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  • SDSN - Greece
  • 2017-2021
  • European Commission
  • English
  • Archivio istituzionale della ricerc...
  • Digital Humanities and Cultural Her...

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roversi R.; Longo D.; Massari M.; Orlandi S.; +1 Authors

    Il Patrimonio Culturale può rappresentare un fattore chiave nei processi circolari a scala urbana che innescano relazioni tra gli utenti e l’ambiente circostante, generando nuovo capitale urbano e valorizzando le capacità individuali e collettive. Il tema è affrontato attraverso una revisione di letteratura accademica e documentazione di policy e da un’analisi comparativa di due percorsi di rigenerazione condotti a Bologna e Bogotà: il progetto H2020 ROCK – Regeneration and Optimisation of Cultural Heritage in creative and Knowledge cities (GA 730280), sulla storica zona universitaria, e le sperimentazioni sull’ex scalo ferroviario Ravone del progetto OBRAS – Opportunities for Boosting urban capabilities, sviluppato parallelamente anche sulla Stazione de La Sabana a Bogotá, in Colombia. Cultural heritage can represent a key factor in circular processes on an urban scale that trigger relationships between users and the surrounding environment, generating new urban capital and enhancing individual and collective capacities. This topic is addressed through a review of academic literature and policy documents and a comparative analysis of two regeneration processes carried out in the cities of Bologna and Bogotà: the H2020 ROCK – Regeneration and Optimisation of Cultural Heritage in creative and Knowledge cities (GA 730280) project – on the historical university area, and the experiments on the former Ravone railway station of the OBRAS – Opportunities for Boosting urban capabilities project – developed in parallel on the La Sabana Station in Bogotá, Colombia.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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    Authors: Houpert Cécile; Draghia Miruna; Massari Martina;

    ROCK considers cultural heritage as an engine for sustainable growth in European cities. The approach proposed by the project implies dismantling the specialist idea of cultural heritage understood exclusively in terms of conservation. Cultural heritage - especially in its public and unused or underused spaces - is seen, instead, as an incremental and ever-changing repository of value that can drive both spatial and behavioral change. This change occurs in ROCK through incremental experiments based on a continuous exchange between local practices, administrative action and cognitive reflection, giving shape to a research-action-research methodology.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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    Authors: Orioli Valentina; Massari Martina; Roversi Rossella;

    In ROCK, cultural heritage is meant as a unique and powerful engine of regeneration and sustainable development but also of economic growth, starting from local assets and resources. ROCK Cities present a vast array of contextual values, experiences, legacies that were taken as a reference to start from, to define the on-site interventions to be implemented locally. This approach is based on a circular urban system model that implies the connection of initially separated urban “systems” - related to cultural, knowledge, green, regeneration, security, creativity dimensions. The circularity (Vernay, 2013) is strongly based on a continuous feedback loop, that shaped a research-action-research methodology (Boeri et al., 2019; Gianfrate et al., 2020), a continuous and dynamic investigation movement, in which speculation and practice, knowledge and action can never be separated. These actions entail soft and technological enabling actions: on the one hand as technical, organizational and administrative intervention, on the other they include informal and spontaneous inputs. This is an approach that worked with the city as if it was a real laboratory, hosting micro scale experiments, pop-up architectural interventions, small installations, unconventional uses of public spaces and alternative proposals for cultural events in the city.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roversi R.; Longo D.; Massari M.; Orlandi S.; +1 Authors

    Il Patrimonio Culturale può rappresentare un fattore chiave nei processi circolari a scala urbana che innescano relazioni tra gli utenti e l’ambiente circostante, generando nuovo capitale urbano e valorizzando le capacità individuali e collettive. Il tema è affrontato attraverso una revisione di letteratura accademica e documentazione di policy e da un’analisi comparativa di due percorsi di rigenerazione condotti a Bologna e Bogotà: il progetto H2020 ROCK – Regeneration and Optimisation of Cultural Heritage in creative and Knowledge cities (GA 730280), sulla storica zona universitaria, e le sperimentazioni sull’ex scalo ferroviario Ravone del progetto OBRAS – Opportunities for Boosting urban capabilities, sviluppato parallelamente anche sulla Stazione de La Sabana a Bogotá, in Colombia. Cultural heritage can represent a key factor in circular processes on an urban scale that trigger relationships between users and the surrounding environment, generating new urban capital and enhancing individual and collective capacities. This topic is addressed through a review of academic literature and policy documents and a comparative analysis of two regeneration processes carried out in the cities of Bologna and Bogotà: the H2020 ROCK – Regeneration and Optimisation of Cultural Heritage in creative and Knowledge cities (GA 730280) project – on the historical university area, and the experiments on the former Ravone railway station of the OBRAS – Opportunities for Boosting urban capabilities project – developed in parallel on the La Sabana Station in Bogotá, Colombia.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Houpert Cécile; Draghia Miruna; Massari Martina;

    ROCK considers cultural heritage as an engine for sustainable growth in European cities. The approach proposed by the project implies dismantling the specialist idea of cultural heritage understood exclusively in terms of conservation. Cultural heritage - especially in its public and unused or underused spaces - is seen, instead, as an incremental and ever-changing repository of value that can drive both spatial and behavioral change. This change occurs in ROCK through incremental experiments based on a continuous exchange between local practices, administrative action and cognitive reflection, giving shape to a research-action-research methodology.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Orioli Valentina; Massari Martina; Roversi Rossella;

    In ROCK, cultural heritage is meant as a unique and powerful engine of regeneration and sustainable development but also of economic growth, starting from local assets and resources. ROCK Cities present a vast array of contextual values, experiences, legacies that were taken as a reference to start from, to define the on-site interventions to be implemented locally. This approach is based on a circular urban system model that implies the connection of initially separated urban “systems” - related to cultural, knowledge, green, regeneration, security, creativity dimensions. The circularity (Vernay, 2013) is strongly based on a continuous feedback loop, that shaped a research-action-research methodology (Boeri et al., 2019; Gianfrate et al., 2020), a continuous and dynamic investigation movement, in which speculation and practice, knowledge and action can never be separated. These actions entail soft and technological enabling actions: on the one hand as technical, organizational and administrative intervention, on the other they include informal and spontaneous inputs. This is an approach that worked with the city as if it was a real laboratory, hosting micro scale experiments, pop-up architectural interventions, small installations, unconventional uses of public spaces and alternative proposals for cultural events in the city.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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