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36 Research products

  • DARIAH EU
  • 2013-2022
  • DARIAH EU
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  • Authors: Mache, Beata;
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  • Authors: Tur, Georvic; Homsi, Masun Nabhan;

    Social media are increasingly being used as sources in mainstream news coverage. However, since news is so rapidly updating it is very easy to fall into the trap of believing everything as truth. Spam content usually refers to the information that goes viral and skews users' views on subjects. To this end, this paper introduces a new approach for detecting spam tweets using Cost-Sensitive Classifier that includes Random Forest. Tweets were first annotated manually and then four different sets of features were extracted from them. Afterward, four machine learning algorithms were cross-validated to determine the best base classifier for spam detection. Finally, class imbalanced problem was dealt by resampling and incorporating arbitrary misclassification costs into the learning process. Results showed that the proposed approach helped mitigate overfitting and reduced classification error by achieving an overall accuracy of 89.14% in training and 76.82% in testing.

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    https://doi.org/10.1109/clei.2...
    Article . Conference object . 2017 . Peer-reviewed
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      https://doi.org/10.1109/clei.2...
      Article . Conference object . 2017 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daga, Enrico; Asprino, Luigi; Damiano, Rossana; Diaz Agudo, Belen; +9 Authors

    Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Reinhard Altenhöner; Ina Blümel; Franziska Boehm; Jens Bove; +21 Authors

    Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies. The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Article . 2020
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    KITopen
    Article . 2020
    License: CC BY
    Data sources: KITopen
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.5445/ir/100...
    Article . 2020
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Research Ideas and Outcomes
    Article
    License: CC BY
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Research Ideas and Outcomes
    Article . 2020 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.25968/opus-...
    Article . 2023
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      KITopen
      Article . 2020
      License: CC BY
      Data sources: KITopen
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5445/ir/100...
      Article . 2020
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Research Ideas and Outcomes
      Article
      License: CC BY
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Research Ideas and Outcomes
      Article . 2020 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.25968/opus-...
      Article . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dallas, Costis; Chatzidiakou, Nephelie; Gonzalez-Blanco, Elena; Garrido, Patricia; +27 Authors

    Este informe resume el análisis estadístico de los resultados de una encuesta online que ha sido llevada a cabo por el Digital Methods and Practices Observatory (DiMPO), un grupo de trabajo del VCC2 de la infraestructura de investigación DARIAH (Digital Research Infrastructure for the Arts and Humanities). Para proporcionar resultados basados en evidencias reales y actualizadas sobre las prácticas que se están desarrollando actualmente, así como las necesidades y actitudes de los investigadores europeos que implican el uso del entorno digital, esta encuesta se ha llevado a cabo gracias a un grupo internacional de investigadores de más de una docena de países, y se ha realizado centrándose en analizar las prácticas, actitudes y necesidades del mundo digital en la investigación en Europa a través de diferentes disciplinas de artes y humanidades y sus contextos de aplicación. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Report . 2017
    License: CC BY
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Report . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lassner, David; Coburger, Julius; Neudecker, Clemens; Baillot, Anne;

    In dieser Arbeit stellen wir einen OCR-Trainingsdatensatz für historische Drucke vor und zeigen, wie sich im Vergleich zu unspezifischen Modellen die Erkennungsgenauigkeit verbessert, wenn sie mithilfe dieser Daten weitertrainiert werden. Wir erörtern die Nachnutzbarkeit dieses Datensatzes anhand von zwei Experimenten, die die rechtliche Grundlage zur Veröffentlichung digitalisierter Bilddateien am Beispiel von deutschen und englischen Büchern des 19. Jahrhunderts betrachten. Wir präsentieren ein Framework, mit dem OCR-Trainingsdatensätze veröffentlicht werden können, auch wenn die Bilddateien nicht zur Wiederveröffentlichung freigegeben sind. We present an OCR ground truth data set for historical prints and show improvement of recognition results over baselines with training on this data. We reflect on reusability of the ground truth data set based on two experiments that look into the legal basis for reuse of digitized document images in the case of 19th century English and German books. We propose a framework for publishing ground truth data even when digitized document images cannot be easily redistributed. Fabrikation von Erkenntnis – Experimente in den Digital Humanities. Hg. von Manuel Burghardt, Lisa Dieckmann, Timo Steyer, Peer Trilcke, Niels Walkowski, Joëlle Weis, Ulrike Wuttke. Wolfenbüttel 2021—2022. (= Zeitschrift für digitale Geisteswissenschaften / Sonderbände, 5)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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    https://doi.org/10.17175/sb005...
    Data Paper . 2021
    License: CC BY SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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      https://doi.org/10.17175/sb005...
      Data Paper . 2021
      License: CC BY SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Toth-Czifra, Erzsébet; Clivaz, Claire; Maryl, Maciej; Stojavovski, Jadranka; +1 Authors

