• DARIAH EU
• 2017-2021close
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• Digital Humanities and Cultural Heritage close

Text, techné and tenure: what remains out of scope of research evaluation in Humanities disciplines and how to change it for the better? (Slides presented at the OAI12 conference: https://oai.events/) Peer review is central scholarly practice that carries fundamental paradoxes from its inception. On the one hand, it is very difficult to open up peer review for the sake of empirical analysis, as it usually happens in closed black boxes of publishing and other gatekeeping workflows that are embedded in a myriad of disciplinary cultures, each of which comes very different, and usually competing notions of excellence. On the other hand, it is a practice that carries an enormous weight in terms of gatekeeping; shaping disciplines, publication patterns and power relations within academia. This central role of peer review alone explains why it is crucial to study to better understand situated evaluation practices, and to continually rethink them to strive for their best, and least imperfect (or reasonably imperfect) instances. How the notion of excellence and other peer review proxies are constructed and (re)negotiated in everyday practices across the SSH disciplines; who are involved in the processes and who remain out; what are the boundaries of peer review in terms of inclusiveness with content types; and how the processes are aligned or misaligned to research realities? What are the underlying reasons behind the persistence of certain proxies in the system and what are emerging trends and future innovations? To gain an in-depth understanding of these questions, as part of the H2020 project OPERAS-P, our task force collected and analysed 32 in-depth interviews with scholars about their motivations, challenges and experiences with novel practices in scholarly writing and in peer-review. The presentation will showcase the results of this study. Focus will be on the conflict between the richness of contemporary scholarship and the prestige economy that defines our current academic evaluation culture. The encoded and pseudonymized interview transcripts that form the basis of our analysis will be shared as open data in a certified data repository together with a rich documentation of the process so that our interpretations, conclusions and the resulting recommendations are clearly delineable from the rich input we had been working with and which are thus openly reusable for other purposes.

We study an important fact called Mind & Sense Datum (matter based). Considering these emerges by the photoelectric effects conducted by the photon-like energy packets “narayan” including photons or quanta of ordinary light through electromagnetic interactions of the matter nuclei weak energy forces of SU(2) in the respective framework of SU(2) ´ U(1), also interacted with bio-molecular particles constructed by the various combinations of lepton-like but quark-type [assuming six set of quark-types each set having five different quark-type] of exotic matter fluids in wave status are tightly binding by the bosons of SU(6) combining with quarks of usual matter energy in brain neuron microtubules for the case of human or any other suitable places of brain-likes of lives. We then found several new unknown Particles-Likes “bhadras” with a new kind of strong forces those are combining with quarks of ordinary matter particles formed Bio-Molecules through chemical bonding of matter atoms or polymers etc. are internally linked through photoelectric-like current for exchanging the necessary information between all parts of the body-system. Hence created a living-body-system of the whole system link through laser-like beam of new energies etc. inclinable to the photo-electrodes-like tube in brain cell for the case of Human-likes and then created holography mind with gradually unfolding sense datum. Thus human brain conceived as an interfacing organ that not only produces mind through consciousness but also received instructional information. Considering there possible variable wave frequencies packets of light constructed by photon-like [made up from neutrinos-like of the new energies SU(6), SU(12), SU(24) etc.] quanta in wave status "narayan" within our Physical Universe produce consciousness of us then by photoelectric effects created mind with sense datum.

It was first announced in article since 2007 that our Physical Universe appeared by a Phase Transition Systems.

Abstract Contemporary discourse points to the central role that heritage plays in the process of enabling groups of various cultural or ethnic background to strengthen their feeling of belonging and sharing in society. Safeguarding heritage is also valued highly in the priorities of the European Commission. As a result, there have been several long-term initiatives involving the digitisation, annotation and cataloguing of tangible cultural heritage in museums and collections. Specifically, for built heritage, a pressing challenge is that historical monuments such as buildings, temples, churches or city fortification infrastructures are hard to document due to their historic palimpsest; spatial transformations, actions of destruction, reuse of material, or continuous urban development that covers traces and changes the formal integrity and identity of a cultural heritage site. The ability to reason about a monument’s form is crucial for efficient documentation and cataloguing. This paper presents a 3D digitisation workflow through the involvement of reality capture technologies for the annotation and structure analysis of built heritage with the use of 3D Convolutional Neural Networks (3D CNNs) for classification purposes. The presented workflow contributes a new approach to the identification of a building’s architectural components (e.g., arch, dome) and to the study of the stylistic influences (e.g., Gothic, Byzantine) of building parts. In doing so this workflow can assist in tracking a building’s history, identifying its construction period and comparing it to other buildings of the same period. This process can contribute to educational and research activities, as well as facilitate the automated classification of datasets in digital repositories for scholarly research in digital humanities.

