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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The TEITOK REST API lets you interact with your corpus remotely - to upload documents in various formats - automatically converted to TEI/XML; to render search results; to run an NLP pipeline on the server; or download the content of corpus document, treat that content locally with local NLP tools or manual annotation tools, and then upload the results back to the server, where the new or corrected annotations will be incorporated into the original TEI/XML document without destroying any of the potentially complex annotations already in the document.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other literature type . 2023
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Article . 2023
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Conference object . 2023
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Conference object . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Conference object . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Giovannini, Luca; Skorinkin, Daniil; Trilcke, Peer; Börner, Ingo; +4 Authors

    The multilingual DraCor platform (https://www.dracor.org) represents a valuable resource for literature and theatre scholars, allowing them to host, access and analyse thousands of plays from Antiquity to the XX century. After briefly presenting the workflow for the ingestion of new plays into our ecosystem, we focus on the collaborative side of our endeavours, demonstrating how external scholars can benefit from a range of tools and guides to easily prepare and submit their own collections. As a showcase of the process, we present three corpora currently in production, focusing respectively on Ukrainian, Czech, and Early Modern English literature.

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    ZENODO
    Other literature type . 2023
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2023
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2023
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2023
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Birkholz, Julie M.; Börner, Ingo; Byszuk, Joanna; Chambers, Sally; +27 Authors

    The aim of this poster is to provide an overview of the work carried out in the CLS INFRA project and its conclusions for the field of Computational Literary Studies.

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    Article . 2023
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2023
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mrugalski, Michał; Charvat, Vera Maria; Börner, Ingo; Durco, Matej; +2 Authors

    Using the exemplary case of scanning European text collections for instances of the genre "haiku", this short presentation will illustrate the need for the methods and tools being developed in the CLS INFRA project. Specifically, it will show which procedures are necessary to optimally structure corpora for the CLS community.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2023
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Conference object . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rooryck, Johan; Bargheer, Margo; Mounier, Pierre; Stern, Niels;

    Presentation slides from CRAFT-OA, DIAMAS, and PALOMERA joint project webinar (20/06/23). Recording available on YouTube. Three projects. Over 40 partners. One goal: Community-led Open Scholarly Publishing. EU projects CRAFT-OA, DIAMAS, and PALOMERA are working for an equitable future for scholarly communication, with academic communities at the centre. In the webinar, participants were introduced to each project and their individual aims. Following this, discussion focused on how, despite their separate focus areas, their efforts work towards a broad and common vision for a more open and equitable scholarly publishing ecosystem. CRAFT-OA empowers regional journal platforms and publishing service providers to upscale, professionalise, and reach stronger interoperability with other scientific information systems, by providing services and tools. The DIAMAS project is developing common standards, guidelines and practices to build capacity for the Diamond publishing sector. Formulating recommendations of this kind aims to create a more sustainable future for OA Diamond Publishing in Europe. PALOMERA has set out to provide actionable recommendations and concrete resources to support and coordinate aligned funder and institutional policies for Open Access books. Doing so involves assessing challenges and bottlenecks that currently slow the widespread implementation of OA book policy.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Presentation . 2023
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . Article . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Presentation . 2023
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . Article . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Purpose Science policy and practice for open access (OA) books is a rapidly evolving area in the scholarly domain. However, there is much that remains unknown, including how many OA books there are and to what degree they are included in preservation coverage. The purpose of this study is to contribute towards filling this knowledge gap in order to advance both research and practice in the domain of OA books. Design/methodology/approach This study utilized open bibliometric data sources to aggregate a harmonized dataset of metadata records for OA books (data sources: the Directory of Open Access Books, OpenAIRE, OpenAlex, Scielo Books, The Lens, and WorldCat). This dataset was then cross-matched based on unique identifiers and book titles to openly available content listings of trusted preservation services (data sources: Cariniana Network, CLOCKSS, Global LOCKSS Network, and Portico). The web domains of the OA books were determined by querying the web addresses or digital object identifiers provided in the metadata of the bibliometric database entries. Findings In total, 396,995 unique records were identified from the OA book bibliometric sources, of which 19% were found to be included in at least one of the preservation services. The results suggest reason for concern for the long tail of OA books distributed at thousands of different web domains as these include volatile cloud storage or sometimes no longer contained the files at all. Research limitations/implications Data quality issues, varying definitions of OA across services and inconsistent implementation of unique identifiers were discovered as key challenges. The study includes recommendations for publishers, libraries, data providers and preservation services for improving monitoring and practices for OA book preservation. Originality/value This study provides methodological and empirical findings for advancing the practices of OA book publishing, preservation and research. Funding Information: The author is grateful to Alicia Wise and Ronald Snijder for assisting in the identification of available datasets and valuable feedback throughout the study. Publisher Copyright: © 2023, Mikael Laakso. Peer reviewed

