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Im Rahmen des Horizon-2020-gef��rderten Projekts "Social Sciences & Humanities Open Cloud" (SSHOC), das eine Laufzeit von 2019���2022 hat, wird der SSH Open Marketplace entwickelt, der einen ��berblick nicht nur ��ber digitale Tools und Services bietet, sondern auch ��ber Trainingsmaterialien, Publikationen, Datensets und Workflows. Dabei werden diese miteinander kontextualisiert: Der Eintrag zu einem Tool verlinkt etwa Forschungspaper, die mithilfe dieses Tools entstanden sind, desweiteren passende Trainingseinheiten, zum Beispiel aus dem "Programming Historian", und, falls vorhanden, Forschungsdaten in einem f��r das Tool geeigneten Format. Das flexible Datenmodell und das Exponieren einer offenen API erm��glichen es, das gesammelte Praxiswissen f��r die Digital Humanities nutz- und erforschbar zu machen und eine neue, sich aktiv weiterentwickelnde Datenbasis daf��r zu schaffen. Ein Beitrag zur 8. Tagung des Verbands "Digital Humanities im deutschsprachigen Raum" - DHd 2022 Kulturen des digitalen Ged��chtnisses.

Text, techné and tenure: what remains out of scope of research evaluation in Humanities disciplines and how to change it for the better? (Slides presented at the OAI12 conference: https://oai.events/) Peer review is central scholarly practice that carries fundamental paradoxes from its inception. On the one hand, it is very difficult to open up peer review for the sake of empirical analysis, as it usually happens in closed black boxes of publishing and other gatekeeping workflows that are embedded in a myriad of disciplinary cultures, each of which comes very different, and usually competing notions of excellence. On the other hand, it is a practice that carries an enormous weight in terms of gatekeeping; shaping disciplines, publication patterns and power relations within academia. This central role of peer review alone explains why it is crucial to study to better understand situated evaluation practices, and to continually rethink them to strive for their best, and least imperfect (or reasonably imperfect) instances. How the notion of excellence and other peer review proxies are constructed and (re)negotiated in everyday practices across the SSH disciplines; who are involved in the processes and who remain out; what are the boundaries of peer review in terms of inclusiveness with content types; and how the processes are aligned or misaligned to research realities? What are the underlying reasons behind the persistence of certain proxies in the system and what are emerging trends and future innovations? To gain an in-depth understanding of these questions, as part of the H2020 project OPERAS-P, our task force collected and analysed 32 in-depth interviews with scholars about their motivations, challenges and experiences with novel practices in scholarly writing and in peer-review. The presentation will showcase the results of this study. Focus will be on the conflict between the richness of contemporary scholarship and the prestige economy that defines our current academic evaluation culture. The encoded and pseudonymized interview transcripts that form the basis of our analysis will be shared as open data in a certified data repository together with a rich documentation of the process so that our interpretations, conclusions and the resulting recommendations are clearly delineable from the rich input we had been working with and which are thus openly reusable for other purposes.

This report discusses the scholarly communication issues in Social Sciences and Humanities that are relevant to the future development and functioning of OPERAS. The outcomes collected here can be divided into two groups of innovations regarding 1) the operation of OPERAS, and 2) its activities. The “operational” issues include the ways in which an innovative research infrastructure should be governed (Chapter 1) as well as the business models for open access publications in Social Sciences and Humanities (Chapter 2). The other group of issues is dedicated to strategic areas where OPERAS and its services may play an instrumental role in providing, enabling, or unlocking innovation: FAIR data (Chapter 3), bibliodiversity and multilingualism in scholarly communication (Chapter 4), the future of scholarly writing (Chapter 5), and quality assessment (Chapter 6). Each chapter provides an overview of the main findings and challenges with emphasis on recommendations for OPERAS and other stakeholders like e-infrastructures, publishers, SSH researchers, research performing organisations, policy makers, and funders. Links to data and further publications stemming from work concerning particular tasks are located at the end of each chapter.

Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

The DDRS - or Data Deposit Recommendation Service - recommends research data repositories to humanities researchers searching for deposit services for their research data, which comply to criteria such as PIDs, funders’ requirements, disciplinary scope or language preferences. The presentation shows the DDRS as re3data use case and explains how the relation between the web service (DDRS) and re3data for the information retrieval is implemented. The DDRS is a demonstrator has been delivered in 2017 within the Humanities at Scale project, a DARIAH-EU undertaking, funded by the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 675570. {"references": ["https://hal.archives-ouvertes.fr/hal-03020703v1"]}

Mapping digital humanities in Spain (1993-2019) This dataset has been extensively analysed in the following paper https://doi.org/10.3145/epi.2020.nov.01 and has also been used for the following poster https://doi.org/10.5281/zenodo.4256689

The paper presents a journey, which starts from various social sciences and humanities (SSH) Research Infrastructures in Europe and arrives at the comprehensive "ecosystem of infrastructures", namely the European Open Science Cloud (EOSC). We will highlight how the SSH Open Science infrastructures contribute to the goal of establishing the EOSC. First, through the example of OPERAS, the European Research Infrastructure for Open Scholarly Communication in the SSH, to see how its services are conceived to be part of the EOSC and to address the communities' needs. The next two sections highlight collaboration practices between partners in Europe to build the SSH component of the EOSC and a SSH discovery platform, as a service of OPERAS and the EOSC. The last two sections will focus on an implementation network dedicated to SSH data fairification. The conference proceedings have been previously published on the website of LREC (https://lrec2020.lrec-conf.org/media/proceedings/Workshops/Books/LR4SSHOCbook.pdf) as well as harvested and indexed via ACL Anthology (https://www.aclweb.org/anthology/volumes/2020.lr4sshoc-1/). Details about the "LR4SSHOC: LREC2020 workshop about Language Resources for the SSH Cloud" can be found here: https://www.clarin.eu/LR4SSHOC. ........ The paper was written as part of the TRIPLE project (https://www.gotriple.eu/), which is financed under the Horizon 2020 framework (https://cordis.europa.eu/project/id/863420) with approx. 5.6 million Euros for a duration of 42 months (2019-2023). At the heart of the project is the development of the TRIPLE platform, an innovative multilingual and multicultural discovery solution.

The European Holocaust Research Infrastructure (EHRI) portal website aims to aggregate digitally available archival descriptions concerning the Holocaust. This portal is actually a meta-catalogue, or an information aggregator, whose biggest goal is to have up-to-date information by means of building sustainable data pipelines between EHRI and its content providers. Just like in similar archival information aggregators (e.g. Archives Portal Europe or Monasterium), the XML-based metadata standard Encoded Archival Description (EAD) plays a key role. The article presents how EADs are imported into the portal, mainly thanks to the Open Archive Initiative protocols.