    Communicating is a par excellence scholarly primitive, all probably the most universal scholarly activity across disciplines and over time. This, however, does not imply the uniformity of scholarly communication practices. This is especially true for the humanities domain where the need for cultural nuance in many fields, scholarly outputs are usually grounded in regional, national and language-specific communities. But what are the chances and limitations of bibliodiversity and media diversity in everyday scholarly communication practices? How we can communicate research results in ways that truly align with our increasingly digital and diverse research workflows? What are the cases where the evaluation is disconnected to novel forms of research and what are the possibilities for re-harmonization? Considering that the traditional paradigm of article and book publishing still serves as the highest value currency of career-development in Humanities, the stakes are especially high when looking for answers to such questions. The Innovations in Scholarly Communication Work Package of the Horizon2020 project OPERAS-P is conducting an open consultation to get a better understanding about current trends, gaps and community needs in scholarly writing and research evaluation practices. Working closely with the OPERAS infrastructure dedicated to scholarly communication in the SSH domain, we are in the position to directly translate these needs into supporting the development of the relevant OPERAS activities and services. This workshop, organised in coordination with the DiMPO WG, will be centred around the four scholarly primitives of communicating, linking, commenting, and evaluating. We will look how these basic scholarly activities can be supported by novel scholarly communication practices. Workshop format Target audience: scholars in various humanities disciplines from the DARIAH-community. What participants can gain: Shared knowledge of workflows and resources for innovative scholarly communication that are well-grounded in research realities of the Humanities. Participants' needs will be amplified in the European policy debates and will be considered in the development of scholarly communication services provided by OPERAS: Contribution to DARIAH community: Although scholarly communication is an elementary scholarly activity, this topic has not yet been addressed in DARIAH Annual Event workshops. Recommendations will be incorporated into both DARIAHOpen and DARIAH DiMPO outputs, as well as the forthcoming recommendations to Humanities researchers being prepared by the OPERAS Innovations WG. Method: World café with questions addressing various aspects of research publications (writing, linking, commenting, evaluating) in the humanities. The workshop will build upon the versatile experience of the DiMPO and the OPERAS Working Groups covering such techniques as user stories, process collage, thermometers of indicators etc. adapted for this workshop. Outline: Introduction flesh talks (30 mins) Presentation of OPERAS WP 6. Innovation Writing innovations/challenges with special focus on data publications + presentation of the journals JODH and RDJHSS for further discussion in the breakout room Peer review challenges + presentation of Publons to be further discussed in the breakout Presentation of the findings of the OPERAS-P Landscape Study Presentation of The Open Science Career Assessment Matrix to be further discussed in the breakout BREAKOUT discussions (30 mins) Two SSH data journals: JOHD and RDJHSS (Claire and Elisa) Publons (Erzsébet) OS metrics (Maciej and Jadranka) Reporting back, conclusion (20’)

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    Other literature type . Article . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mache, Beata;

    Duisburg, Essen, Univ., Diss., 2015 Die "Universal-Kirchenzeitung" war der frühe Versuch eines gleichberechtigten interkonfessionellen Dialogs unter Beteiligung von protestantischen, katholischen und "israelitischen" Redakteuren und Autoren. Sie brachte zweimal wöchentlich "kirchliche" Nachrichten aus allen Teilen der Welt, Rezensionen sowie Aufsätze. Von Reformern begrüßt, von anderen heftig kritisiert, in Preußen umgehend verboten, stand sie, im Geist der Aufklärung, aber in antiaufklärerischer Zeit, jedoch schnell zwischen allen Stühlen und stellte ihr Erscheinen nach nur genau einem Jahrgang ein. Die "Universal-Kirchenzeitung" war eine lange Zeit rare, kaum noch zugängliche und deshalb weitgehend nicht erforschte Quelle. Die vorliegende Arbeit erschließt die 1837 in 104 Ausgaben erschienene "Universal-Kirchenzeitung" thematisch-inhaltlich, widmet sich Geschichte und Schicksal, dokumentiert detailliert die enthaltenen Beiträge und ihren Autoren. Ein eigenes Kapitel geht auf die Frage nach der jüdischen Beteiligung an diesem Projekt ein. Neben der inhaltlichen Eröffnung dieses Forschungsfeldes dokumentiert die Arbeit zugleich die ebenfalls abgeschlossene und als Netzpublikation verfügbare digitale Edition der "Universal-Kirchenzeitung" (urn:nbn:de:0230-20090410994). Dazu bringt sie eine Einführung in die Editionsphilologie, die, bezogen auf die Geisteswissenschaft, früh von einer digitalen Revolution ergriffen wurde, die überhaupt erst die Neuausgabe eines solchen Periodikums möglich machte. Bei der Neuausgabe galt es, methodische Erfordernisse zu klären, und ebenso bewährte wie zeitgemäße Mittel und Methoden digitalen Edierens zu identifizieren und anzuwenden. So geht die Arbeit einerseits auf Fragen der Langfristverfügbarkeit (URN-Verfahren) ein, die ebenso infrastrukturelle Aspekte als auch Codierungs- und Speicherformate betreffen (TEI, PDF/A). Andererseits gerät ebenso die wissenschaftliche Interoperabilität in den Blick, etwa am Beispiel von Normdaten wie der Gemeinsamen Normdatei (GND) der Deutschen Nationalbibliothek, und der Auffindbarkeit durch Techniken wie BEACON und COinS.