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    Journal of Documentation
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      Journal of Documentation
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    Authors: Álvaro Pérez Pozo; Javier de la Rosa; Aitor Díaz; Salvador Ros; +1 Authors

    Averell is a tool designed to ease working with annotated poetry repositories. It allows users to download and reconcile different annotated corpora, providing a unified JSON output at the desired granularity. This can be useful for researchers who need to work with substantial amounts of poetry data and need to be able to specify the level of detail they want in their final dataset.

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    Authors: Alejandro Benito-Santos; Alejandro Benito-Santos; Salvador Muñoz; Roberto Therón Sánchez; +1 Authors

    Metrical and rhythmical poetry analysis is founded on the systematic statistical analysis and comparison of sonic devices (e.g., rhythmic patterns) that emerge from a combination of pre-established aesthetic and structural rules and the poet's abilities and creative genius to convey a given message adhering to the said constraints. These rhythmical patterns, which have been traditionally obtained by means of a careful close reading of the poems, in a process known as “scansion,” can now be obtained and made visible by automatic means. However, the visualization literature is still scarce on approaches that allow an insightful close and distant reading of the rhythmical patterns in a poetry corpus. In this work, we report our initial efforts in characterizing of the visualization design space of distant and close reading of poetic rhythm. By employing a digital version of a corpus of 11,268 verses originally written by the Spanish poet and playwright Federico García-Lorca (1898–1936), we could craft several prototypical visualizations representative of the inherent complexity of the problem which we expect to employ in future user studies and that we share here with the rest of the community to foster further discussion around this interesting topic.

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    Frontiers in Big Data
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    Frontiers in Big Data
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      Frontiers in Big Data
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    Authors: Acconcia V.; Boi V.; Candela L.; Falcone A.; +4 Authors

    L’articolo racconta l’esperienza del D4GNA - Dataset per il Geoportale Nazionale dell’Archeologia nato nell’ambito del progetto ARIADNEplus (Advanced Research Infrastructure for Archaeological Dataset Networking in Europe - plus), conclusosi lo scorso 31 dicembre. Il contributo parte dal contesto più ampio del progetto europeo per addentrarsi nel mondo dei dati archeologici italiani; la soluzione tecnologica, la standardizzazione, la dematerializzazione e la condivisione in rete dei dati sono i temi toccati in questo percorso che ci illustra il procedere verso un obiettivo virtuoso: il Geoportale Nazionale per l’Archeologia (GNA). Il GNA, realizzato dall’Istituto Centrale per l’Archeologia (ICA) e che sarà in rete dal 10 luglio 2023, è il punto di accesso nazionale per accogliere e consultare gli interventi archeologici svolti sotto la direzione scientifica del Ministero della Cultura (MiC), le indagini archeologiche condotte da università e altri enti di ricerca, nonché altre banche dati territoriali.

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    CNR ExploRA; DigItalia
    Article . 2023 . Peer-reviewed
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    ISTI Open Portal
    Article . 2023
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    Authors: Maryl, Maciej; Błaszczyńska, Marta; Tóth-Czifra, Erzsébet;

    Scholars see innovative means of disseminating their work and data as a chance to improve the process of sharing ideas with different audiences, thanks to technological affordances. They understand innovation either in terms of form (novel means of communicating ideas through different media), or access (opening up outputs and making them easily accessible) (cf. Maryl and Błaszczyńska 2021, p. 34). What we consider a “scholarly text” has thus become understood as an expression that can employ different media and engage creatively with underlying data. However, engaging with novel forms of communication poses new challenges to scholars, who may lack competencies, know-how, or adequate resources to take full advantage of innovative outputs (Tasovac et al. 2018). This presentation will outline the means of support provided by OPERAS Innovation Lab in establishing interdisciplinary, collaborative workflows for supporting innovative outputs in social sciences and humanities (SSH) throughout their lifecycle. The Lab provides guidelines on how to create and sustain FAIR innovative outputs in the SSH. The poster will highlight the ideas behind creating the OPERAS Innovation Lab and the activities that the Lab engages in.