The concept of literary genre is a highly complex one: not only are different genres frequently defined on several, but not necessarily the same levels of description, but consideration of genres as cognitive, social, or scholarly constructs with a rich history further complicate the matter. This contribution focuses on thematic aspects of genre with a quantitative approach, namely Topic Modeling. Topic Modeling has proven to be useful to discover thematic patterns and trends in large collections of texts, with a view to class or browse them on the basis of their dominant themes. It has rarely if ever, however, been applied to collections of dramatic texts. In this contribution, Topic Modeling is used to analyze a collection of French Drama of the Classical Age and the Enlightenment. The general aim of this contribution is to discover what semantic types of topics are found in this collection, whether different dramatic subgenres have distinctive dominant topics and plot-related topic patterns, and inversely, to what extent clustering methods based on topic scores per play produce groupings of texts which agree with more conventional genre distinctions. This contribution shows that interesting topic patterns can be detected which provide new insights into the thematic, subgenre-related structure of French drama as well as into the history of French drama of the Classical Age and the Enlightenment. 11 figures

This report discusses the scholarly communication issues in Social Sciences and Humanities that are relevant to the future development and functioning of OPERAS. The outcomes collected here can be divided into two groups of innovations regarding 1) the operation of OPERAS, and 2) its activities. The “operational” issues include the ways in which an innovative research infrastructure should be governed (Chapter 1) as well as the business models for open access publications in Social Sciences and Humanities (Chapter 2). The other group of issues is dedicated to strategic areas where OPERAS and its services may play an instrumental role in providing, enabling, or unlocking innovation: FAIR data (Chapter 3), bibliodiversity and multilingualism in scholarly communication (Chapter 4), the future of scholarly writing (Chapter 5), and quality assessment (Chapter 6). Each chapter provides an overview of the main findings and challenges with emphasis on recommendations for OPERAS and other stakeholders like e-infrastructures, publishers, SSH researchers, research performing organisations, policy makers, and funders. Links to data and further publications stemming from work concerning particular tasks are located at the end of each chapter.

The DDRS - or Data Deposit Recommendation Service - recommends research data repositories to humanities researchers searching for deposit services for their research data, which comply to criteria such as PIDs, funders’ requirements, disciplinary scope or language preferences. The presentation shows the DDRS as re3data use case and explains how the relation between the web service (DDRS) and re3data for the information retrieval is implemented. The DDRS is a demonstrator has been delivered in 2017 within the Humanities at Scale project, a DARIAH-EU undertaking, funded by the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 675570. {"references": ["https://hal.archives-ouvertes.fr/hal-03020703v1"]}

This poster has been awarded with the Best Poster Award at DARIAH2020 virtual annual event https://twitter.com/dariaheu/status/1327290958971609090?s=21 In order to provide the global community of scholars working in this field with a greater understanding of the current Spanish scenario, LINHD has recently promoted a research on the evolution of Digital Humanities in Spain in the last 25 years, a timeframe comparable with Unsworth first formulation of scholarly primitives. More than 1,000 records have been mapped, distributed as follow: 577 researchers; 368 projects; 88 resources; 9 post-graduate courses; and 8 specialised journals. Digital resources (i.e. repositories of documents, collections of artefacts, crowdsourcing platforms, dictionaries, databases, etc.), which are the object of this poster, have been produced, most of the time, with the aim to publish a service to improve the basic of day-to-day research workflow in the Humanities. Our initial objectives were: to classify and describe the digital resources mapped according with the classical and new scholarly primitives, in order to highlight presences, absence and recurring associations of these categories; To visualize the relationships between scholarly primitives and other dimensions in our data, like discipline and typology. to identify how the introduction of digital tools and methods has affected the basic functions of research in the Humanities in Spain over time. Data analysed is part of a larger dataset that can be downloaded at https://doi.org/10.5281/zenodo.3893546 The whole dataset has been extensively analysed in https://doi.org/10.3145/epi.2020.nov.01

Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies. The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.

There may be created electromagnetic force-fields with several short wave-lengths of “Invisible Rays” together with “Fluxes of Rays” or “Packets of New Energy” by the energy groups of SU(6), SU(12), SU(24),...,etc. simultaneously in their respective framework of “SU(6) × U(1); SU (12) × U(1); SU(24) × U(1)”; ......etc. with strengthen current and may also new unknown bosons of SU(6) are tightly binding by the lepton-likes were formed a large number of “New Unknown Particle-Likes” in wave status which are directly or indirectly linked to the formation of matter elements constituted by quarks for the existences of Life, Consciousness, Sense Datum and all other Biological Phenomena etc. and are given many more answers to the unsolvable questions about the mysterious universe regarding variety of lives etc. Thus we found a new world of primary atoms or elements in the wave status of energies maintain the theory of Quantum-Entanglement of Wave-Wave duality other than the existing secondary material worlds and hence opened a “Pandora Box” for our future generations. These new unknown Atomic-Worlds and Energy Packages with various short wave lengths creates consciousness etc. are now essential for the discussion. Consciousness Studies