide will present the methodology used by researchers associated with the CENDARI project when creating archival description and archival institution entries in CENDARI. It explains how material was selected to be entered into the Archival Directory AtoM, which institutions were considered as ‘hidden archives’ by the CENDARI team, what material was not included, the limitations of the project and the future of the Archival Directory AtoM. The CENDARI Archival Directory AtoM can be accessed both directly from the website and indirectly via the link provided in the Note-Taking Environment (NTE).

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  • Authors: Morselli, Francesca; Lehmann, Jörg;

    CENDARI Archival Research Guide; This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men.

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  • Authors: Lehmann, Jörg; Morselli, Francesca;

    CENDARI Archival Research Guide; The subject “Science and Technology in the First World War” has so far been treated from the perspective on inventions and the development of new weapons, and often the focus has been on the topic of chemical warfare at the expense of other important dimensions. The approach of this Archival Research Guide, by contrast, comes from the social sciences and focuses on the establishment of relevant scientific, military and governmental bodies and on the personal networks established during the war. By examining these institutions and networks country by country, comparisons between them can be drawn, enabling further research with regard to the sociology of institutions. By pointing to the connections and channels of exchange between the nations and institutions under consideration, this approach opens up a transnational perspective and supports the paradoxal insight that transnational ties can dissolve national obstacles while simultaneously strengthening the nation-states themselves. On the individual level, the ARG takes the role of intellectuals into account, for whom scientific objectivity / neutrality and patriotic commitment seemed to have been no contradiction. It is remarkable that the First World War led to the establishment of several institutions aiming at funding science through the state, most notably in the case of France (CNRS), the U.S. (NACA/NASA) and Russia (KEPS).

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  • Authors: Beneš, Jakub; Bulatovic, Natasa; Edmond, Jennifer; Knežević,, Milica; +3 Authors

    Over the course of its four year project timeline, the CENDARI project has collected archival descriptions and metadata in various formats from a broad range of cultural heritage institutions. These data were drawn together in a single repository and are being stored there. The repository contains curated data which has been manually established by the CENDARI team as well as data acquired from small, ‘hidden’ archives in spreadsheet format or from big aggregators with advanced data exchange tools in place. While the acquisition and curation of heterogeneous data in a single repository presents a technical challenge in itself, the ingestion of data into the CENDARI repository also opens up the possibility to process and index them through data extraction, entity recognition, semantic enhancement and other transformations. In this way the CENDARI project was able to act as a bridge between cultural heritage institutions and historical researchers, insofar as it drew together holdings from a broad range of institutions and enabled the browsing of this heterogeneous content within a single search space. This paper describes a broad range of ways in which the CENDARI project acquired data from cultural heritage institutions as well as the necessary technical background. In exemplifying diverse data creation or acquisition strategies, multiple formats and technical solutions, assets and drawbacks of a repository, this “White Book” aims at providing guidance and advice as well as best practices for archivists and cultural heritage institutions collaborating or planning to collaborate with infrastructure projects.

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    influenceAverage
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  • Authors: Morselli, Francesca; Lehmann, Jörg;

    CENDARI Archival Research Guide; This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Emiliano Degl'Innocenti; Alfredo Cosco; Fabrizio Butini; Roberta Giacomi; +1 Authors

    TRAME is a research infrastructure for medieval manuscripts. The TRAME engine scans a set of sources for searched terms and retrieves links to a wide range of possible information, from simple reference, to detailed manuscript record, to full text transcriptions. Currently, it is possible to perform queries by: free-text, shelfmark, author, title, date, copyst or incipit, on more than 80 selected scholarly digital resources across EU and USA. Since 2014 September 1st, TRAME has entered a new phase and the current work is focused on: extending the meta-search approach to other web resources, leveraging the users interaction to define an ontology for medieval manuscripts, re-designing the front-end towards a new UX approach.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
    Conference object . 2016
    Data sources: CNR ExploRA
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2016 . Peer-reviewed
    License: Springer TDM
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      CNR ExploRA
      Conference object . 2016
      Data sources: CNR ExploRA
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2016 . Peer-reviewed
      License: Springer TDM
      Data sources: Crossref
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.
  • Authors: Lucia Pinelli; Emiliano Degl'Innocenti;

    MIRABILE è il risultato dei processi di analisi e integrazione delle informazioni confluite nei data-base costituiti dalle singole ricerche condotte dalla SISMEL, dalla FEF e da altre istituzioni che hanno portato il loro contributo di analisi e di dati. Obiettivo di MIRABILE è fornire agli utenti della rete uno strumento informatico unitario, aperto e in costante evoluzione (sia dal punto di vista dei contenuti sia da quello tecnologico) per lo studio e la ricerca sugli autori medievali, i testi manoscritti e la loro tradizione. Si può effettuare la ricerca integrata su numerosi repertori specializzati tra cui il MEL «Medioevo latino. Bollettino bibliografico della cultura europea da Boezio a Erasmo - secoli VI-XV».

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    CNR ExploRA
    Other ORP type . 2016
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