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    The TEITOK REST API lets you interact with your corpus remotely - to upload documents in various formats - automatically converted to TEI/XML; to render search results; to run an NLP pipeline on the server; or download the content of corpus document, treat that content locally with local NLP tools or manual annotation tools, and then upload the results back to the server, where the new or corrected annotations will be incorporated into the original TEI/XML document without destroying any of the potentially complex annotations already in the document.

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    Authors: Giovannini, Luca; Skorinkin, Daniil; Trilcke, Peer; Börner, Ingo; +4 Authors

    The multilingual DraCor platform (https://www.dracor.org) represents a valuable resource for literature and theatre scholars, allowing them to host, access and analyse thousands of plays from Antiquity to the XX century. After briefly presenting the workflow for the ingestion of new plays into our ecosystem, we focus on the collaborative side of our endeavours, demonstrating how external scholars can benefit from a range of tools and guides to easily prepare and submit their own collections. As a showcase of the process, we present three corpora currently in production, focusing respectively on Ukrainian, Czech, and Early Modern English literature.

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    Authors: Birkholz, Julie M.; Börner, Ingo; Byszuk, Joanna; Chambers, Sally; +27 Authors

    The aim of this poster is to provide an overview of the work carried out in the CLS INFRA project and its conclusions for the field of Computational Literary Studies.

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    Authors: Mrugalski, Michał; Charvat, Vera Maria; Börner, Ingo; Durco, Matej; +2 Authors

    Using the exemplary case of scanning European text collections for instances of the genre "haiku", this short presentation will illustrate the need for the methods and tools being developed in the CLS INFRA project. Specifically, it will show which procedures are necessary to optimally structure corpora for the CLS community.

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    Authors: Rooryck, Johan; Bargheer, Margo; Mounier, Pierre; Stern, Niels;

    Presentation slides from CRAFT-OA, DIAMAS, and PALOMERA joint project webinar (20/06/23). Recording available on YouTube. Three projects. Over 40 partners. One goal: Community-led Open Scholarly Publishing. EU projects CRAFT-OA, DIAMAS, and PALOMERA are working for an equitable future for scholarly communication, with academic communities at the centre. In the webinar, participants were introduced to each project and their individual aims. Following this, discussion focused on how, despite their separate focus areas, their efforts work towards a broad and common vision for a more open and equitable scholarly publishing ecosystem. CRAFT-OA empowers regional journal platforms and publishing service providers to upscale, professionalise, and reach stronger interoperability with other scientific information systems, by providing services and tools. The DIAMAS project is developing common standards, guidelines and practices to build capacity for the Diamond publishing sector. Formulating recommendations of this kind aims to create a more sustainable future for OA Diamond Publishing in Europe. PALOMERA has set out to provide actionable recommendations and concrete resources to support and coordinate aligned funder and institutional policies for Open Access books. Doing so involves assessing challenges and bottlenecks that currently slow the widespread implementation of OA book policy.

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    Purpose Science policy and practice for open access (OA) books is a rapidly evolving area in the scholarly domain. However, there is much that remains unknown, including how many OA books there are and to what degree they are included in preservation coverage. The purpose of this study is to contribute towards filling this knowledge gap in order to advance both research and practice in the domain of OA books. Design/methodology/approach This study utilized open bibliometric data sources to aggregate a harmonized dataset of metadata records for OA books (data sources: the Directory of Open Access Books, OpenAIRE, OpenAlex, Scielo Books, The Lens, and WorldCat). This dataset was then cross-matched based on unique identifiers and book titles to openly available content listings of trusted preservation services (data sources: Cariniana Network, CLOCKSS, Global LOCKSS Network, and Portico). The web domains of the OA books were determined by querying the web addresses or digital object identifiers provided in the metadata of the bibliometric database entries. Findings In total, 396,995 unique records were identified from the OA book bibliometric sources, of which 19% were found to be included in at least one of the preservation services. The results suggest reason for concern for the long tail of OA books distributed at thousands of different web domains as these include volatile cloud storage or sometimes no longer contained the files at all. Research limitations/implications Data quality issues, varying definitions of OA across services and inconsistent implementation of unique identifiers were discovered as key challenges. The study includes recommendations for publishers, libraries, data providers and preservation services for improving monitoring and practices for OA book preservation. Originality/value This study provides methodological and empirical findings for advancing the practices of OA book publishing, preservation and research. Funding Information: The author is grateful to Alicia Wise and Ronald Snijder for assisting in the identification of available datasets and valuable feedback throughout the study. Publisher Copyright: © 2023, Mikael Laakso. Peer reviewed

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    Journal of Documentation
    Article . 2023 . Peer-reviewed
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      Journal of Documentation
      Article . 2023 . Peer-reviewed
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    Authors: Álvaro Pérez Pozo; Javier de la Rosa; Aitor Díaz; Salvador Ros; +1 Authors

    Averell is a tool designed to ease working with annotated poetry repositories. It allows users to download and reconcile different annotated corpora, providing a unified JSON output at the desired granularity. This can be useful for researchers who need to work with substantial amounts of poetry data and need to be able to specify the level of detail they want in their final dataset.