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    Other literature type . 2017
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  • Authors: Georgios Artopoulos;

    This article reports on the technical development and testing of the basic components of a virtual environment platform that could be used for the cross-disciplinary study of complex urban realities, such as the historic city of Nicosia, Cyprus - the last divided capital of Europe. This platform captures data of virtual visitors' movements in space, and the article suggests that these data could help better understand the impact of planning scenarios and design interventions in open public spaces that used to be popular among the citizens of the historic city. The article presents how this platform uses interaction and immersion opportunities to engage citizens and stakeholders in the management of public open spaces that are associated with built heritage. Crowd simulation is discussed as a computational technique that when is combined with the presented virtual environment platform, and under the right conditions, would contribute to a digital practice for small-scale urban modelling. However, it is beyond the scope of this technical note to provide a full empirical testing and validation of the presented immersive virtual environment.

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    Authors: Edmond, Jennifer; Morselli, Francesca;

    PurposeThis paper proposes a new perspective on the enormous and unresolved challenge to existing practices of publication and documentation posed by the outputs of digital research projects in the humanities, where much good work is being lost due to resource or technical challenges.Design/methodology/approachThe paper documents and analyses both the existing literature on promoting sustainability for the outputs of digital humanities projects and the innovative approach of a single large-scale project.FindingsThe findings of the research presented show that sustainability planning for large-scale research projects needs to consider data and technology but also community, communications and process knowledge simultaneously. In addition, it should focus not only on a project as a collection of tangible and intangible assets, but also on the potential user base for these assets and what these users consider valuable about them.Research limitations/implicationsThe conclusions of the paper have been formulated in the context of one specific project. As such, it may amplify the specificities of this project in its results.Practical implicationsAn approach to project sustainability following the recommendations outlined in this paper would include a number of uncommon features, such as a longer development horizon, wider perspective on project results, and an audit of tacit and explicit knowledge.Social ImplicationsThese results can ultimately preserve public investment in projects.Originality/valueThis paper supplements more reductive models for project sustainability with a more holistic approach that others may learn from in mapping and sustaining user value for their projects for the medium to long terms.

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  • Authors: Mache, Beata;
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  • Authors: Tur, Georvic; Homsi, Masun Nabhan;

    Social media are increasingly being used as sources in mainstream news coverage. However, since news is so rapidly updating it is very easy to fall into the trap of believing everything as truth. Spam content usually refers to the information that goes viral and skews users' views on subjects. To this end, this paper introduces a new approach for detecting spam tweets using Cost-Sensitive Classifier that includes Random Forest. Tweets were first annotated manually and then four different sets of features were extracted from them. Afterward, four machine learning algorithms were cross-validated to determine the best base classifier for spam detection. Finally, class imbalanced problem was dealt by resampling and incorporating arbitrary misclassification costs into the learning process. Results showed that the proposed approach helped mitigate overfitting and reduced classification error by achieving an overall accuracy of 89.14% in training and 76.82% in testing.

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    https://doi.org/10.1109/clei.2...
    Article . Conference object . 2017 . Peer-reviewed
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      https://doi.org/10.1109/clei.2...
      Article . Conference object . 2017 . Peer-reviewed
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    Authors: Daga, Enrico; Asprino, Luigi; Damiano, Rossana; Diaz Agudo, Belen; +9 Authors

    Digital archives of memory institutions are typically concerned with the cataloguing of artefacts of artistic, historical, and cultural value. Recently, new forms of citizen participation in cultural heritage have emerged, producing a wealth of material spanning from visitors’ experiential feedback on exhibitions and cultural artefacts, to digitally mediated interactions like the ones happening on social media platforms. Citizen curation is proposed in the context of the European project SPICE - Social Participation, Cohesion, and Inclusion through Cultural Engagement - as a methodology for producing, collecting, interpreting, and archiving people’s responses to cultural objects, with the aim of favouring the emergence of multiple, sometimes conflicting viewpoints, and motivating users and memory institutions to reflect upon them. We argue that citizen curation urges to rethink the nature of computational infrastructures supporting data management of memory institutions, bringing novel challenges that include issues of distribution, authoritativeness, interdependence, privacy, and rights management. To approach these issues, we survey relevant literature towards a distributed, Linked Data infrastructure, with a focus on identifying the roles and requirements involved in such an infrastructure. We show how existing research can contribute significantly in facing the challenges raised by citizen curation, and discuss challenges and opportunities from the socio-technical standpoint.

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    Authors: Reinhard Altenhöner; Ina Blümel; Franziska Boehm; Jens Bove; +21 Authors

    Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies. The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.

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    ZENODO
    Article . 2020
    License: CC BY
    Data sources: ZENODO
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    KITopen
    Article . 2020
    License: CC BY
    Data sources: KITopen
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    https://doi.org/10.5445/ir/100...
    Article . 2020
    License: CC BY
    Data sources: Datacite
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    Research Ideas and Outcomes
    Article
    License: CC BY
    Data sources: UnpayWall
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    Research Ideas and Outcomes
    Article . 2020 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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