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    Authors: Alejandro Benito-Santos; Alejandro Benito-Santos; Salvador Muñoz; Roberto Therón Sánchez; +1 Authors

    Metrical and rhythmical poetry analysis is founded on the systematic statistical analysis and comparison of sonic devices (e.g., rhythmic patterns) that emerge from a combination of pre-established aesthetic and structural rules and the poet's abilities and creative genius to convey a given message adhering to the said constraints. These rhythmical patterns, which have been traditionally obtained by means of a careful close reading of the poems, in a process known as “scansion,” can now be obtained and made visible by automatic means. However, the visualization literature is still scarce on approaches that allow an insightful close and distant reading of the rhythmical patterns in a poetry corpus. In this work, we report our initial efforts in characterizing of the visualization design space of distant and close reading of poetic rhythm. By employing a digital version of a corpus of 11,268 verses originally written by the Spanish poet and playwright Federico García-Lorca (1898–1936), we could craft several prototypical visualizations representative of the inherent complexity of the problem which we expect to employ in future user studies and that we share here with the rest of the community to foster further discussion around this interesting topic.

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    Frontiers in Big Data
    Article . 2023
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    Frontiers in Big Data
    Article . 2023 . Peer-reviewed
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      Frontiers in Big Data
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      Frontiers in Big Data
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    Authors: Acconcia V.; Boi V.; Candela L.; Falcone A.; +4 Authors

    L’articolo racconta l’esperienza del D4GNA - Dataset per il Geoportale Nazionale dell’Archeologia nato nell’ambito del progetto ARIADNEplus (Advanced Research Infrastructure for Archaeological Dataset Networking in Europe - plus), conclusosi lo scorso 31 dicembre. Il contributo parte dal contesto più ampio del progetto europeo per addentrarsi nel mondo dei dati archeologici italiani; la soluzione tecnologica, la standardizzazione, la dematerializzazione e la condivisione in rete dei dati sono i temi toccati in questo percorso che ci illustra il procedere verso un obiettivo virtuoso: il Geoportale Nazionale per l’Archeologia (GNA). Il GNA, realizzato dall’Istituto Centrale per l’Archeologia (ICA) e che sarà in rete dal 10 luglio 2023, è il punto di accesso nazionale per accogliere e consultare gli interventi archeologici svolti sotto la direzione scientifica del Ministero della Cultura (MiC), le indagini archeologiche condotte da università e altri enti di ricerca, nonché altre banche dati territoriali.

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    CNR ExploRA; DigItalia
    Article . 2023 . Peer-reviewed
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    ISTI Open Portal
    Article . 2023
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      CNR ExploRA; DigItalia
      Article . 2023 . Peer-reviewed
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      ISTI Open Portal
      Article . 2023
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    Authors: Maryl, Maciej; Błaszczyńska, Marta; Tóth-Czifra, Erzsébet;

    Scholars see innovative means of disseminating their work and data as a chance to improve the process of sharing ideas with different audiences, thanks to technological affordances. They understand innovation either in terms of form (novel means of communicating ideas through different media), or access (opening up outputs and making them easily accessible) (cf. Maryl and Błaszczyńska 2021, p. 34). What we consider a “scholarly text” has thus become understood as an expression that can employ different media and engage creatively with underlying data. However, engaging with novel forms of communication poses new challenges to scholars, who may lack competencies, know-how, or adequate resources to take full advantage of innovative outputs (Tasovac et al. 2018). This presentation will outline the means of support provided by OPERAS Innovation Lab in establishing interdisciplinary, collaborative workflows for supporting innovative outputs in social sciences and humanities (SSH) throughout their lifecycle. The Lab provides guidelines on how to create and sustain FAIR innovative outputs in the SSH. The poster will highlight the ideas behind creating the OPERAS Innovation Lab and the activities that the Lab engages in.

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